Items Similar to 'Springtime Evening', New York, Metropolitan Museum, American Impressionist Oil
Want more images or videos?
Request additional images or videos from the seller
1 of 19
Henry Golden Dearth'Springtime Evening', New York, Metropolitan Museum, American Impressionist Oil1892
1892
About the Item
Signed lower right, 'H. Dearth' for Henry Golden Dearth (American, 1864-1918) and dated 1892.
Displayed in the original and period, carved gilt-wood frame. Framed dimensions: 22.5 H x 1.75 D x 36 W inches.
Scion of a distinguished military family, Henry Golden Dearth first studied in New York with the academic painter, Horace Johnson. In 1884, Dearth moved to Paris where he spent four years furthering his studies at the L'Ecole des Beaux Arts and, subsequently, in the atelier of Aime Morot. In 1887, he returned to New York where he opened his first American studio and was invited to become a member of the Society of American Artists. In 1888, he began to exhibit regularly at the National Academy of Design to which he was elected full Academician in 1906. In 1889, he exhibited, for the first of many times, with the more progressive Society of American Artists. In 1893, Dearth was awarded the prestigious Webb prize for the best work by an American artist under the age of 40. 1902, the artist moved his studio to 18 E. 40th Street in New York and began to spend his summers in Normandy, the region that had first drawn him to landscape painting. For many years, he maintained both home and studio at Montreuil-sur-Mer, in the Pas-de-Calais, where he would work for several months during each season.
Over the course of a distinguished career, Henry Golden Dearth exhibited internationally with success and was the recipient of numerous prizes, medals and juried awards including a bronze medal at the Exposition Universal in Paris (1900) and silver medals at two Pan-American Expositions, in Buffalo (1901) and Buenos Aires (1907). The artist's works are held in private and public collections world-wide including the permanent collections of the Detroit Institute of Arts (In the Gloaming), the National Gallery of Art, Washington. DC (Flecks of Foam), the Smithsonian American Art Museum (An Old Church at Montreuil) and New York's Metropolitan Museum of Art (Boulogne, Cornelia), among others. Henry Golden Dearth is well-listed in all art reference works including Benezit, Thieme Becker and Who Was Who in American Art which also provides a signature sample. We are pleased to offer a luminous and atmospheric work from Dearth's Barbizon period, painted when the artist was twenty-eight years old.
Partial List of Exhibitions:
1888 American Academy in New York
1889 National Academy of Design
1901 Exhibition of the Fine Arts, Buffalo, NY
1902 Union League Club
1903 International Exhibition, Berlin, Germany
1904 Lotos Club, New York
1907 Oehme Gallery
1907 Lotos Club, New York
1909 Pennsylvania Academy of the Fine Arts, Philadelphia
1910 Detroit Museum of Art
1911 Buffalo Fine Arts Academy
1912 Albright Art Gallery, Buffalo
1912 Pennsylvania Academy of the Fine Arts, Philadelphia
1912 Knoedler Galleries, New York
1913 Pennsylvania Academy of the Fine Arts, Philadelphia
1913 Montross Gallery, New York
1916 Milwaukee Art Institute
1916 Arts Club of Chicago, Chicago
1918 Milch Galleries, New York
Reference:
Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, p. 856; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 4, p. 314; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 7/8, p. 500; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, p. 104; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. 1, p. 353; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, p. 223; The Annual Exhibition Record of the National Academy of Design 1901-1950, Peter Hastings Falk, Sound View Press 1990, p. 164; 300 Years of American Art, Zellman, Vol. 2, p. 576; et al.
- Creator:Henry Golden Dearth (American)
- Creation Year:1892
- Dimensions:Height: 16 in (40.64 cm)Width: 30 in (76.2 cm)Depth: 0.75 in (1.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:painting: minor restoration totaling less than one percent of surface area, original canvas, pigment is stable with good adhesion; frame: minor marks, shows well.
