Jane Booth

Vignette - Little Gasparrilla Island

2019

Jane Booth lives and works on a ranch overlooking broad, open vistas of native prairie, water, and sky, and uses this environment as a foundation for her work. Schooled in ceramics, Booth pursued her love of sculpture and working with her hands by becoming a steel cutter and welder before she turned to fine art. This background continues to inform her paintings, which create a visceral sense of space and depth. Often creating monumentally scaled, color saturated canvases, her process is tactile and physical. Booth begins with large swaths of raw canvas on the floor. Engaging all of her senses, she accesses a nonverbal internal landscape, translating into a felt sense of color and mark. Paint is poured and pushed by hand into the canvas; the degrees of separation between feeling and fulfillment are narrow. “I like to paint like a bird dog runs, bringing a depth of senses to the canvas, using the whole body, intuition engaged,” she says. Jane Booth is based in the Kansas City area. Her work is in 600+ private collections and numerous corporate collections. En plein air, Poured, Abstract Landscape, Stains/Washes, Automatism, Gestural Abstraction, Contemporary Gestural Abstraction, Calligraphic, Women Artists, United States, Painting, Gestural, Altered and Substituted Canvases, Nature