Giovanni Martino

Manayunk, Regional American Cityscape by Pennsylvania Impressionist

"Reflections" is an Impressionist landscape by American painter Albert Van Nesse Greene. The painting is a 13" x 16" oil on canvas, framed in a white gold reproduction frame, signed and dated "A V...

"Joy of Spring" is an Impressionist landscape with houses and blooming springtime trees by American painter Albert Van Nesse Greene. The painting is a 18.25" x 22.25" oil on canvas, ...

"Plowing the Fields" is an early 20th Century American Impressionist landscape by Pennsylvania Academy graduate and teacher Henry McCarter. The 20" x 24...

"Bass Rock" is a 8.5 x 10.5 inches, oil on canvas, New England seascape by Pennsylvania Impressionist painter Giovanni Martino. The painting is signed "Giovanni Martino" in the lower right and titled on verso. The following is from Babette Martino, daughter of the artist: Giovanni Martino, National Academy of Design* member, was born on May 1, 1908 in Philadelphia PA where all seven brothers and one sister, Filomina, Frank, Antonio, Albert, Ernest, Giovanni, Edmond, and William became painters. They were under the tutelage of their eldest brother, Frank, who in the late 1920s, founded the first commercial art studio, Martino Studios, at 27 South 18th Street. Besides studying with his two eldest brothers, Giovanni also studied with Albert Jean Adolph at La France Institute, The Pennsylvania Academy of the Fine Arts, The Graphic Sketch Club, and Spring Garden Institute in Philadelphia. In his mid teens he accompanied his two eldest brothers to New Hope searching for subjects to paint. In the 1930s, he also started to paint in Manayunk, a hilly mill town along the Schuylkill River. At this time he signed his paintings M. Giovanni. These colorful impressionistic works proceeded more thinly painted dramatically poetic street scenes of the mill town. These images developed into impasto laden oils in the 1960's with some of the paintings worked with a palette knife. In Manayunk, he was a common sight on the streets and sidewalks, painting on-the-spot with his wife, Eva Marinelli...

"The Silk Mills in New Hope" is an Impressionist, Regional landscape by Pennsylvania painter John Pierce Barnes. Classic in its vibrant colors and highly energetic brush strokes, this 25" x 25" oil on canvas is framed in a 22k gold reproduction frame and the painting is estate stamped on the stretcher and canvas on verso. John Pierce Barnes was born in Philadelphia in 1893. He graduated from high school in the Germantown area of Philadelphia and served in the U.S. Navy during the First World War. After his discharge from the Navy, John began his training at the Philadelphia School of Industrial Design, now the University of the Arts. Barnes then studied at The Pennsylvania Academy of the Fine Arts in Philadelphia from 1921-1925. He exhibited watercolors and pastels in the Annual Philadelphia Water Color and Miniature Exhibitions of 1921 and 1922. John Pierce Barnes studied with Daniel Garber, and also Henry Hugh Breckenridge and Arthur B. Carles at the PAFA. He was awarded Cresson Travel Scholarships in 1923 and 1924. These awards enabled him to study in France, Belgium and Holland. John Pierce Barnes experimented in several styles, but is best known for his oil paintings of landscapes and portraits rendered in the Impressionist style. Some of his work was painted in Boothbay Harbor, Maine, some in Europe, but mostly in eastern Pennsylvania. Up until the time of his death in 1954, Mr. Barnes was employed by the Radio Corporation of America (RCA) Victor Design Division in Camden, New Jersey. He is credited with designing a past RCA logo...

"Manayunk Houses" is a 25 x 50 inches, oil on canvas, regional, American cityscape by Pennsylvania Impressionist painter Giovanni Martino. Manayunk is a suburb of Philadelphia, Pennsylvania. The painting is signed "Giovanni Martino" in the lower right and titled on the stretcher. The following is from Babette Martino, daughter of the artist: Giovanni Martino, National Academy of Design* member, was born on May 1, 1908 in Philadelphia PA where all seven brothers and one sister, Filomina, Frank, Antonio, Albert, Ernest, Giovanni, Edmond, and William became painters. They were under the tutelage of their eldest brother, Frank, who in the late 1920s, founded the first commercial art studio, Martino Studios, at 27 South 18th Street. Besides studying with his two eldest brothers, Giovanni also studied with Albert Jean Adolph at La France Institute, The Pennsylvania Academy of the Fine Arts, The Graphic Sketch Club, and Spring Garden Institute in Philadelphia. In his mid teens he accompanied his two eldest brothers to New Hope searching for subjects to paint. In the 1930s, he also started to paint in Manayunk, a hilly mill town along the Schuylkill River. At this time he signed his paintings M. Giovanni. These colorful impressionistic works proceeded more thinly painted dramatically poetic street scenes of the mill town. These images developed into impasto laden oils in the 1960's with some of the paintings worked with a palette knife. In Manayunk, he was a common sight on the streets and sidewalks, painting on-the-spot with his wife, Eva Marinelli...

Signed lower right: Irving R. Wiles

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...

signed lower right

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...