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Daisy Craddock
Daisy Craddock, Summer Romance (1st), Oil pastel landscape, 2015

2015

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    Alan Bray’s landscape paintings of his native, central Maine explore the ever-ebbing dynamic between nature and humanity. His paintings capture an asymmetrical pas de deux. Painted with uncompromising precision by his quick-drying casein tempera paint, Bray’s trailheads, shorelines, and vast horizons show evidence of previous human presence as it succumbs to natural growth. Bray’s stylized scenes center on these afterimages of human interference as well as other natural phenomena. Inundated with detail, nature reclaims swaths of scarred land, fallen trees, and dilapidated structures, returning them to their wild form. Natural phenomena such as wild overgrowth, animal tracks, mysterious forms, bogs, and mist are resplendently captured as homage to the rugged and uninhabited corners of secluded Maine. Alan Bray builds his landscapes with numerous layers of quick-drying casein tempera. Often used in Italian Renaissance painting...
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    Gwyneth Leech tracks the progress of Manhattan construction with the sensitivity of an Impressionist painter. Initially struck by a skyscraper emerging outside her studio window, Lee...
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