Charles Wyatt Warren

Impasto Oil Painting of River Mountain Scene in Wales by British Artist

Mid-20th Century

Original Oil Painting of the North Rocky Coastline of Ireland by Northern Irish Artist, Joseph McLoughlin (1926-2018) Art measures 16 x 12 inches ...

River Scene in County Antrim, Northern Ireland by Contemporary Irish Artist Donal McNaughton. Donal McNaughton was born in the Glens of Antrim, and h...

Original Impasto Oil Painting of River Mountain Scene in Wales by British Artist Charles Wyatt Warren (1908-1993) Art measures 21 x 9 inches Fra...

Mountain Lake Landscape Impasto Oil Painting by 20th Century British Artist, Charles Wyatt Warren (1908-1993) Art measures 21 x 9 inches Frame m...

Farm Landscape with Lush Green Fields & Summer Sky in the English Countryside Art measures 16.75 x 9.5 inches Frame measures 22 x 15 inches

Impasto Oil Painting of Abersoch Harbour Scene in Wales by 20th Century British Artist Charles Wyatt Warren (1908-1993) Art measures 21 x 9 inches Frame...

Eiler Rasmussen Eilersen (1 March 1827, Østerby, Faaborg-Midtfyn Municipality – 24 April 1912, Copenhagen), Herfølge Church under Walløe Ridge, oil on canvas, signed: E.R. Eilersen, ...

James Edwin Meadows (British 1828-1888) "The Haywagon" 1866 Oil on Canvas Site: 24 x 40 inches Framed: 30 x 46 inches approx. A London landscape painter, James Edwin Meadows was the...

Peaceful Day in the Mountains Hermann Herzog (American, German, 1832-1932) Signed Lower Left 17 x 15 inches 25 x 22 inches with frame A centenarian, Hermann Herzog was known for his...

Artist Michelle Condrat presents "Autumn Flare," a vivid portrayal of Millcreek Canyon, Utah, in the peak of autumnal transformation. This original 2014 painting, sized at 24 x 35 in...

"Sunrise on the Shore" by Andreas Schelfhout stands as a testament to the extraordinary talent of the Dutch artist, born in The Hague in 1787. A prominent figure of the Romantic move...

This thoroughly modern Parisian scene was composed by the celebrated French painter Jean François Raffaëlli. The delicate oil captures a familiar subject from late 19th-century life in the city: a busy avenue at the edge of a park on a cool autumn day. Exploring the climate of the city, Raffaëlli's mature works capture the energy of the grand parks and boulevards of the new Paris that emerged at the turn of the century. His legacy documents the realities of urban life during his age, all chronicled in his distinctive brushwork and sophisticated palette. While Raffaëlli was never fully accepted as a member of the Impressionist group, his works display a similar affinity for capturing the transient moments of modern life. His figures exude a sense of being suspended in time, as though they are part of some subtle narrative that is both restless and harmonious. Perhaps more aligned with Naturalism than Impressionism, the visual effect of Raffaëlli's composition is one of carefully composed spontaneity that makes manifest the joie de vivre of the age. Raffaëlli was not the only artist of his era to devote his canvases to the urban landscape. Camille Pissarro, Claude Monet, Gustave Caillebotte and others composed significant works on the subject of the urban milieu. On the whole, it was an entirely new kind of painting, and it was largely influenced by the work of social engineer Baron Haussmann beginning in the 1850s. At the request of Emperor Napoleon III, Haussmann designed and carried out a large-scale urban renewal program, erecting landmarks and tree-lined thoroughfares throughout the city to create a unified and socially-centered urban aesthetic. The city became a glittering stage for modern advancements and bourgeois pleasure, which paved the way for a new kind of subject that was eagerly adopted by the Impressionists and artistic avant-garde. Born in Paris in 1850, Raffaëlli first studied theater and music before turning to painting in 1870. That same year, he submitted a landscape painting to the Salon and was accepted. Aside from just three months studying with the Academic great Jean-Léon Gérôme, Raffaëlli was self-trained, developing his own unique style that brought together Realism, Naturalism and Impressionism. While he managed to exhibit works at both the Salon and the Impressionist exhibitions...