Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

David Johnson
"Byram Lake, New York" David Johnson, Hudson River School Landscape, Westchester

About the Item

David Johnson Byram Lake, New York Monogrammed lower right; signed and titled on the reverse Oil on board 7 3/4 x 11 3/4 inches A landscape painter based in New York City and associated with the second generation of Hudson River School* painters, David Johnson was noted for his ability to delineate accurately rock formations and foliage. He was especially influenced by the work of Hudson River painters Jasper Francis Cropsey, John Casilear, and John Frederick Kensett. He also painted an occasional still life. Johnson was born and raised in New York City, but little else is known about his early life. He studied briefly with Cropsey, but said that his best teacher was nature, which he utilized in his paintings from his frequent trips to the Hudson River Valley, especially the areas around West Point and Fort Putnam. He painted his first nature studies in 1849, and that year first received public acclaim for his work exhibited at the National Academy of Design* and the American Art Union*. In 1860, he was elected a full Academician. Primarily he painted in the Northeast, doing views of the Catskills, Adirondacks, Lake George, the Hudson River and the White Mountains, where he worked in the early 1850s with a colony of artists around North Conway. His early landscapes tend to be panoramas, rock studies, or forest interiors. In the middle of his career, he adopted a more luminist* style and did tranquil marine scenes such as flowing rivers, and his later work showed tonalist* influence of the French Barbizon School with pastoral subjects. It is written that this period in his career was not much distinguished and that "Influenced by the barbizon style, his work became monotonous and less articulate." In the 1880s, his reputation began to diminish, and by the time he died his work was virtually unappreciated. Many years later, it was re-discovered by scholars who appreciated his great skills of naturalist documentation.
  • Creator:
    David Johnson (1827-1908, American)
  • Dimensions:
    Height: 11.75 in (29.85 cm)Width: 15.87 in (40.31 cm)
  • Medium:
  • Period:
  • Condition:
    Craquelure on bottom quarter.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1841212367622
More From This SellerView All
  • "Fisherman of Yankee Cove, " Harry Leith-Ross, Boat Landscape
    By Harry Leith-Ross
    Located in New York, NY
    Harry Leith-Ross (1886 - 1973) Fisherman of Yankee Cove Oil on canvasboard 8 1/8 x 10 1/2 inches Signed lower left; also with artist, title, and number '39' on label verso Provenance: Private Collection, Pennsylvania Landscape painter Harry Leith-Ross was born in Mauritius in 1886, a British possession in the Indian Ocean. He came to America as a seventeen year old. Before beginning, some ten years later in 1914, his studies at the Art Students League Summer School in Woodstock, New York at the relatively late age of twenty-eight, Leith-Ross had worked as a commercial artist. He studied with John F. Carlson and Birge Harrison at the League Summer School, and later with C. Y. Turner at the National Academy of Design in New York City. He then went to Paris, studying with Jean Paul Laurens at the Academie Julien and in England with Stanhope Forbes. Long associated with the Bucks County artists' colony in New Hope, Pennsylvania, Leith-Ross may have first gone there in 1912. It is definitely known that he visited the area in 1916 at the invitation of a student he had met when both attended the Art Students League Summer School in Woodstock, John Fulton Folinsbee. Birge Harrison, his former instructor at the League, whom he met again, was also there in New Hope during the winters from 1914 to 1916. The third and last generation of the New Hope colony would be comprised of artists like Leith-Ross, Folinsbee and Kenneth R. Nunamaker. It is somewhat ironic that Leith-Ross, so long affiliated with the New Hope School of American Impressionism...
    Category

    Mid-20th Century American Impressionist Landscape Paintings

    Materials

    Board, Oil

  • "La Seine Fumee bleu, " William Samuel Horton, France, American Impressionism
    By William Samuel Horton
    Located in New York, NY
    William Samuel Horton (1865 - 1936) La Seine Fumee bleu, Paris, France, circa 1909 Oil on canvasboard 17 x 21 inches Signed lower left A landscape painter, William Horton lived and ...
    Category

    Early 1900s American Impressionist Landscape Paintings

    Materials

    Board, Oil

  • "Snow at Madison Square Park, " Bela de Tirefort, New York Snow Street Scene
    By Bela de Tirefort
    Located in New York, NY
    Bela de Tirefort (1894 – 1993) Snow at Madison Square Park, 1951 Oil on canvasboard 16 x 20 inches Signed and dated lower left; signed and titled on the reverse on artist label Prov...
    Category

