Hilda Snoeijer

First Snow - 21st Century Contemporary Acrylic Painting by Hilda Snoeijer

2019

In this work Peter Durieux shows his love for the landscapes, and also his capability in composition, tonality and style. Beautiful and powerful at the same time. Drawing is watchin...

The work of Durieux has been characterized in the last 25 years by the tranquil French landscapes. His enthusiasts enjoy it and stand in the gallery with their nose on top of the dra...

In this work Peter Durieux shows his love for the landscapes, and also his capability in composition, tonality and style. Beautiful and powerful at the same time. Drawing is watchi...

The work of Durieux has been characterized in the last 25 years by the tranquil French landscapes. His enthusiasts enjoy it and stand in the gallery with their nose on top of the drawings and paintings. However, there is a special novelty to report for this exhibition! Peter Durieux signed again in the Netherlands. Anyone who knows the artist knows that his drawings are the source for the paintings he makes. These drawings, made in the landscape, form an important part in the oeuvre of the Groningen artist. The "plein air draftsman" draws a few mornings or afternoons per drawing to the same place. He records how the light shows the landscape. It is important for Durieux that the light is the same as the day before, which is why the artist always opts for the same moments of the day in the same place. The tonal landscapes show a silence and an unparalleled intimacy. Peter Durieux signed for this exhibition in Brabant on the Strabrechtse Heide (near Nuenen in Heeze) and in Groningen, the province where he lives. He made paintings from these drawings. In addition to the Dutch work, there is also new "French" work on display. Drawing is watching. Durieux's paintings and drawings are created in various steps. Peter studies his landscapes while he draws. "Drawing is watching," he likes to tell his students at the Classical Academy in Groningen. Twice a year he travels to "Le Coulet", a small hamlet in the French Ardêche. The surroundings of the hamlet, the villages and landscapes in the immediate vicinity have been established by Peter Durieux for years. Peter does...

The work of Durieux has been characterized in the last 25 years by the tranquil French landscapes. His enthusiasts enjoy it and stand in the gallery with their nose on top of the drawings and paintings. However, there is a special novelty to report for this exhibition! Peter Durieux signed again in the Netherlands. Anyone who knows the artist knows that his drawings are the source for the paintings he makes. These drawings, made in the landscape, form an important part in the oeuvre of the Groningen artist. The "plein air draftsman" draws a few mornings or afternoons per drawing to the same place. He records how the light shows the landscape. It is important for Durieux that the light is the same as the day before, which is why the artist always opts for the same moments of the day in the same place. The tonal landscapes show a silence and an unparalleled intimacy. Peter Durieux signed for this exhibition in Brabant on the Strabrechtse Heide (near Nuenen in Heeze) and in Groningen, the province where he lives. He made paintings from these drawings. In addition to the Dutch work, there is also new "French" work on display. Drawing is watching. Durieux's paintings and drawings are created in various steps. Peter studies his landscapes while he draws. "Drawing is watching," he likes to tell his students at the Classical Academy in Groningen. Twice a year he travels to "Le Coulet", a small hamlet in the French Ardêche. The surroundings of the hamlet, the villages and landscapes in the immediate vicinity have been established by Peter Durieux for years. Peter does...

In this work Peter Durieux shows his love for the landscapes, and also his capability in composition, tonality and style. Beautiful and powerful at the same time. Drawing is watching...

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Blue Statue, 2020 "For Blackburn, the Western’s heroic drama, good-versus-evil narrative, and assertive landscape are challenges to face in her work. These aspects of film can overwhelm a painting, thus distancing the viewer from the art. She wants the art to be dominant; “Painting wins,” she declares. She finds this happens when a painting possesses what she terms “classical balance.” By this the artist means that everything is where it needs to be compositionally—nothing can be changed—and “the whole can be seen at once.” Linda Blackburn...

Bisti Wash, 2020 "For Blackburn, the Western’s heroic drama, good-versus-evil narrative, and assertive landscape are challenges to face in her work. These aspects of film can overwhelm a painting, thus distancing the viewer from the art. She wants the art to be dominant; “Painting wins,” she declares. She finds this happens when a painting possesses what she terms “classical balance.” By this the artist means that everything is where it needs to be compositionally—nothing can be changed—and “the whole can be seen at once.” Linda Blackburn...

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