Jean-Baptiste-Antoine Guillemet

Paris - La Seine à Conflans-Charenton by Antoine Guillemet

Circa 1870

Childe Hassam 1859-1935 American The Golf Links Oil on canvas board Signed, located and dated "Childe Hassam / Easthampton / Oct 7th 1926" (lower right)...

Edouard Léon Cortès 1882-1969 | French Boulevard Magenta, Place de la République Signed “Edouard Cortès” (lower right) Oil on canvas Celebrated as the “Parisian Poet of Painting,”...

Rubaldo Merello 1872 - 1922 | Italian Monastery Complex with Statue of Maria Signed “Merello R.“ (lower right) Oil on canvas Rubaldo Merello was a prolific turn-of-the-century art...

Ramon Dilley 1933 - | Spanish Le château d’Artigny Signed “Dilley 90” (lower right) Signed and titled “Ramon Dilley / Le château d’Artigny” (en verso) O...

Isaac Israëls 1865-1934 Dutch The Royal Stock Exchange Signed "Isaac Israels" (lower right) Oil on canvas Isaac Israëls' The Royal Stock Exchange offers a compelling perspective of the preeminent economic institution at the turn of the century. The bustling streets of Cornhill and Threadneedle, filled with London's iconic double-decker buses, converge towards the pinnacle of the renowned building, receding into the bright background. Israëls was known for riding double-decker buses, which allowed him to enjoy the city from an elevated vantage point. The unique point-of-view of The Royal Stock Exchange invites viewers to experience a transient moment as a tourist in the center of the city, above the bustling crowds. Born in Amsterdam in 1865, Isaac Israëls was a prodigious artist who demonstrated innate talent from a young age, much like his esteemed father, Jozef Israëls, a prominent member of the influential Hague School. Often called the "Amsterdam Impressionist," his association with the renowned Tachtigers, a group of Dutch artists and intellectuals, had a profound impact on his artistic vision. Sharing the belief that form must harmonize with content, the Tachtigers nurtured Israëls' development of a highly evocative and emotive style that perfectly complemented his emotionally charged subjects. While Israëls was identified as an Impressionist during his time, his distinctive technique, reminiscent of the master Paul Cézanne, was characterized by bold painterly brushstrokes, rich color palettes and a meticulous spatial arrangement, setting him apart as a masterful artist of his era. Early in his career, Israëls exhibited a keen eye for capturing the vibrancy of Amsterdam's streets and cabarets, skillfully portraying the energy and atmosphere of urban life with remarkable artistry. Drawn by the allure of Paris, he eventually made Montmartre his home, immersing himself in the vibrant artistic community alongside luminaries such as Henri de Toulouse-Lautrec and Edgar Degas. In this dynamic environment, Israëls' mastery of his style emerged, fueled by his deep appreciation for modern city life. In 1911, Israëls experienced his father's death, which led him to seek solace abroad. Reluctant to return to his homeland, he moved to London in 1913. Inspired by the bustling streets of West End, the lively pedestrians along the Thames and the iconic landmarks of Piccadilly Circus and Regent Street, as well as ballet students, Israëls found abundant creative inspiration in his new surroundings. Israëls' paintings of London, including this very work, are highly regarded for their energy and spirit. Considered rare gems in his oeuvre, his delightful creations perfectly capture the essence of London's dynamic vitality in the years before the onset of the First World War. During his lifetime, Israëls regularly exhibited at the Paris Salon and was celebrated for his ability to capture the beauty of everyday life in a way that was both poetic and poignant. His paintings are housed in the collections of prestigious museums worldwide, including the Van Gogh Museum in Amsterdam and the Brooklyn Museum. His oeuvre was prominently showcased in the Kunstmuseum Den Haag’s 2008-2009 exhibition Jozef and Isaac Israëls. Circa 1913-1914 Canvas: 40" high x 29" wide Frame: 49" high x 37 3/8" wide x 3" deep Provenance: Art Gallery Francois Buffa & Fils, Amsterdam Private Collection of Dirk Oud, Amsterdam Private Collection of Eric Ruck (George Idle Chapman, Chapman & Co.), London Private Collection of David Burn...

Jean-Louis Lefort 1875-1954 French Place de la Trinité, Paris Signed “Jean Lefort” (lower right) Titled “Place de la Trinité — Paris” (lower left) Oil on canvas French artist Jea...

Louis Aimé Japy (1840-1916) Oil on canvas Cows in river with village in background Signed lower right, Japy. Canvas 26” x 32” Overall in a period gilt frame 38” x 44”. Conditi...

Oil on canvas glued to board. Oil measures 25x40 cm. Frameless. Illegible signature.

Superb oil on canvas painting by Felix Eugene Bellenot (1892 - 1963). This vibrant and passionate composition represents the port of Ste Maxime in France within the foreground of the...

Charles Henry Miller Flushing Landscape with Cows, circa 1880 Signed lower left Oil on canvas 13 x 19 inches Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

Olive Parker Black (1868 - 1948) Boats Near An Inlet Oil on canvas 12 x 24 inches Signed lower left Provenance: Shannon's, Milford, Connecticut, April 30, 2009, Lot 224 Private Collection, New York. Olive Parker Black was born in Cambridge, Massachusetts. She enrolled in the School of Painting at the Museum of Fine Arts in Boston, where she studied with Otto Grundmann and Frank Crowninshield. In the early 1890s, she left for New York City to study at the Art Students League under William Merritt Chase and Edwin Blashfield. Under the tutelage of William Merritt Chase, artist Olive Parker Black studied plein air techniques of the Impressionists, and was considered one of Chase’s best students. She also attended Shinnecock Summer School of Art on Long Island, where Chase taught. 19th century artist Olive Parker Black moved to New York City in 1910; however, she maintained a summer residence in South Egremont, Massachusetts, where Barbizon-style artist Hugh Bolton Jones also summered. Jones apparently had a great influence on Black’s style also—skillfully executed landscapes that combined looser brushwork of the Impressionists with Barbizon-derived tonal qualities. She was a member of the National Association of Women Artists; Painters, Sculptors; New York Society of painters; American Artists Professional League and the Boston Art...

"Breezy Morning" by Susan Hope Fogel Painted in Louse Point, Hamptons, NY oil on canvas panel 9 x 12 inches, 17.5 x 21.5 x 1 inches in gold leaf frame wire on reverse for easy instal...