Vincenzo Caprile

Casolare con figure - 1893

1893

Henry Markò (Florence 1855-1921) Ligurian pine forest Oil on canvas in gilded frame First quarter 20th century Signed to the lower left Size: 74x104 cm (92x121 cm including frame) Henry Markò, born in Florence, is a landscape and seascape painter of remarkable sensitivity, undoubtedly linked to the late 19th-century painting tradition with hints of Romanticism. A descendant of the painting dynasty headed by the Austrian Andrea Markò, he painted a series of works between the nineteenth and twentieth centuries that were characterized by skillful scenic layout: rare seascapes of the Ligurian Riviera, luminous and highly detailed in execution, numerous wooded landscapes, sometimes enlivened by figurines, and frequent views of cities such as Florence, Rome, Genoa, and Sestri Levante...

Giacinto Trussardi (1881-1947) Mont Blanc Massif Oil on panel in lacquered frame Size: 80x122 cm (97x138 cm including the frame) 1st quarter 20th century The back label bears this ...

TITO CONTI (Florence 1842 - 1924) Portrait of a Musketeer Oil on canvas in gilded frame Signed in the upper right Canvas measures 40x30 cm (51x43 cm includ...

Guglielmo Caccia said the Moncalvo (Montabone, 1568 - Moncalvo, 1625) Saint Francis of Assisi comforted by an angel Oil on canvas, cm 96 x 73 - (wi...

Ruggero Panerai (Firenze 1862-1923) Grazing horse Oil on canvas in gilded frame Canvas size 100x70 cm (116x86 cm with frame) Signed at the bottom left Last quarter 19th century Ruggero Panerai was born in Florence on 13 March 1862. He was employed as a carpenter until the age of fifteen and then studied at the Academy of Fine Arts in Florence, which he attended from 1877 to 1881. His teacher was Giovanni Fattori, who introduced him to the naturalistic painting of landscapes of the Tuscan Maremma and considered him among his most deserving students. Factors' teachings were decisive in orienting the young artist, who adopted the themes and the pictorial technique, updating them with the naturalism flowered in Tuscany through the example of Luigi and Francesco Gioli, Tommasi and Egisto Ferroni. In 1883 he exhibited at the Promotrice in Florence, his impressionism was inspired by the works of Guido Carocci. His painting is also affected by the bourgeois and worldly look of Giuseppe De Nittis and the manner of Vittorio Matteo Corcos who for some years lived in Paris but who returned to Livorno from time to time. Useful for a contact with the Parisian culture could also have been, for Panerai, the proximity with Francesco and Luigi Gioli, who in 1878 went to the French capital, where they had frequented Federico Zandomeneghi. Panerai was also attracted by the military theme. Military subjects are in fact among the most practiced and loved by the artist, who declines them in numerous variations, mostly devoid of pathos, but adhering to a quiet image. In 1887 his painting "Il Guado", presented in Venice, was chosen for the National Gallery of Modern and Contemporary Art in Rome, but instead entered the "Pisani" Gallery. In the same year he exhibited in Genoa, Florence and Milan, where he won the Fumagalli Prize with "Il cavallo malato" (Florence, Galleria d'arte moderna of Palazzo Pitti), a painting in which his qualities as a sensitive animalist painter stand...

TITO CONTI (Florence 1842 - 1924) Portrait of a Buttero Oil on canvas in gilded frame Signed in the upper right Canvas measures 40x30 cm (51x43 cm includin...

60"x144" large scale painting, oil on canvas, created on two joined canvases. The deep blue palette gives a sense of underwater space in this grand depiction of coral reefs. Artist, Karen Marston presents this endangered species in a grand scale to show its beauty and importance to our environment. Karen Marston is a painter living and working in Brooklyn, NY. Her work has been seen in a number of solo exhibitions in New York City. In addition to her 2018 show Harbingers, at the Owen James Gallery in Soho, other recent solos include: 2017’s To Embrace the Whole Sky with the Mind, at Station Independent Projects on the Lower East Side, Demeter’s Wrath in 2016 at the Owen James Gallery and Storm Watch...

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...

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