Hightde
View Similar Items
Edward L. Loper SrHightde1999
1999
About the Item
- Creator:Edward L. Loper Sr (1916 - 2011, American)
- Creation Year:1999
- Dimensions:Height: 30 in (76.2 cm)Width: 36 in (91.44 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Greenville, DE
- Reference Number:1stDibs: LU128826429052
Edward L. Loper Sr
A master of light and color, Edward L. Loper Sr. was an African-American artist from Wilmington, Delaware, who went on to become one of the most celebrated cultural figures in his home state.
Loper was not just a painter; he was also a dedicated teacher who worked hard to help his students see the world around them with fresh eyes. When he passed away in 2011, Delaware Today wrote: “Few local painters have achieved his level of recognition and influence, here and beyond, or have been as beloved by so many students.”
Loper did not have a formal art education. He had an insatiable appetite for learning about art, and his richly hued, expressive paintings, which include modernist depictions of landscapes, Cubist cityscapes and human figures, reveal his deep understanding of works by masters like Picasso, Cézanne and El Greco. Loper took frequent train rides to the Philadelphia Museum of Art, studied the work of painters Andrew Wyeth and Howard Pyle at the Wilmington Public Library and took courses under author and educator Violette de Mazia at the Barnes Foundation.
His first job as an artist was at the Works Progress Administration Art Project, a New Deal program that saw Loper painting depictions of furniture and toys for a large archive of folk art. In 1937, the Wilmington Society of the Fine Arts (now the Delaware Art Museum) accepted one of Loper’s paintings, making him the first African-American artist in its collection.
“Once you learn to see as an artist, the world will never look the same again,” he said in Edward Loper: Prophet of Color, a 1999 award-winning documentary about his life. Despite his humble beginnings, Loper’s work is now in the permanent collections of eminent institutions like the Philadelphia Museum of Art and the Howard University Gallery of Art. He also taught at the Allied Kid Company, Delaware Art Museum, Lincoln University and the Jewish Community Center in Delaware.
Find original Edward L. Loper art today on 1stDibs.
- Deck of FoxhillLocated in Greenville, DEMarine scene from the deck of a Maine estate (Foxhill). William Beebe considers himself a Creative Realist, using touches of impressionism to go beyond representation. This particula...Category
20th Century American Impressionist Landscape Paintings
MaterialsOil, Canvas
- Boulevard de la MadeleineLocated in Greenville, DEExcellent example of Cortes Paris scene.Category
Early 20th Century Impressionist Landscape Paintings
MaterialsOil, Canvas
- Macy's In WinterBy Johann Berthelsen, 1883-1972Located in Greenville, DE23 1/4" x 27 1/2" in frame. Signed lower right.Category
Mid-20th Century Impressionist Landscape Paintings
MaterialsOil, Canvas
- New Castle Street SceneLocated in Greenville, DEAn excellent example of Doragh's best work. The scene is believed to be New Castle, Delaware circa 1920. The painting has been professionally restored.Category
1920s Impressionist Landscape Paintings
MaterialsOil, Canvas
- The Twins in the FieldBy James Wells ChampneyLocated in Greenville, DEExcellent example of the artist's work. Overall condition good. Early lining is also good. The sky was possibly repainted (probably by Champney 100+ years ago). Period frame 26 1/2in...Category
Late 19th Century Impressionist Landscape Paintings
MaterialsOil, Canvas
- Moonlight and MistBy Eliot ClarkLocated in Greenville, DENew York City artist Eliot Candee Clark was well known for his impressionist landscapes. He was the son of painter Walter Clark. Many of his paintin...Category
Early 20th Century Impressionist Landscape Paintings
MaterialsOil, Canvas
- At the ClotheslineBy Irving Ramsey WilesLocated in New York, NYSigned lower right: Irving R. WilesCategory
Late 19th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Alley Fiends"By John R. GrabachLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...Category
1930s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Forest Strongholds"By John F. CarlsonLocated in Lambertville, NJSigned lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928Category
20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Solebury Valley"By William Langson LathropLocated in Lambertville, NJSigned lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...Category
1910s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Winter MoonlightBy George William SotterLocated in Lambertville, NJsigned lower rightCategory
1910s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "The Canal"By Edward Willis RedfieldLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...Category
Early 1900s American Impressionist Landscape Paintings
MaterialsCanvas, Oil