Georg Engelhardt

Wooded Landscape

“L’ardoise” (120 X 100cm). A sparkling dappled light falls upon the scene through the softly sighing trees. A bistro in San Francisco rendered almost dreamlike in oils both thick and...

“White light”. (90 X 76cm). Julian spends much time in exploration of the fleeting states of light along the coastal zones. This painting portrays one such effect. Here the evening s...

This was a blisterly hot day. Anyone who as a cat will know cats like the heat and they seek out a nice comfy spot in the sun. This comfy spot was in the middle of my stil life! In ...

This was a blisterly hot day. Anyone who as a cat will know cats like the heat and they seek out a nice comfy spot in the sun. This comfy spot was in the middle of my stil life! In ...

“Blue Dryad” (120 X 100cm) and like the mythical forest dwellers themselves, this “Dryad” is marvellously at home among the boughs and blooms. Held here mid-flight, the summer-visiti...

“Resting boat” (90 X 90cm). This gentle scene has, nevertheless, a piercing quality of light – almost making the viewer want to close their eyes, the brilliant low sun, flying off ev...

Daffodil, Daniel Blagg, Oil on Canvas, 42 x 54", 2019 A well-known figure of the contemporary Fort Worth art scene, Daniel Blagg has worked in the DFW ar...

Caduceus, 2011, Daniel Blagg, Oil on canvas, 80 x 60" By meticulously depicting forgotten road signs and roadside debris, Daniel Blagg invites his viewe...

GUN SALE is an oil on canvas painting standing at 54 inches tall and 41 inches wide, featuring an inflatable advertiser standing adjacent to a gunshop seated in a dark, night sky background. A well-known figure of the contemporary Fort Worth art scene, Daniel Blagg...

"My life as a painter began in the late 1950s when abstraction was “The only game in town”. I followed and progressed through gesture, organic and finally, geometric non-objective painting. The radical move for me was to discover that the real world of landscape lurked behind all that past work. My childhood in the mountains of Pennsylvania pervaded my “way of seeing” and I wanted to investigate and celebrate the infinite variety of tone, color and composition that I found around me. Sky, the structure of trees, mist and water appeared to fill a hunger to look again and again. There was mystery and danger lurking behind the beauty, and my aim was to try to avoid the cliché and explore the infinite structure of the visual landscape. Now I use my camera as a sketchbook and search for images that seem to offer odd structure and “mystery”. I shoot multiple points of view, cull, crop, and mostly discard. The surviving photographs become the catalyst for the paintings and the process is always a mediation between memory and the small image pinned to my easel...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

This is the favorite place of artist Lynn. She loved to paint around poppies.