Friedrich Nerly the Younger

Crossing a Bridge, Venice

A beautiful and bold composition of La Cad'oro in Venice with clear blue skies above and a cubist reflections of the buildings below in different shades of blues and turquoises. H...

A striking and simply composed painting of The Palace at Fontainebleau by Walter Taylor. Walter Taylor (British, 1860-1943) The palace at Fontainebleau Oil on canvas Signed `Walter Taylor’ (lower right) 25 x 30 in. (63.5 x 76.3 cm.) Born in Leeds, this artist was trained as an architect but eventually found his calling in painting town scenes, landscapes, and interiors using both oil and watercolour. With a privileged upbringing thanks to his tobacco manufacturer father, he attended art school in Paris before studying under Fred Brown at the Royal College of Art. In 1899, he married Hylda Matheson, but their honeymoon ended in tragedy with her untimely death. He eventually settled in Bedford Square, Brighton, during the 1910s and 1920s, but maintained a studio at 18 Fitzroy Street in London from 1915 onwards. A prominent figure in the art world, he was a founder member and secretary of the Camden Town Group, a member of the New English Art Club, and one of the founding members of the London Group in 1913. He exhibited with the London Group until 1934, showcasing his work that often drew inspiration from his travels in Europe, which sometimes included the company of fellow artist Walter Sickert. Additionally, he painted extensively in London, Brighton, and Hove. This artist also had a keen eye for collecting works by other artists, amassing an important collection that included pieces by Matisse, Bonnard, Vuillard, Dufy, Gilman, Matthew Smith...

John Leigh-Pemberton (British, fl. 1933 – 1959) Timber horses, Tazmania Signed ‘John Leigh-Pemberton 1934’ (lower right) Oil on canvas 25 x 30 in. (63.5 x 76.2 cm.) Leigh-Pemberton is mainly known for his illustrations for the shell guides...

Jenny Franklin (South African / British, b.1949) Antipodean land: Reflection Executed in 1993 Signed, inscribed and dated on the reverse Oil on canvas 48 x 42 in. (107 x 122 cm.) Ex...

A serene and beautifully depicted French early 20th Century oil painting of bathers in the River Rhone in Avignon, France by Paul Cazot. Paul Cazot (French, circa 1914) ‘La Baignade a’ Avignon’, 1914 (Naked ladies...

Emile Rene Menard (French, 1862-1930) L`enlevement de Dejanira (The rescue of Deianara) Oil on canvas Signed `E R Menard’ (lower left) and inscribed with t...

Collection: Multiple Perspectives Artist Statement Having started my career by painting Rembrandt-like portraits of luminous white roses, I credit my discovery of fractals for transforming my artistic vision, and changing the direction and force of my work. Always working with a single image of a flower, or a component thereof, I have stripped away the mask of the exterior form and magnified the interior thousands of times to depths beyond what is visible to the naked eye. My subject is no longer simply a flower; it is a dynamical system existing in a chaotic universe filled with energy, turbulence, mystery and beauty. Additionally, I have discovered that the system repeats itself through multiple phenomena. This is where I have taken the literal definition of fractals, and put my creative voice to the principles. Though the non-representational work may suggest a natural likeness - a wing, a wave, a shell, or even a human form - my vision invites a fresh dialogue between aesthetics and science. Whether creating evocative representational images or boldly deceptive non-objective work, my focus is always on the choreography of the movement, the organization of the space, the subtlety in the tonal transitions, and the intricacy of the brushwork. Exclusively painting...

PROVENCAL Series: “In [this] series I was exploring the classical influences of the impressionist masters, to build on their ideas to move them forward, yet being true to the many ap...

Paul Manes was born May 4, 1948 in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and hi...

PROVENCAL Series: “In [this] series I was exploring the classical influences of the impressionist masters, to build on their ideas to move them forward, yet being true to the many ap...

SHEPHERD’S PASS Series: “In [this] series I wanted to move into expressing more of a post-impressionist mode by deconstructing with lyricism, while not fracturing in hard edges; so a...

PROVENCAL Series: “In [this] series I was exploring the classical influences of the impressionist masters, to build on their ideas to move them forward, yet being true to the many ap...