English School

Beautiful English Signed Oil Painting Majestic Hills Lake District Landscape

English School, late 20th century oil on canvas, framed framed: 23 x 30 inches canvas: 16 x 24 inches provenance: private collection, England the painting is in overall very good and...

Artist/ School: British School, signed Iris M. Howard (after the painting by Sidney Percy). Title: The Lake District Medium: oil on board, framed Framed: 16 x 20 inches Painting...

Bay Arab Horse English House oil on canvas, framed framed: 35 x 45 inches painting: 30 x 40.5 inches provenance: private collection, UK The painting i...

English school (late 19th/ early 20th century) A river scene with figure in a punt, oil painting on board: 11.5 x 17 inches framed: 18 x 25 inches condition: very good and presentabl...

The Travelling Herd, Impressionist Landscape, Oil Painting, Signed English School, mid 19th century Oil painting on canvas, framed Framed size: 14.5 x 18.5 inches Majestic scenic oi...

Western Travellers by Rudolf Stone, British late 19th century Signed by the artist on the lower left hand corner Oil painting on wood panel, framed Framed size: 8 x 14 inches Wonder...

Canvas measures 46x61 cm. Frameless.

Memory, by French-Japanese contemporary artist Lumi Mizutani. India ink, Japanese pigments on panel covered with copper leaves. 31.8 cm × 40.9 cm. Sold unframed. In this series of ...

Jan Josef Horemans the Elder (Antwerp 1682-1752) circle of In the artist's atelier Oil painting on canvas - 48 x 45 cm, framed 61 x 56 cm. The pleasant painting illustrates one of the favorite themes of Flemish art collectors between the seventeenth and eighteenth centuries, and precisely opens the doors of an art workshop / laboratory, illustrating the working environment of a group of troublemakers sculptors. What makes the composition fascinating is the real atmosphere, not artificial and also messy, such as to identify us in the context of the artists of the time. We see a couple of young clients, easily identifiable as two travelers on the Grand Tour (the globe on the right could allude to their journey), who have come to the atelier to see the bust that the gentleman is getting molded, as a perfect 'souvenir' from return home once the trip is over. And still other artists, perhaps apprentices, are practicing drawing, busy with bringing the details of a sculpture on their albums. Finally, a last character while viewing a large wall painting...

Summer II (2014) is a painting by contemporary Taiwanese artist Yiching Chen. Gold leaf, mineral pigments on Japanese paper mounted on wood, 50 cm × 20 cm. Artwork sold framed As a specialist of Nihonga (traditional Japanese painting...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

This painting is likely to be from the 18-19th century, and is seemingly inspired by Antonio Correggio's "Virtue of Vice" circa 1531. Frame dimensions: 30 x 49 inches. This painting has been in a private California collection for over 40 years. It was acquired from a high end antique...

‘Une Fille de la Nymphe’ by Auguste-Émile Pinchart (1842-1920). The painting - depicts a girl teasing a bust of the god Pan with a reed - is signed ...

Painterly scene of boats and boats being built at the docks in old Pacific Grove, California by an unknown artist (American, 20th Century). Signed"WHM" lower left. Presented in a fau...

Antonio Travi, called Sestri (Genoa, Sestri Ponente 1608 - Genoa 1665) Landscape with ruins and biblical scene First half of the seventeenth century oil on canvas, 82 x 121 cm The beautiful painting published, which presents a vast landscape with architectural ruins, fully reflects the pictorial poetics of Antonio Travi (Sestri Ponente 1608 - Genoa 1665), the first landscape painter of the Genoese pictorial school; A poetic that remains constant throughout his career: Bernardo Strozzi...

‘L’Extase’ by Charles Joshua Chaplin (1825-1891). The painting - which depicts a young Parisienne society beauty captured en déshabillé - is inscribed by the artist verso and sold in a superb quality bespoke gold metal leaf neoclassical frame. As one of his most popular paintings...

Louis Bosworth Hurt British, (1856-1929) Crossing the Moorland Oil on canvas, signed & inscribed with title in pencil on the stretcher Image size: 23.5 inches x 39.25 inches Size in...

Alfred de Breanski Snr British, (1852-1928) Near the Fairy Glen Bettws-y-coed Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 31...

Alfred Augustus Glendening Snr British, (1840-1921) Swans on the River Oil on canvas, signed & dated (18)96 Image size: 17.75 inches x 30.75 inches Size including frame: 25 inches x...

Thomas Blinks British, (1853-1910) Midday Rest Oil on canvas, signed & dated (18)87 Image size: 11.5 inches x 17.5 inches Size including frame: 20.25 inches x 26.25 inches Thomas Blinks was born in Maidstone, Kent on 29 October 1853 to Richard Blinks and Eleanor Poile. His father was a master butcher in Ticehurst and the family lived above the shop, which is still operates as a butchers today. Thomas initially worked for his father but his talent for art soon took him in another direction. He married Louisa Anne Winterbottom on 11 April 1874, at Rye, Sussex and together they had 3 children. They lived in Hawkhurst, Kent before moving to Hackney, London in 1878. Whilst largely self- taught, Blinks would have learnt basic anatomy from working with his father, but he also spent time at Tattersalls canine and horse auctions...

Thomas Sidney Cooper British, (1803-1902) Canterbury Meadows Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894 Image size: 14.75 inches x 24.7...

Edwin Moseley Fox British, (1805-1870) The Morning Ride Oil on canvas, signed & dated 1855 Image size: 24.5 inches x 29.5 inches Size including frame: 31.75 inches x 36.75 inches In this work we see a gentleman in a brown riding jacket and blue cravat donning his gloves in readiness for an early morning ride. Fox has chosen to set the scene inside the stable courtyard of the gentleman’s stately home. The view is extended through the archway, allowing us a glimpse of the path and landscape beyond. Meanwhile, the groom holds the reins of a black horse who waits patiently, having already been saddled up. Like the horse, two of the dogs appear remarkably unconcerned about what is taking place in the courtyard. However, the black whippet seems unable to contain his excitement at the prospect of a run. Edwin Moseley Fox was born in Aston, Birmingham in January 1805, the son of John and Ann Fox. His middle name is mistakenly reported by some sources as being May, however Moseley is the name he was born with and which is listed on his marriage and baptism records as well as in local trade directories of the time. He married Caroline Goodhall in Birmingham on 7 September 1835. They lived with their four children at Laurel Terrace, Lichfield Road in Aston, Birmingham. Little is known about his early education but he began exhibiting at the Birmingham Society Arts in 1837 and by 1841 had established himself as a full time animal painter. Around this time he also began advertising in the local trade directories and seems to have enjoyed considerable success gaining commissions for portraits of horses and prize animals such as cattle. He died on 24 January 1870 at his home in Lichfield Road and was buried at the St Mary and St Margaret Churchyard in Castle Bromwich...