Fernand Audet

FERNAND AUDET (1923-2016) SIGNED FRENCH POST-IMPRESSIONIST OIL - OLD FRENCH TOWN

Mid 20th Century

Open Bridge Landscape by Josine Vignon (French 1922-2022) stamped verso oil painting on board, unframed board: 9.5 x 13 inches Colors: Blue colors, green, red, brown and orange Ve...

'Aude' by Georges Bousquait, French 20th century signed oil on canvas, unframed board: 9 x 11 inches inscribed verso provenance: private collection, France condition: very good and ...

St Pauls Church by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 18 x 15 inches Colors: Grey colors, beige, yellow, green, brow...

''A Room with a View" by Édouard Righetti (1924-2001) signed on front and back oil painting on canvas, beautifully painted with rich, thick impasto oi...

"Sunset" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed oil painting on board, unframed painting: 13 x 16 inches A fine 20th century oil painting by the listed Fre...

Venice by Fernand Audet (French, Tarascon 1923 - Mulhouse 2016) oil painting on canvas, unframed, on stretcher frame size: 6.25 x 8.5 inches A quiet backwater of Venice. Audet ver...

Signed figure in landscape oil on board circa 1910 by French Post-Impressionist painter Victor Charreton. The piece depicts a lone figure taking a walk beside a stream in a wooded ar...

Stunning signed figure in landscape oil on board circa 1920 by sought after French Post-Impressionist painter Victor Charreton. The piece depicts a man walking up a hilly path past t...

Genevieve Hamel Multiples Oil on Wood Panel Year: 2024 Size: 12 x 12 x 1.625 inches Signed by hand COA provided Ref.: 924802-2092 Together we are always stronger. Daisies in the mea...

Vicenç Ferrer Torradellas (1927) - Ibiza Market - Oil on canvas Oil measures 46x55 cm. Frameless. Reus 1927. He studied at the School of Work. He dedicated himself to easel painting...

Ignacio Gil Sala (1913-2003) - Characters from Ibiza - Oil on canvas Oil measures 50x61 cm. Frameless. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic training at the age of nine, Gil Sala entered the School of Fine Arts in Barcelona, ​​where he had as teachers Felix Mestres and Vicente Borrás. Already in 1930, being still almost an apprentice, he obtained the bronze medal of the School, and in 1936 he won by contest a scholarship to make a study trip through Spain. Those were the difficult moments of the outbreak of the Civil War and thanks to the help of the sculptor Mariano Benlliure, he was able to complete his artistic training. Throughout his life Ignacio Gil dedicated himself to travel both in the Peninsula and in different Islamic and Latin American countries. He exhibited his work in Spain, France, the Philippines, Switzerland, the United States, Canada and Colombia, among many other countries. Extraordinary draftsman, agile handling pencil and charcoal, Ignacio Gil immortalized landscapes of all Spain...

Oil on canvas by Henri-André Martin (1918-2004), France, 1999. Road in Eygalieres, Alpilles, Provence. With frame: 52x67 cm - 20.5x26.4 inches. Without frame: 46x61cm - 18.1x24 inches. Format 12P. Signed and dated lower left "Henri-André Martin 99" (see photo). Located on the back (see photo). Can be matched to make a pair with another painting by Henri-André Martin that we offer on 1stdibs whose title is "Henri-André Martin Road in the Alpilles, Provence, Oil on Canvas, 1980s". Born in Lyon in 1918, the child and the adolescent Henri-André Martin spent his youth in Saint-Étienne, his father, Edme Martin, first installed as a practicing doctor in Lyon, having been appointed doctor of the anti-tuberculosis dispensaries of the Loire. During his first years of studying medicine in Lyon, he nevertheless enrolled in the Beaux-Arts. Appointed hospital intern upon his return from captivity in 1942, he ended his medical career as director of the otolaryngology university clinic at Édouard-Herriot hospital. But painting was his passion. Painting was for Henri-André Martin the way of expressing his feelings. By nature very reserved and of an extreme modesty that many took for coldness, it was what allowed him to express his strong artistic sensitivity and, his pictorial periods are as many reflects of his anxieties, of his hopes, of his joys. At every period of his life, wherever he goes and whenever he has a moment, he paints gouaches, often of small size, but sometimes of larger size. He also paints beaches that have been compared to those of Boudin. Their invoice shows, however, that this figure is only appearance and that in fact, these beaches made of water, sky and sand, readily dispense with the motif, the work of the material seeming to have more importance. as the subject. Despite the fact that until the 1970s he painted "on the ground", his canvases remain far removed from the anecdote. Often harsh like the landscapes of Provence, the Parisian walls which express concern, or the railways, the switch tracks which suggest, in ocher and black, all the embarrassment of choice. We find the same nostalgic gravity in the canvases of the carcasses of boats which, as his friend Louis Pons later wrote, "seem to die of immobility" or in the canvases of Venice, or the landscapes of Eygalières. In the following years, his painting became simpler, more synthetic, such as these landscapes with tortured almond trees, black and gnarled olive trees, plane trees standing out against the ocher sky of the dawn of Provence, in winter. These are also the canvases of Hamburg in the dough becomes heavier, the colors darken, marking all the gravity of the port landscapes. Workshop work gradually takes precedence over motif painting. The pivotal period coincides with that of his work on the olive tree, during which he leads the realization of the "Trunks", a collection of six lithographic plates, of the book L'olivier comprising many lithographs and serigraphs, but also texts. poetic and numerous paintings. He then became passionate about everything related to the olive tree (literature, painting, traditions, history), but also to the tree itself, its thousand-year-old history, its poetry, its symbols, but also its culture, its size. oil production...