Jill Pottle

"Fairfield Porter's Compound", interior, vibrant, high chroma, oil painting

2018

Rozenman’s painting “The Sound of a Yellow Light” is a 16 x 16 x 2 inch oil on canvas. In this open but comfortable large open space walls are purple, ceilings high and floors shine ...

Alexandra Rozneman's "Helping Mark Rothko to Move his Furniture" is a playful 40 x 50 x 1 inch oil painting on canvas in deep blues, pinks and purples. It consists of a beautiful sea...

“Light at the End of the Corridor” by Catherine Gibbs is an expressionist interior factory scene in a primary palette of red, teal, blue, and yellow. I...

“The Fire Door” by Catherine Picard-Gibbs is an expressionist interior factory scene in a primary palette of red, teal, blue, and yellow. In this 18 x 24 inc...

“Altar with Celestial Blue and Gold” by Catherine Picard-Gibbs is a highly dramatic textural altar scene, painted in rich blues, golds and reds. This expressionist painting contrasts...

Jill Pottle’s interior titled “Lanni’s Rental” is part of a new series titled “Interiors.” Jill started interiors four years ago and often times engages th...

Stillness. 2022. Oil on canvas, 55x38 cm Contemporary painting with gondolas by artist Clara M. Aguasca in pink colors

Realistic landscape painting by Edie Nadelhaft - Oil on canvas, 16 x 20 inches. An avid motorcyclist, Edie Nadelhaft takes annual weeks...

Landscape painting, evening road scene titled "May 27 (8.59pm)" by Edie Nadelhaft - oil on canvas, 36 x 48 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...

Landscape painting, evening road scene titled "Long Pond Road Again" by Edie Nadelhaft - oil on canvas, 12 x 16 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...

Frank J. Boros (1943 - 2017) Tuesday - 8 O'clock Oil on canvas 48 x 51 inches Signed lower right Accompanied by original purchase invoice and letter from the artist. Provenance: T...

This is an oil painting of the iconic house in California designed by the famous architect Richard Neutra. I love to paint this house from many different angles and always focusing o...