Isidore Verheyden

Isidore Verheyden, Study Of A Farmyard, Oil Painting

c. 1890

This early 20th-century oil painting by British artist Henry Hillingford Parker (1858-1930) depicts a Highland loch with cattle, track and mountain. Parker adored the natural world ...

This charming late 19th-century French School oil painting depicts a forest view with deer. Stylistically, it fits with the approach taken by the Barbizon school of artists who were...

This charming late 19th-century oil painting by British artist Alfred Augustus Glendening (1840-1921) depicts a picturesque river landscape with cattle and ducks. Born in Hampton on Thames, London, Glendening was raised in an area popular with Victorian artists. The river, with its zig-zagging steamboats and silvery waters, providing ample inspiration for a young impressionable mind. This fascinating environment delivered the building blocks for his artistic development, and one can imagine him sketching on the riverbank along with other painters. It would take a little time before he turned to art as a career but, once he pursued his calling, success was inevitable. Travel during the mid-19th century was becoming a little easier thanks to the emerging rail network, and Glendening filled his sketchbooks on various cross-country trips. In 1864, he debuted at The Royal Society of British Artists with a view from Cumbria’s picturesque Lake District. And the following year, he exhibited ‘A Cornfield, Kent’ at the Royal Academy. Many of his works were centred around shimmering water with the Isle of Wight another frequent destination. Soon, the rising middle classes took note and he quickly became a firm favourite. With views in North Wales, the Highlands, Surrey, and Devon captured with a deft touch. His approach was predominantly naturalistic and lacked the grandiosity of many early Victorian painters. His tranquil vignettes are skilfully observed with dapples of light dancing across reflected foliage. The occasional bird picked out with weight and movement. Here, in this picturesque sunlit view from 1896, he captures nature at her most buoyant. Cattle cool off under a prominent beech tree as the surface of the skilfully-handled river flickers into life. Glendening’s exquisite draughtsmanship was matched by a keen understanding of tone and value - resulting in balanced compositions with blissful moods. By 1903, he’d exhibited 47 works at the Royal Academy. Quite an achievement for a late starter. Today, various museums hold examples including at Southampton and Newport. Signed/dated lower left and held within a later frame. Provenance: Private collection, Germany. Artist’s auction maximum: £32,000 for ‘Bramber Castle’, Oil on canvas, Christie’s, 19th Century Pictures...

This mid-19th-century oil painting by British artist Frederick Foot (1830-1908) depicts a river view with figures, stones and dog. Foot was an accomplished landscape painter working ...

This piece, "Koi Reflections", is a 14x11 oil painting on canvas by artist Rosanne Cerbo featuring a view into a peaceful koi pond lit from an afternoon sun. Light traveling through ...

Beautiful large scale landscape of Yosemite with Half Dome and El Capitan above the Merced River by William Lemos (American, 1861-1942). Rendered in cool grays and blues, Half Dome r...

A fine woodland scene oil painting with two birds by American artist Abbott Handerson Thayer (1849-1921). Thayer was born in Boston to a prominent family and attended the Chauncey Hall School, founded by his grandfather. His art teacher there was Henry Morse from whom he learned to do animal portraits. He studied at the Brooklyn Academy of Design with Lemuel Wilmarth, and after marrying Kate Bloede, he went to Paris for a year, as a student of Jean Leon Gerome. In 1879, he opened a studio in Brooklyn in the same building as the studios of Thomas Dewing...

Netherlands, 1870-1951 Constant Artz is the painter of the well-known extremely friendly and sunny scenes with a duck with young ones on the side of a ditch. He was born in Paris in...