Charles Pears

Brighton and Hove, 20th Century Art-Deco Signed Oil

PRICE REDUCED - previously £8,000, now £5,000 Norman Howard 1899 - 1955 Evening, The Lizard Lighthouse Oil on canvas, signed lower left Image size: 23 1/2 x 27 1/2 inches Art D...

Norman Lloyd Australian 1897 - 1985 Summer on the Seine Oil on canvas, signed lower right Image size: 30 x 38 inches Hand made frame Norman Lloyd was born in 1895 near Newcastle, New South Wales, where he attended school. He left school in 1911 and started to work and study painting with Julian Ashton and James R. Jackson in Sydney. On his 21st birthday in 1916 he enlisted with the Australian Imperial Forces. He was transported to Europe where he was seriously wounded in battle a year later. After returning to Sydney in February 1918, he took up painting lessons at the Julian Ashton Art School again. From 1921 to 1926, Lloyd exhibited with galleries in Sydney and Melbourne, showing landscapes and Sydney harbour scenes painted in the more traditional style of his teachers. From 1926 to 1929, Norman Lloyd visited Europe and travelled widely in Italy and France, exhibiting in the UK, France and Australia, culminating in a solo exhibition at Macquarie Galleries in Sydney. In the 1930s, Lloyd migrated to London with his wife Edith for good, setting up a boarding house in upmarket St Johns Wood and establishing himself quickly in the new society, being a kind, generous and interested man with a broad horizon. His mansion became a meeting point and home for many Australian expats, among them painters Will...

Norman Wilkinson CBE PRI 1878 – 1971 RHUDDLAN CASTLE Oil on canvas, signed lower right Image size: 30 x 45 inches (76 x 114 cm) Hand made frame Provenance Commissioned by London, Mi...

Norman Wilkinson CBE PRI 1878 – 1971 HARROW SCHOOL Oil and gouache on paper, signed lower right Image size: 30 × 45 inches (76 × 114 cm) Original frame Provenance Commissioned by L...

William Henry James Boot 1848 - 1918 Kirkstall Abbey Oil on canvas, monogrammed lower right and dated 1876 Image size: 24 x 36 inches (61 x 91.5 cm) Exhibited Royal Academy, 1878 no. 692 Much like his contemporary, John Atkinson Grimshaw, Boot appears to have been influenced by the Pether family who were renowned painters of nocturnes. He was a book illustrator as well as a renowned oil and watercolour artist, producing engravings for the London Illustrated News and Art Journal. He wrote 'Trees and How to Paint Them' in 1883. Boot was born in Manchester. He exhibited at the Royal Academy from 1874 to 1884, showing mainly English and Continental landscapes. He is known to have travelled extensively in Germany, France and North Africa. Boot was a member of the Royal Society of British Artists and of the Arts Club, who listed him as a "painter and writer on Gothic architecture". Boot also painted domestic genre and interior scenes but tended to concentrate on landscapes. Boot lived and married in London. He is buried with his wife in Hampstead. The subject of this painting, Kirkstall Abbey in Yorkshire, was a place Boot often visited. Three figures to the right gaze admiringly at the view, with the moonlight reflected on the path they stand on. THIS PAINTING IS IN THE 'MOONLIGHT IN PAINTINGS AND WATERCOLOURS' EXHIBITION CURRENTLY SHOWING AT DARNLEY FINE ART...

Oil on canvas Image size: 24 x 17 3/4 inches (61 x 45 cm) Contemporary frame This is a scene displaying the North Transept of St Paul's Cathedral. St Paul's Cathedral, located at t...

1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair is available for sale. This sculpture, "Riders of the Elements," is the original 7' plaster maquette from the NYC 1939 World's Fair by Chester Beach...

“After the Rain” continues the paintings from the series “City Parks." Calm, balanced hues. Raindrops are scattered on the surface of the canvas like beads. Cobalt blue and its shade...

Artwork May shows the most beautiful time of the year in my opinion. This is the time when everything blooms. Fields, meadows, all open spaces are strewn with many flowers. Every lit...

Inspired by snorkelling in the Mediterranean , observing jellyfish peacefully drifting with the current. This painting is textured and aqueous. The gesso base applied with broad swee...

Inspired by the highly decorative wallpapers of the Art Deco period. Painted to look like panels on a screen. The dividing lines are in fact trompe l’oeil, to trick the eye. Rich blu...

This joyful painting was inspired by a David Attenborough program! I was drawn to the symmetry of the reflections in the still water. The colours and composition make a fun yet peace...