Jason Rich

Big Sky Range Horses Jason Rich Western Art Landscape Oil Painting on Canvas

2021

Itching for Spring by John Potter Bison Oil Painting on Canvas 10" x 8" 14" x 16" (framed) Landscape and wildlife artist John Potter was raised in ...

"Late Day Bison" by Harry Koyama Oil on Board 60" x 50" 70" x 60" (framed) Harry Koyama, born and raised in Hardin, Montana, began his formal art training at Montana State Universit...

I Came to Where the Lone Pilgrim Lay by Michael Ome Untiedt Oil on Canvas, 36" x 48", 43" x 55" (framed), hanging hardware included. From the artist: "In Memory of Tom Horn: This is another of my feeble attempts to break down, to rage against the tyranny of time. I have fought this battle for a half century, yet my limbs grow slower, my hair more moon-bleached. I ponder as I apply brush strokes to the canvas, what thoughts pass through the viewer of this work a hundred years hence, two hundred years later? Will they know what I carry in my heart today? Am I on a great mandala of life, and will I return one day to this same experience, or am I adrift on a great "river" flowing endlessly through the Cosmos, heeding shoal water and seeking shoreline that is forever changing? A dear friend passed this week from the plague scourging our fair land. When and where will I hear his sweet self deprecating laughter again?" Born and raised in rural southeastern Colorado, Michael Ome Untiedt maintains a studio in Denver. Traveling extensively, he is known as a painter of the world who sees with a westerner’s eye. Through the color, brush strokes, and symbolic subject matter of his paintings, he attempts to examine the human predicament and its connections to the landscape and history of the American West. He is driven to portray twenty-first-century psychology on a nineteenth-century saddle! Untiedt has participated in numerous shows including the Western Masters Art Show and Sale, Settler’s West Miniatures Show and Art of the American West...

Sunlit Winter Shores by David Mayer Oil on Canvas, 20" x 30", 22" x 32" (framed in a dark floater frame) The fine art of David W. Mayer captures the beauty...

Lake McDonald, Glacier National Park Plein Air Study by Morgan Cawdrey, an 8" x 10" Mountain Landscape Oil on Canvas, 10" x 12" framed. Morgan Cawdrey, raised in the relative wilder...

Beloved Valley by Nancy Dunlop Cawdrey Dye on Silk 18" x 23" 31" x 36" (framed) Nancy Dunlop Cawdrey lives in a world of color. And she likes to paint that way as well. Growing up quite literally around the world, Cawdrey found early inspiration in patterns and colors from places she has lived as a child and teenager, ranging anywhere from Syria to Germany. Studying studio art in Paris for two years as a college student, Nancy became attuned to Old Master techniques and found her voice through painting. After living for some years abroad in England and Europe with her husband Steve, eventually they found themselves returning to the United States and settling down in Montana. Nancy discovered the medium of silk painting also on her travels, this time, in Hawaii. The propensity for vibrancy in the dyes and the looseness of the technique, close to the techniques of watercolor, captured Nancy. While a fairly novel medium, combining the subject matter of the west and the ancient art of silk painting, she has created a portfolio and style of painting that is wholly unique to her studio. In Northwestern Montana, glacial streams seep from the craggy peaks of Glacier, spiraling through great wide plains of Eastern Montana and the Dakotas, and eventually spill out into both the Pacific Ocean and the Missouri...

Gaze shows the famous Texas Longhorn on a Texas ranch. It has an Impressionistic Style as seen in many of Virginia Vaughan's Texas paintings. She is kno...

LOOK FOR FREE SHIPPING AT CHECKOUT With Few Egrets shows the cattle on a Texas ranch. This was painted from a plein aire painting done on a ranch in South Texas near the Mexican bor...

Dynamic Western figurative landscape scene of a cowboy and cattle, depicted with realist detail as they splash through a river, by unknown artist Jan Watson (American, 20th Century)....

Deep pastel colors enliven this painting of a polar bear in the ice by listed California artist Helen Ray Harris (d.2001). Signed lower left corner "H. Harris". Unframed. Image, 16"H x 20"W. Helen Ray Harris, 20th Century, was born in England. She received her initial art training in her native England and immigrated to the United States at age 19. Prior to her arrival in the U.S., and shortly afterwards, she worked repairing and restoring antique furniture...

Wonderful and dynamic western painting of two wild fighting stallions by listed artist Bernard Preston Thomas (American, 1918-1992), dated 1951. Signed and dated lower left corner and on verso. Image size: 28"H x 36"W. Presented in rustic painted frame size: 34"H x 41"W x 3"D. Originally from Sheridan, Wyoming, he loved football and art, giving up the sport to concentrate on a career in art. Thomas graduated from Woodbury College in Los Angeles with a Bachelor of Science degree, earning the Leo Youngsworth Award for outstanding senior art student at Woodbury. He became a camouflage technician at the outbreak of WWII and caught the attention of General Patton...

Gorgeous landscape with two cows drinking water in a pond with Mt. Hood in background by listed artist William M. Lemos (American, 1861-1942). Signed "W.M. Lemos" lower right. Presented in vintage gilt-toned frame that shows wear (included as-is). Condition: Good: previously owned and used, with little or no signs of wear and is in good condition. No structural issues. Image size: 29"H x 49"W. Born in New York, Professor Lemos moved to San Francisco in 1887 where he established a studio at 106 Geary Street. He later moved to Santa Cruz in 1896, where he settled, painting murals for many local businessmen and the Santa Cruz Beach Boardwalk. As a boy Lemos earned money by wandering the streets and painting on request. Arriving in San Francisco in 1887, he established a studio at 106 Geary. With his wife Mabel, he worked in Los Angeles for a few years in the 1890s. After settling in Santa Cruz in 1896, he painted murals for many local businessmen. When the original Beach Casino was built there at the Boardwalk in 1904, Lemos was the first concessionaire and worked there for nearly 40 years. On his platform in the Casino, Lemos did paintings of redwoods, still lifes, forest fires, beach scenes, and marines. Many of his oils were done on redwood slabs which were popular with the tourists; in the early days these paintings sold for one dollar and up depending on the size of the work. After his vision failed and he was unable to paint, his last years were mostly spent fishing off the Municipal Pier with a friend who baited his hook for him because he could no longer see. In the March 27, 1941 Santa Cruz Sentinel News Lemos reminisced, "Them were the days when the Boardwalk was only twelve feet long and when business got slow I picked up my shotgun and went across the street and shot ducks where the Casa del Rey Hotel now stands." Exhibited: Calif. State Fair, 1885; Mechanics' Inst. (SF), 1889. In: Santa Cruz City Museum; Wawona Hotel (Yosemite). Edan Hughes, "Artists in California, 1786-1940" His mother was Julia Lemos, a Chicago artist famous for her depiction of the Chicago fire, “Two of Julia’s children became successful artists. Her eldest son, William, was a naïve still life, landscape, and mural painter. As a young boy in New York, he would wander the streets, earning money for the family, by ‘painting on request.’ At age 26, William moved to San Francisco, California. He opened an art studio and kept it running until he moved to Santa Cruz with his wife, Mabel, in 1896. During this period, he worked as a fresco artist painting ‘murals for many local businessmen.’ Exhibited California State Fair, Sacramento, 32nd annual, per Sacramento Daily Union, September 9, 1885. and article goes on to say “William Lemos and wife, Sacramento – Art school exhibits in which are shown such a variety of designs in decorative art, flower painting, and ornamentation, that one must give time to the examination.” Exhibited Mechanics Institute, San Francisco, 1889. “Lemos and his wife were in Fresno California 1890...