James Isherwood

Empyrean, bright surrealistic painting of house against mountain, neon colors

2021

mixed media on wood Artist’s Statement Primarily a painter, I use a hybrid visual language that is both abstract and figurative, and fuse domestic and landscape imagery. I build eccentric formats that promote an improvisational attitude toward composition and playfully references the instability and dislocation characteristic of contemporary life. In my work, as in life, the past permeates the present and the commonplace collides with the enigmatic and inexplicable. I make short experimental films using stop motion technique that incorporates sound as well as written and spoken poetic text. Filmmaking significantly broadens the content of my work, and naturally cross-pollinates with my on going painting projects. Drawing is the core of my studio practice and the engine that drives everything I make. Artist Biography Miriam Hitchcock is a painter and experimental filmmaker whose work has been exhibited nationally and internationally. In 2021 her paintings were profiled and featured on the cover of the book, Artists of the Bay Area Volume 1, published by Jen Tough...

Acrylic and collage on Yupo paper

Acrylic on canvas

Love / Roses / Flowers / Pink / Couple / Pair / Allison Green grew up on the outskirts of a lush forest in Pennsylvania, an experience that continues to inform her artistic practice...

mixed media on wood Artist’s Statement Primarily a painter, I use a hybrid visual language that is both abstract and figurative, and fuse domestic and landscape imagery. I build eccentric formats that promote an improvisational attitude toward composition and playfully references the instability and dislocation characteristic of contemporary life. In my work, as in life, the past permeates the present and the commonplace collides with the enigmatic and inexplicable. I make short experimental films using stop motion technique that incorporates sound as well as written and spoken poetic text. Filmmaking significantly broadens the content of my work, and naturally cross-pollinates with my on going painting projects. Drawing is the core of my studio practice and the engine that drives everything I make. Artist Biography Miriam Hitchcock is a painter and experimental filmmaker whose work has been exhibited nationally and internationally. In 2021 her paintings were profiled and featured on the cover of the book, Artists of the Bay Area Volume 1, published by Jen Tough...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

Acrylic & ink on wooden panel

Acrylic on wooden panel

Acrylic & oil on wooden panel