Eric Hesketh Hubbard

Hampshire Landscape 20th Century Oil Original Railway Artwork

Alice Headley Neave 1903 - 1977 Back Gardens Oil on canvas, signed lower left Image size: 19 x 15 inches Contemporary style frame The daughter of Dr Arthur Henry Headley Huckle, Alice was...

An Abandoned Journey 20th Century British School Oil on canvas Image size: 24 x 24 inches (61 x 61 cm) Hand made frame The composition of this painting, featuring a red and white do...

"Bellatrix" is a painting by Maestro Edele Bessy - MABILLOT GRANDJEAN GENEVIEVE The painting is unframed. Her paintings bring emotion of happiness, love, energy and beauty represented by the vast creative power of her talent.” Dear art lovers, if you like the art of maestro Bessy, please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. Maestro Edele Bessy was born on August 7, 1946. Self-taught painter since 1982. At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting. New beings appear unconsciously on his canvases taking on the dimension of a wandering crowd, mostly women whose eyes arise and challenge us with ever so much acuity. Maestro Bessy paints in a very personal, constantly evolving style. Maestro MABILLOT GRANDJEAN GENEVIEVE - ADELE BESSY Awards : Prix de Peinture du Salon de Beauchamp 2023 Médaille du Conseil Départemental de Bourg la Reine 2023 Prix de peinture Salon des Amis des Arts de Chaville 2022 Prix de peinture Salon des beaux-arts de Boulogne-Billancourt 2022 2ème Prix de Peinture Salon de Chablis 2022 Prix de la ville Salon du SPAM Pontoise 2021 Grand Prix de Peinture de SEMEAC 2021 Prix du Jury indépendant Etampes 2021 Prix du conseiller Départemental Salon de Croissy sur seine 2019 Médaille de la ville de St Maurice 2019 Prix du Jury Gagny 2019 1er Prix de peinture Salon des Artistes indépendants Normands 2018 Prix du Jury Salon de Champagne sur Oise 2018 2ème Prix de Peinture Salon de Bois Colombe 2018 Diplôme d'Honneur et Médaille de la ville de Livry-Gargan2017 Prix Univers des Arts Salon de Thionville 2017 Prix de peinture Salon du Plessis Bouchard 2017 Médaille d'Or Salon de Taverny 2017 Prix de Peinture Salon de Sannois 2016 Médaille d’Or Salon de Bondy 2016 Prix de la peinture à l’Huile Ste Maure de Touraine 2016 2ème Prix de Peinture Pont des Arts Vire Normandie 2016 Médaille d’Argent Salon de Cormeilles en Parisis 2016 Prix de Peinture Salon de Guyancourt 2015 Prix du Public Coye la Forêt 2015 Grand Prix du Salon de Roissy en France 2015 L’école de la Loire Prix de Composition Fantastique 2015 L’école de la Loire Grand Prix du Conseil Général 2015 Prix du Public Salon de Plaisir 2014 Prix du Jury Salon de Coye la Forêt 2014 Prix du Bateau Atelier Salon de Bennecourt 2014 Prix du Jury Salon d’Etampes 2014 1er Prix de Peinture de la Municipalité de Taverny 2014 1er Médaille d’Or Salon de Vittel 2014 Prix de la Municipalité de Viarmes 2013 Prix du Public Salon de Gouvieux 2013 Prix de Peinture Salon de Magny en Vexin...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with contrasting light, create a landscape in which, like a counterpoint, we come across a figure – sometimes one, perhaps two or more. The synthetic construction of form, clean contours, and strong divisions are elements which at first sight are the defining characteristics of the artist's style. It is impossible to pass one by and remain indifferent to the subdued harmony flooding these spaces which not totally defined. The drawings, however, are somewhat different. Although they contain the same motifs, at times even the same compositions – the value strategems employed by Julita create a sense of foreboding in a world already balancing on the edge. The painterly and graphic form constructed by the artist is itself thought- provoking . The heightened tones, the light which at times goes off the scale and the almost classic contours lead us to look at Malinowska's work through the prism of classicism and the great art theories of the 17th century. Such references are quite rare in the painting of today and beyond – in art. The search for a language allowing the artist to deal with universal issues and fundamental questions in order to understand the sense of not only art, but also life, has not been too popular a phenomenom in art over the last century. The artist has, however, for the last few years quite consciously defined the sphere of her search. It could first be seen in the diploma cycle of paintings, the summary of her years of study. “The role of the painting defined then and the concious selection of formal sources became the starting point for further artistic exploration, which I have been following carefully ever since.” Julita Malinowska Born in Otwock in 1979. Studied in the Art Department of the University of Maria Curie-Sklodowska in Lublin from 1999-2000, and then from 2000-2005 in the Painting Department of the Academy of Fine Arts in Cracow. Received a Sokrates/Erasmus scholarship in 2003 for Wolverhampton University in the UK. Graduated (MA degree) from the Painting Department in 2005 with distinction. From 2008 till 2011 was making Doctoral studies (PhD degree) at the Academy of Fine Arts in Cracow. In December 2012 defended PhD degree. In 2005 won Second Prize at The Samsung Art...