"Wellfleet, Cape Cod, " Gerrit Beneker, American Impressionism, Provincetown
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Gerrit Beneker"Wellfleet, Cape Cod, " Gerrit Beneker, American Impressionism, Provincetown1926
1926
About the Item
- Creator:
- Creation Year:1926
- Dimensions:Height: 25.5 in (64.77 cm)Width: 21.5 in (54.61 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU115627976892
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2008
1stDibs seller since 2019
165 sales on 1stDibs
More From This SellerView All
- UNION SQUARE Depression Era Oil Painting WPA Realism American Scene Realism NYCBy Jo CainLocated in New York, NYUNION SQUARE Depression Era Oil Painting WPA Realism American Scene Realism NYC Jo Cain (1904 – 2003) "Union Square," 24 x 36 inches. Oil on canvas, c.1940s, ...Category
1940s American Realist Figurative Paintings
MaterialsCanvas, Oil
- 1, 000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds FairBy Chester BeachLocated in New York, NY1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair is available for sale. This sculpture, "Riders of the Elements," is the original 7' plaster maquette from the NYC 1939 World's Fair by Chester Beach...Category
1930s Art Deco Figurative Sculptures
MaterialsCanvas, Oil, Photographic Paper, Plaster
- 1, 000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds FairBy Harry LaneLocated in New York, NY1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair Harry Lane (1891-1973) "1939 World’s Fair Construction," 30 x 40 inches, Oil on canvas, signed lower...Category
1930s American Modern Landscape Paintings
MaterialsCanvas, Photographic Paper, Plaster, Oil
- 1, 000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds FairBy Ilya BolotowskyLocated in New York, NY1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair. Ilya Bolotowsky (1907-1981) "1939 World’s Fair Mural Study for the Hall of Medical Sciences...Category
1930s Abstract Geometric Abstract Drawings and Watercolors
MaterialsPaper, Gouache, Canvas, Plaster, Oil
- NYC Cityscape American Scene WPA Modern Realism Mid 20th Century ArchitecturalBy Ernest FieneLocated in New York, NYNYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...Category
1930s American Modern Landscape Paintings
MaterialsCanvas, Oil
- Columbus Avenue NYC c. 1920s/30s American Scene Ashcan WPA Modern 20th CenturyBy Bernard GussowLocated in New York, NYColumbus Avenue NYC c. 1920s/30s American Scene Ashcan WPA Modern 20th Century "Late Afternoon, Columbus Avenue, New York", impasto oil on canvas, signed lower left, signed verso (under relining, shown in photo), and titled verso on stretcher, in maple mitered cove frame, 23 1/4" x 27 1/4", SS: 19 1/4" x 23 1/4", Relined. BIO Russian-born Gussow trained at the Art Students League and the National Academy of Design. He also studied under Bonnat at the Ecole des Beaux-Arts in Paris. His first claim to fame was exhibiting two works at the Armory Show in 1913. Gussow exhibited at the Society of Independent Artists between 1917 and 1934 and at Salons of America in the 1930s. The Whitney Museum of American Art, for example, has his Subway Stairs. The Barnes Foundation...Category
1920s American Realist Figurative Paintings
MaterialsCanvas, Oil
You May Also Like
- Deck of FoxhillLocated in Greenville, DEMarine scene from the deck of a Maine estate (Foxhill). William Beebe considers himself a Creative Realist, using touches of impressionism to go beyond representation. This particula...Category
20th Century American Impressionist Landscape Paintings
MaterialsOil, Canvas
- Peasant woman at work in the fields of CapriBy Charles Caryl ColemanLocated in Roma, RMCharles Caryl Coleman (Buffalo 1840 – Capri 1928), Peasant woman at work in the fields of Capri (1901) Oil painting on canvas 35 x 49 cm, signed, located and dated Capri 1901 lower ...Category
Early 1900s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Badlands (South Dakota) - Plein Air Landscape painting green yellow colorsBy Jane ChapinLocated in Cody, WYThis is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...Category
2010s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- The Pond, Godfrey's Pond, Batavia, New York, Stafford, American LandscapeLocated in Grand Rapids, MIStuart E. Zillman (American, 20th Century) Signed: Stuart E. Zillman (Lower, Right) " The Pond ", c. 1960s (Possibly Godfrey's Pond) Oil on Canvas Board 16" x 20" Housed in a 1...Category
Mid-20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Bridge Nocturne oil painting by Johann BerthelsenBy Johann Berthelsen, 1883-1972Located in Hudson, NYOne of Johann Berthelsen's iconic nocturne views of New York City across the Hudson River. Bridge Nocturne (c.1945) Oil on canvas, 22" x 28" 29 ½" x 36" x 2" framed Signed "Johann ...Category
1940s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Oil River and Mountain LandscapeLocated in Fredericksburg, VAThis oil on canvas landscape painting depicts a grassy river scene with mountains in the distance. The brushstrokes are very representative of the impressionist movement, but the col...Category
Late 20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
New York City Landscape Impressionism Oil
M Austin
Country Road Vintage
British Marine Oil Paintings
North West Coast
Dior D Club
St Catherine
Oil Painting Children In Garden
Landscapes With Alpines
Ken Light
Cityscape Sculpture
Sunset Antique
Dutch Medals
Outdoor French Signs
Miss M
Mid Century French Street Scene
Tonalist Oil Painting
Tonalist Oil