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU3447901062
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1982
1stDibs seller since 2013
627 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Santa Cruz, CA
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- 'Eucalyptus Road, Sunset', Early 20th Century, American Impressionist LandscapeLocated in Santa Cruz, CAAn early twentieth-century, American Impressionist School oil landscape showing a sunlit view of a woman standing on a country road lined with eucalyptus trees. The work of an anonym...Category
1920s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- 'Caulking the Seams', American Impressionist School Oil, Sailing Boat, SchoonerLocated in Santa Cruz, CAAn early twentieth-century, American School oil showing a view of a sailor caulking the seams of a substantial wooden sailing ship with a view beyond towards red-tiled houses beneath...Category
1920s American Impressionist Landscape Paintings
MaterialsOil, Canvas
- 'Montana Hills', Academy of Arts, Berlin, National Academy of DesignBy Carl RungiusLocated in Santa Cruz, CASigned lower right, 'C. Rungius' for Carl Rungius (German-American, 1869-1959) and titled, verso, 'Montana Landscape VIII'. Displayed in an ebony pa...Category
1920s American Impressionist Landscape Paintings
MaterialsCanvas, Oil, Board
- 'New England Coast', Paris, New York, Royal Academy of Art, London, BenezitBy Hugo Melville FisherLocated in Santa Cruz, CASigned lower right, "H. Melville Fisher" for Hugo Melville Fisher (American, 1878-1946) and painted circa 1925. Inscribed on stretcher, verso, 'New England Rocky Seashore'. A substantial, Impressionist seascape by this Paris-trained and well-listed, American Modernist. Born in Brooklyn, Hugo Melville Fisher first studied with his father, the landscape painter Hugo Anton Fisher...Category
1920s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- 'River Landscape', American Impressionist, Carmel Art Association, Plein AirBy Mae Hill GilbertLocated in Santa Cruz, CAImpressionist-style California landscape with eucalyptus trees growing beside a river and a view beyond towards distant hills. Signed lower left "M. Gilbert" (American, 1867-1945) for Mae Hill Gilbert and painted circa 1940. Born in Illinois, Mae Gilbert was living in Monterey by the 1930s and exhibiting at the Carmel Art Association. Her son, Arthur Hill...Category
1940s American Impressionist Landscape Paintings
MaterialsFoam Board, Oil, Canvas
- 'Point Lobos, China Cove', Carmel, California Impressionist Oil, MontereyLocated in Santa Cruz, CASigned lower left, 'Edward Glafke' (American, 1925-1997); additionally signed, verso, titled, 'Point Lobos, China Cove', and dated 1993. Edward Glafke w...Category
1990s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
You May Also Like
- Bridge Nocturne oil painting by Johann BerthelsenBy Johann Berthelsen, 1883-1972Located in Hudson, NYOne of Johann Berthelsen's iconic nocturne views of New York City across the Hudson River. Bridge Nocturne (c.1945) Oil on canvas, 22" x 28" 29 ½" x 36" x 2" framed Signed "Johann ...Category
1940s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- I Came to Where the Lone Pilgrim Lay, River Landscape Oil on Canvas, Western ArtBy Michael Ome UntiedtLocated in Whitefish, MTI Came to Where the Lone Pilgrim Lay by Michael Ome Untiedt Oil on Canvas, 36" x 48", 43" x 55" (framed), hanging hardware included. From the artist: "In Memory of Tom Horn: This is another of my feeble attempts to break down, to rage against the tyranny of time. I have fought this battle for a half century, yet my limbs grow slower, my hair more moon-bleached. I ponder as I apply brush strokes to the canvas, what thoughts pass through the viewer of this work a hundred years hence, two hundred years later? Will they know what I carry in my heart today? Am I on a great mandala of life, and will I return one day to this same experience, or am I adrift on a great "river" flowing endlessly through the Cosmos, heeding shoal water and seeking shoreline that is forever changing? A dear friend passed this week from the plague scourging our fair land. When and where will I hear his sweet self deprecating laughter again?" Born and raised in rural southeastern Colorado, Michael Ome Untiedt maintains a studio in Denver. Traveling extensively, he is known as a painter of the world who sees with a westerner’s eye. Through the color, brush strokes, and symbolic subject matter of his paintings, he attempts to examine the human predicament and its connections to the landscape and history of the American West. He is driven to portray twenty-first-century psychology on a nineteenth-century saddle! Untiedt has participated in numerous shows including the Western Masters Art Show and Sale, Settler’s West Miniatures Show and Art of the American West...Category
21st Century and Contemporary American Impressionist Landscape Paintings
MaterialsOil, Canvas
- Central ParkBy Kamil KubikLocated in Cliffside Park, NJCentral Park by Kamil Kubik, Czech/American (1930–2011) Oil on canvas, signed l.r. Size: 35.5 x 30 in Kamil Kubik, defecting from his home country of Czechoslovakia in 1948 when the Communists seized power, he would become known as "Master of Cityscapes", known internationally for his street scenes, cityscapes and magnificent florals, memorializing royal weddings and inaugurations on his canvas pieces. His cityscape paintings for sale are highly coveted pieces thanks to his popularization through magazines, books, and even White House Christmas cards. Private collectors of his work have included U.S. presidents and English royalty...Category
Late 20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Central Park, WinterBy Guy Carleton WigginsLocated in New York, NYSigned lower left: Guy Wiggins / Guy Wiggins; on verso (photo available): CENTRAL PARK. WINTER. / GUY WIGGINS N.A. / 1936.Category
Mid-20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Spring LandscapeBy Hayley LeverLocated in New York, NYSigned lower right: Hayley LeverCategory
1930s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Mystic River ValleyBy Edward Herbert BarnardLocated in New York, NYSigned lower left: EH BarnardCategory
19th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil