Jacques Martin-Ferrières

Sea at Moonlight - Post Impressionist Oil, Seascape by Jacques Martin-Ferrieres

c.1920

Signed seascape oil on panel circa 1910 by French painter post impressionist painter Adolphe Louis Gaussen. The work depicts a view of the bright blue sea from a rocky shoreline on t...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Signed post impressionist landscape oil on panel by French painter Henri le Sidaner. The work depicts a nighttime view of the bay at Saint Servan, Brittany in the north of France. Th...

Signed oil on panel seascape circa 1920 by French post impressionist painter Adolphe Louis Gaussen. The work depicts a view of waves cascading against a rocky shore. A sail boat is s...

Signed post impressionist figurative oil on panel circa 1910 by sought after French painter Henri Le Sidaner. This absolutely stunning piece depicts elegant people taking an evening ...

Stunning signed post impressionist oil on panel circa 1920 by French painter Emile Octave Denis Victor Guillonnet. The work depicts a summer garden filled with vibrant flowers in reds, pinks, yellows and whites, with green lawn and trees beyond. Signature: Signed lower left Dimensions: Framed: 28"x32" Unframed: 20"x24" Provenance: Private US collection Émile Guillonnet was a student of Lionel...

Mark Andrew Bailey's "Nestled In" is an original, handmade oil painting that depicts blue shadows and yellow light playing on the surface of snow co...

"A Colorful Crowd, Yugoslavia" Jacques Martin-Ferrières (1893-1972) Circa 1930s Oil on panel 17 1/8 x 13 3/4 (frame) inches A painter remarkable for his highly personal portraits a...

Wonderful Post -Impressionist oil of a sunlit village painted with most attractive brushwork and palette. Henri Vos (1883-1959) A sunlit village Signed Oil on canvas laid down on pa...

Eugène-François Deshayes (1808–1875) was a French artist known for his landscape and marine paintings. He was born in Paris and initially trained as a lawyer, but his passion for art...

This exquisite painting, "Courtyard With Elegantly Dressed Couple" by the Swedish artist Carl Johansson, is a vibrant illustration of life at the turn of the 20th century. Dating bac...

River Landscape Clesse Louis Brussels 1889 – 1961 Belgian Painter Signature: Signed bottom left Dimensions: Image size 31 x 40 cm, frame size 47 x 56 cm Medium: Oil on panel Biography: Clesse Louis Liévin Théophile was born on June 15 in 1889 in Ixelles (Brussels). He was a Belgian Post-Impressionist and Realist painter of landscapes, seascapes, still lifes and portraits. He studied at the Academy of Fine Arts in Brussels. He received advice and encouragement from master teachers and artists Alfred Bastien...