Grace Hill Turnbull

Waterfall (Woodstock, New York)

c. 1925

GREGORIO PRESTOPINO (1907-1984) The Factory, c. 1935 Oil on canvas 30 x 24 inches Signed at lower left: Prestopino Born in the Little Italy section of New York City, Prestopino was awarded a scholarship to the National Academy of Design at the age of fourteen. Early in his career he came under the influence of the French Impressionists, but was soon drawn to the American realists of the Ashcan School, whose work led him directly to the study of urban life. As a young man Prestopino set up his first studio in Harlem. During the 1930s his social realist paintings had an anecdotal quality in their description of everyday incidents of the working class, depicting the grit of city life – docks, laborers, vendors, Lower East Side streets. Prestopino lived in Brooklyn for many years, spending summers at a farm near Clinton, New Jersey. At the farm Prestopino painted in the barn, while his wife - illustrator Elizabeth Dauber - had a studio in the house. He moved to Roosevelt, New Jersey in 1949. Other artists who have lived in Roosevelt include Ben and Bernarda Shahn, their son Jonathan Shahn, Jacob Landau, David Stone Martin and his son, Stefan Martin...

PHILIP PERKINS (1907-1970) Space Travel, 1945 Oil on canvas 10 x 8 ¼ inches Dated on canvas verso: 1945 Titled on stretcher bar: Space Travel Unsigned Philip Perkins was bor...

CHARLES HENRY GIFFORD (1839-1904) Frenchman Bay, Mount Desert Island, Maine, 1874 Oil on canvas 12 x 20 inches Signed and dated at lower right:...

BENJAMIN HARTLEY (1838-1912) On the Marmaton River, Kansas, 1880 Oil on board on canvas 6 x 9 ¾ inches Signed and dated at lower right: B. Hartley / 1880 Titled and dated in artist’s...

BUDD HOPKINS (1931-2011) Untitled Abstract, 1964 Oil on paper on canvas 14 x 11 inches Signed and dated at lower right: Hopkins ‘64 Budd Hopkins was born in Wheeling, West Vi...

RAY DONARSKI (1935-1996) Swing, 1966 Oil on canvas 17 ½ x 17 ½ inches Signed, dated and inscribed verso: ‘Swing’ / Ray Donarski / 2/66 / 17 ½ x 17 ½ / For Mr. & Mrs. Passerman / New York 1966 Original frame Ray Donarski was one of a group of artists in New York known as the Bowery Boys during the early sixties. The group included Eva Hesse, Robert Mangold, Jack Youngerman, and Robert Rauschenberg among others. He is mentioned in several of art critic Lucy Lippard's articles on New York conceptual artists and Bowery Boy artists of that period. Donarski was a close friend of artist James Rosenquist. They had studied together at the Art Students League in New York. In January of 1962 Donarski helped Rosenquist set up his first solo exhibition at the Green Gallery in New York. In his book, Painting Below Zero: Notes on a Life in Art, Rosenquist recalls sitting on the floor with Donarski before opening night wondering if anyone would show up. The show sold out before it opened. When Rosenquist was broke and homeless in 1955 his friend Donarski told him he knew of a great job as a chauffeur and bartender for some very wealthy people. They went up to see them and split the job. Rosenquist took it for a year, and after a year, he gave it to Donarski. In an interview with Rosenquist he said “I lived in the lap of luxury with very little money, and was a chauffeur bopping around in a ’56 Lincoln town car and a ’56 Lincoln convertible with big fins on the car (laughs), great big fins. I did that for a year and then transferred into the International Sign Painters.” Donarski married Mary Lou Storm and had two children. He became known as the “American in Luxembourg”, dividing his time between New York and summers in Luxembourg, where he was represented by Galerie Paul Bruck and Galerie Horn. He also exhibited at the Westport Gallery...

"Cellar with Horseshoe" WPA American Scene Modernism 20th Century NYC Industrial Joseph Solman (1909-2008) "Cellar with Horseshoe," 16 x 20 inches, oil on canvas circa 1938, initial...

"Orbs" is a 38 x 50 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is estate stamped 202141 on verso. The painting has been...

"Salutations" is a 12 x 16 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is painted in a vibrant color palette. The painti...

"Forest" is a 29 x 36 inches, oil on canvas painting by American modernist, female artist Peter Miller. The work is painted in a vibrant color palette. The work is estate stamped on ...

Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...

Urban landscape of city harbor, marine scene, (North Africa?) bearing the influence of the earlier color-block compositions of Paul Klee. Modernist Cityscape 24" x 36" sight. oil on ...