Circle of Chaïm Soutine, Expressionist painting of Fishermen in a French harbour

A wonderful summer sky in this well known Suffolk view. Geoffrey Chatten ( born 1942) Shingle Street, Suffolk Signed Oil on board 14 x 21 inches inc...

A wonderful example of the artist's work depicting an idyllic scene in the Norfolk countryside. Owen Waters (1916-2004) Norfolk pastures Signed, inscribed...

A super example of one of Nicholas Hely Hutchinson's whimsical compositions, very much bringing to mind the work of Raoul Dufy. A very collect...

A very atmospheric sketch of a figuring hurrying through a park. The red figure drawn into focus against a green background. Circle of Paul Fordyce Maitland (1863-1909) A figure in ...

A wonderful example of the artist's work depicting an idyllic scene in the Norfolk countryside. Owen Waters (1916-2004) Norfolk pastures Signed, inscribed to the reverse Oil on boar...

A wonderful example of the artist's work depicting an idyllic scene in the Norfolk countryside. Owen Waters (1916-2004) Norfolk pastures Signed, inscribed to the reverse Oil on boar...

Alphons (Alfons) Müller (Swiss, * 24.8.1898 Mitlödi, † 8.6.1955 Biel) ' Im Häfeli ' The small harbor at the Lake of Biel / Bienne in Switzerland • Oil on artist board, ca. 47 x 38 cm • Frame, ca. 54 x 45 cm • Signed bottom right Alphons Müller lived and worked in the watch industries in Biel/Bienne in Switzerland up to about 1933. He then decided to become a full-time artist and painted landscapes, still lifes, portraits/nudes in various styles up to his early death in 1955. Alphons Müller was the proverbial hardworking bohemian artist. He lived in a small cold room above a pup and often struggled to make ends meet. On one hand he would paint commercial views of local beauty spots - often of the Lake of Bienne. These paintings were generally executed using very thin paint layers (to make the expensive material last longer ...) in a very bright impressionist style. On the other hand, he would create intelligent, generous and deep reaching images - especially during the war. In the late thirties he meets his two loyal patrons, the baker Werner Gass and the pharmacist...

Substantial small painting of a Swiss Mountain village by Otto Hamel (German, 1866-1950). Signed "Otto Hamel" lower right. Presented in a giltwood frame. Image, 9.5"H x 13"L. A German Expressionist, Otto Hamel studied at the Royal Art School in Erfurt under Eduard von Hagen...

Paris. 2009, canvas on cardboard, oil, 30x40 cm Sunny day in Paris with people and cars

Colorful autumn landscape. 1979, oil on cardboard, 46,5x60 cm Based on reality, artist painted expressionistic landscapes in which he dramatized the expression of shapes and colors....

Old Town Streets, Mid Century Modern Chilean Village Figurative Landscape Vibrant and expressive mid century modern figural landscape oil painting by Luis Valenzuela (Chilean, 20th Century), 1965. Small silhouetted figures stroll down the colorful yellow and blue city streets of old Santiago, Chile at night. The artist uses loose, painterly brushstrokes and dots the canvas with warm red highlights, giving this piece a sense of exuberance and life. Signed "Luis Valenzuela 1965" lower left. Presented in a carved period giltwood frame. Board size; 20"H x 24"W. Luis Valenzuela was born in Santiago de Chile. He studied his elementary and middle school in Victorino Lastarria (Providencia). At age 17 he started in the oil painting arts, where his innate talent flows. It was perfected in the Palace of Fine Arts (1964, 1965), receiving instruction from teachers Carlos Pedraza, Reinaldo Villaseñor, Matilde...

Figurative Expressionist portrait and scene of a travellers gypsy caravan. The painting is signed bottom right, Fayo (?) but further research is necessary for an attribution. Presented in a fine chip carved Montparnasse frame. Provenance: from a Private French collection, South of France. A strong and powerful scene, part portrait part scene of a travellers life. Both characters seem to be in quiet contemplation aware of each other but not looking. The artist has created a mood to the painting featuring simple lines with an almost monumental quality and muted colour harmonies. The work is very reminiscent of the paintings of Ramiro Arrue and the scenes of his beloved Basque country. Ramiro Arrue was born in Bilbao, into an artistic family: his three older brothers, Alberto, Ricardo, and José, were also artists and frequently held joint exhibitions with him. He also had two sisters. Their father, Lucas Arrue, was an art collector who sold his collections (including a Goya) to pay for the artistic training of his sons. At the age of nineteen, Ramiro travelled to Paris to take courses at the Académie de la Grande Chaumière. Living in Montparnasse, he became an associate of his countrymen Ignacio Zuloaga and Paco Durrio, as well as the sculptor Antoine Bourdelle, who became a close friend. He was also associated with Picasso, Modigliani, and Jean Cocteau. In 1911, Arrue exhibited at the Salon des Artistes Français. In 1922, along with his friends Philip Veyrin and Commandant William Boissel, he founded the Musée Basque at Bayonne. In 1925 Arrue won a gold medal at the Exposition Internationale des Arts Decoratifs. He exhibited in Bayonne, Pau, Strasbourg, Bilbao, and Cordoba. Along with his brother José, he travelled and exhibited in South America, to Buenos Aires and Montevideo. He often, however, returned to the Basque Country, particularly to Saint-Jean-de-Luz, where he settled in 1917 and where he found his main inspiration for landscapes, portraits, and everyday scenes. In 1929, he married Suzanne: they went on honeymoon in St. Tropez. Arrue produced illustrations for Francis Jammes (La Noce basque), Pierre Loti (Ramuntcho), Joseph Peyré (Jean le basque...