Gwyneth Leech

Stormy View from Pier 8, Oil on linen, Impressionist skyline painting

2022

Gwyneth Leech tracks the progress of Manhattan construction with the sensitivity of an Impressionist painter. Initially struck by a skyscraper emerging outside her studio window, Lee...

Gwyneth Leech tracks the progress of Manhattan construction with the sensitivity of an Impressionist painter. Initially struck by a skyscraper emerging outside her studio window, Lee...

Gwyneth Leech tracks the progress of Manhattan construction with the sensitivity of an Impressionist painter. Initially struck by a skyscraper emerging outside her studio window, Lee...

Gwyneth Leech tracks the progress of Manhattan construction with the sensitivity of an Impressionist painter. Initially struck by a skyscraper emerging outside her studio window, Lee...

Gwyneth Leech tracks the progress of Manhattan construction with the sensitivity of an Impressionist painter. Initially struck by a skyscraper emerging outside her studio window, Lee...

Gwyneth Leech documents the evolution of the midtown Manhattan landscape with the same sense of care and attention to ephemerality as an en plein air pai...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...

Ulrich Gleiter's (EUR based) "Early Spring in Burgundy" is an oil painting that depicts lush greenery growing with a grey overcast sky swirling with weather. Bio/Artist Statement: ...

Ulrich Gleiter's (EUR based) "Street in Portuguese Town" is an oil painting that depicts European architecture along a small street. Bio/Artist Statement: German-born artist Ulric...

Ulrich Gleiter's (EUR based) "View From the Porch - Winter Evening in Sweden" is an oil painting that depicts a snow covered cabin, surrounded with barren mid-winter trees and dense ...

Ulrich Gleiter's (EUR based) "Dalmatian Coast (Near Dubrovnik)" is an oil painting that depicts a blue coast lined with green textural beaches. Bio/Artist Statement: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists. He first studied at the Dresden Academy of Arts and later at the Repin Academy in Saint Petersburg, Russia. His work has been recognized with awards in the USA and in Russia and been featured in books and magazines. "Ulrich Gleiter is a citizen of the world. Born in Saarbrücken, Germany, he pursued his undergraduate studies at Dresden’s Academy of Fine Arts, where he learned to paint with the bold, colorful strokes handed down from the early 20th-century German expressionists. Students there prioritized their individuality — no one but you could have made this picture, they were told. Gleiter then absorbed a different view of artistry during his exchange year at Moscow’s Surikov Institute, followed by six more years at the Repin Institute in St. Petersburg. Today Gleiter divides time between Germany, Russia, and the United States, where he has become much admired among plein-airists in such scenic places as Colorado, California, and Wyoming. In our era of diplomatic tensions, when Crimea and Russia appear regularly in the headlines, Gleiter feels a renewed appreciation for nature’s timelessness — for its inspiring capacity to rise above the ins-and-outs of man-made problems. Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there. Most importantly, I am humbled to observe how natural forces never stop moving.” Gleiter turns his searching eye not only to wilderness, but also to the banalities of urban life — to parked cars, the glinting sprawl of an automobile dealer’s lot, retail stores, and even cargo ships. There, too — as in his portraits, nudes, and still lifes — he manages to find abstracted beauty and emotional significance in the interactions of light, color, and air." ( by Peter Trippi, Fine Art Connoisseur Magazine, 01/2017) SOLO- AND TWO-PERSON EXHIBITIONS 2018: SANDAU&LEO Gallery, Berlin. 2017: Gallery 1261...