Eugene Berman

Egypt Aswan Desert Landscape with Two Obelisks

1962

Klett was an in-demand illustrator in the post-war period of the late 1940's and 1950's. and . His work appeared in many of the newsstand magazines at the time. This work is a pers...

Mid Century Americana "For a horrible instant Carter thought the jet was going to crash in the street." Saturday Evening Post Work is framed

"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped and hanging from a tree. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged and three-headed serpent wraps himself around the tree that physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...

"The Great Man Comes to Take His Oath" Life Magazine Spread, July 4th, 1960, This epic narrative depicts the celebration of George Washington's inauguration, en route to Federal Hall...

The setting reminds us of a Rear Window by Alfred Hickcock but Evergood did it 8 years before. It's most likely Greenwich Village since Evergood lived there. This is a very big and heavy to lift painting Signed lower left Framed 56 x 51 in a period very heavy rustic wood frame. Exhibited Center Gallery, Bucknell University, PA, among others venus. gallery label remnants on verso - The Walker Art Center, Minneapolis The Whitney Museum of American Art Annual 1949 - Label Provenance: Naomi and Walter Rosenblum Best Viewed with a top gallery light...

A bustling street scene of everyday life in front of the famed Marché in Cap-Haïtien is rendered in Sénèque This is a relatively early work by Obin's signature brightly colored and flat naive style. Signed lower right. Provenance: Galerie Issa - Port-Au-Prince, Haiti - Owned by Issa El Saieh of later named El Saieh Gallery Sénèque Obin...

Karen Shahverdyan „Eleven“ 129 X 147cm, oil on canvas

Karen Shahverdyan „Storm“ 90 X 110cm, oil on canvas

Karen Shahverdyan „Autumn balance“ 90 X 110cm, oil on canvas

Karen Shahverdyan „Mountains“ 80 X 100cm, oil on canvas

Karen Shahverdyan „Winter balance“ 90 X 110cm, oil on canvas

Characterized by his deeply honest means of expression and fascination with Orientalism, Surrealism, and social commentary, Moscow painter Stanislav Plutenko...