G. Harvey

"Pasientes" Western Scene with Horses Donkeys Bell Door Flowers Signed Master

1976

Adolf Schreyer's "Arabian Rider at Dusk" is a stunning oil painting on canvas that depicts an Arabian rider in a golden sunset. By Adolf Schreyer 8.5" x 15.5" Oil on Canvas Framed...

This sweet painting by Bartolome Sastre depicts two young girls riding in a gondola boat, rowed by their grandfather. The water reflects the sky and the mountains in the distance beh...

This impressionist urban landscape by Anthony Klitz depicts the Pump Room Spa in Cheltenham, England in his characteristically unique impressionist style...

Artist: Fannie Lou Spelce Title: "Silent Night" Year: 1973 Size: 16" x 20" Medium: Oil on Linen Signature: Signed & Dated LR Unframed

By Ken Tolmie This sentimental painting depicts the daughter of the Artist walking along the road. The perspective of the piece takes the point of view of the parent. This piece meas...

A luminous, impressionistic oil on canvas painting by Xiang Zhang depicting cowboys on horseback working a herd of cattle at sunrise. The painting measures 30 x 40 inches. It is beautifully framed and ready to hang. The frame measures 41 x 50.75 inches. About the Artist: Xiang Zhang was born in China in 1954 and developed his artistic passion in the midst of China's Cultural Revolution. His father recognized his talent and nurtured it, providing him with an art tutor, access to National Geographic magazines, and anatomy studies using bones from locked-up science labs. Zhang's formal training in set design at the Central Academy of Drama in Beijing, with an emphasis on oil painting, combined with exposure to Russian masters and Western influences, laid the foundation for his distinctive style. A scholarship led him to Tulane University, where he honed his skills and immersed himself in New Orleans' vibrant arts scene. It was in Texas that Zhang discovered his calling in painting cowboys, spending time on ranches to understand their lives intimately. His art captures the essence of ranching life, from small single cowboy portraits...

Mikhail Yakhilevich (Israeli, Russian) Boating 116x89 cm oil on canvas Michael Yakhilevitz was born in 1956 in Moscow. He graduated from The Stage Design Department of The Moscow Ar...

After touring Europe on a motorcycle, he arrived in Berlin in 2012, where he won a residence for artists with a pictorial series on massification and nihilism. In 2014 he was invited for a residence in Colombia, and subsequently he has travelled to Mexico, Guatemala and Cuba. The experience of Central America affects his painting so much that it becomes gestural and dominated by strong and bright colors. Contact with indigenous communities contributed to the formation of his thought and poetics, which suggests accessing an irrational dimension that cannot be explored through science and technology.

After touring Europe on a motorcycle, he arrived in Berlin in 2012, where he won a residence for artists with a pictorial series on massification and nihilism. In 2014 he was invited for a residence in Colombia, and subsequently he has travelled to Mexico, Guatemala and Cuba. The experience of Central America affects his painting so much that it becomes gestural and dominated by strong and bright colors. Contact with indigenous communities contributed to the formation of his thought and poetics, which suggests accessing an irrational dimension that cannot be explored through science and technology.

I am not afraid to define it as a metaphysical painting, - says Angelo Crespi - and right in the suffix "beyond" (in Greek "meta") also of the title "Oltremare" the intent to climb over the wall of the sensible and the real is revealed. There is another vein to which the new paintings of Nahmad refer and it is that of Romanticism, in the strong idea that art should represent the sublime, not the beautiful. The skies like John Constable, thick with purplish blue clouds (such as "Rainstorm over the Sea" of 1828 which anticipates by a century modernity), the stormy seas like William Turner, give the viewer the idea of infinity and vastness of nature compared to the finitude and misery of the human. If Caspar Friedrich...

Karen Shahverdyan „Eleven“ 129 X 147cm, oil on canvas

Karen Shahverdyan „Mountains“ 80 X 100cm, oil on canvas