    1950s American Modern Landscape Paintings

    Materials

    Board, Oil

  • "Locomotive Train in Snowstorm, " Guy Wiggins, American Impressionist, Winter
    By Guy Wiggins
    Located in New York, NY
    Guy C. Wiggins (1883 - 1962) Locomotive Train in Snowstorm, 1957 Oil on paperboard 8 x 10 inches Signed lower left; signed and dated on the reverse Guy Carleton Wiggins is best known for his impressionistic snow scenes of New York in 1920's. Wiggins lived in Old Lyme and Essex where he operated an art school. The Connecticut country-side was conducive to his impressionist technique of plein-air painting and broken brushwork.  Ironically, although his work includes many fine Connecticut landscapes, he is best remembered for some snow scenes of New York City. Like many other American Impressionists, Wiggins had one foot in the city and the other in the country (Vermont Hillside, South Londonderry).  Wiggins was born in Brooklyn, New York, went to England with his family as a boy, received an English grammar school education, and traveled widely abroad. He was the son of a prominent artist, Carleton Wiggins, a painter in the Barbizon style who studied with George Inness and admired Anton Mauve and Dwight Tryon...
    Category

    1950s American Impressionist Landscape Paintings

    Materials

    Cardboard, Oil

  • "New York City Harbor, " Modernist View of Port and Boats on a Cloudy Day
    By Bela de Tirefort
    Located in New York, NY
    Bela De Tirefort (1894 - 1993) New York City Harbor, 1932 Oil on canvasboard 14 x 18 Signed and dated lower left: De Tirefort 32 Bela de Tirefort was born in Eastern Europe, painted...
    Category

    1930s American Modern Landscape Paintings

    Materials

    Board, Oil, Canvas

  • "Bucolic Landscape, " Sally Michel Avery, Female American Modernist Bright Pastel
    By Sally Michel-Avery
    Located in New York, NY
    Sally Michel Avery (1902 - 2003) Bucolic Landscape with Cows, 1963 Oil on canvasboard 9 x 12 inches Signed and dated lower left Provenance: The art...
    Category

    1980s American Modern Landscape Paintings

    Materials

    Board, Oil, Canvas

You May Also Like
  • French Genre Scene in Parisian park 19th Century Oil painting
    By Emile Tabary
    Located in Stockholm, SE
    Signed by Émile Tabary. Lively scene in in a parisian park, pictured moment of city life of the late 19th century. In this painting, some irony and humor are very subtly felt. One of...
    Category

    Late 19th Century Realist Landscape Paintings

    Materials

    Oil, Cardboard

  • Sailboats and Sailing Ship in Seascape early 20th Century Oil Painting Framed
    Located in Stockholm, SE
    This artwork showcases the beauty of sailing boats and ships sailing gracefully on the sea waters. The artist's attention to detail is evident in the intricate depiction of the ships...
    Category

    Early 20th Century Realist Landscape Paintings

    Materials

    Wood, Oil, Cardboard

  • American Winter Landscape 1951 Vintage Oil Painting by Impressionist Master
    Located in Stockholm, SE
    Peter Kurbatov (1907 – 1985), was a talented painter, graphic artist and writer. He lived a truly eventful life full of creative exploration. Despite the fact that this landscape was...
    Category

    1950s Impressionist Landscape Paintings

    Materials

    Wood, Oil, Cardboard

  • Untitled (Houses and Railroad Tracks)
    By Harry Lane
    Located in Los Angeles, CA
    Untitled (Houses and Railroad Tracks), c. 1940s, oil on canvas board, signed lower right, 16 x 20 inches, presented in a newer frame This work is part of our exhibition America Coas...
    Category

    1940s American Modern Paintings

    Materials

    Oil, Board

  • My Only Working Tool
    Located in Los Angeles, CA
    My Only Working Tool, 1949, oil on panel, signed and dated lower right, 16 x 12 inches, remnant of exhibition label verso, exhibited at the Art News Second Annual National Amateur Co...
    Category

    1940s American Modern Paintings

    Materials

    Oil, Board

  • A Suffolk Landscape with Ferryman
    By Alfred de Breanski Sr.
    Located in Hillsborough, NC
    Alfred de Breanski, Sr. (British) is one of the most renowned 19th century landscape artists, known for his plein art style, both realistic and idyllic. Breanski set up his easel across the Scottish Highlands, Wales and rural England as in this gem, titled 'A Suffolk Landscape...
    Category

    1880s Impressionist Landscape Paintings

    Materials

    Oil, Board

Recently Viewed

View All