John J. Daly

"Ipswich III, " John Daly, acrylic, painting, panel, landscape, contemporary

2019

“Impossible Blue 2” by C. Clinton is one in an ongoing series of paintings inspired by the shifting colors and changing contours of summer’s transition to autumn and autumn to winte...

“Fall Changing” by C. Clinton is from an ongoing series of paintings inspired by the shifting colors and changing contours of summer’s transition to autumn and autumn to winter. This...

"Spirit Trees 2" by C. Clinton is 16 x 16 inch acrylic painting of abstracted trees and spaces between the branches. The acrylic painting on panel is unframed and signed on the back ...

Cheryl Clinton's 'Woodland Water 2' is a 36 x 36 x 2 inch fresh contemporary take on landscape painting in acrylic on canvas in deep rich browns and blues, and is part of the artist'...

"Sprit Map 1", is a 48 x 50 inches, acrylic on canvas painting, by contemporary Boston artist, C. Clinton. It is an abstract painting in blue, green, white and subtle interference go...

'Woodland Water Flood' by C. Clinton is a fresh, contemporary take on landscape painting that explores subtle variations of color and transparency reflected as abstract forms. This 3...

Love Letters to Cornwall (III) by Mary Scott [2021] original and hand signed by the artist Acrylic and oil on wood panel Image size: H:40 cm x W:40 cm Complete Size of Unframed Work...

No Taller Than Tomorrow’s Oceans by Louisa Longstaff-Scales [2021] Please note that insitu images are purely an indication of how a piece may look A p...

Venice Lagoon by Rosie Shorrock [2022] Inspired by the Venetian cityscape Additional information: Original and hand signed by the artist Acrylic on pan...

Gorse 3 by Jo Cottam [2021] original and hand signed by the artist Acrylic on cradled board Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:2cm F...

After the rain [2021] Signed by the artist Acrylic on wooden panel Image size: H:51 cm x W:51 cm x D:2cm Please note that insitu images are purely an indication of how a piece may look I have always been a bit obsessed with horizons and how a horizontal line on a painting becomes 'landscape' in the viewers mind. I love the idea of suggesting a landscape, but then abstracting the subject and using the materials in such a way that the texture and details made by the paint, and the grain of the wood panel, are as important if not more so than the subject itself." Rebecca enjoys balancing on the fine line between abstraction and representation, to imply a landscape with paint rather than accurately visually recording it. Her landscapes are somehow subliminal. Somehow ‘other’. Somewhere not quite real. An idea or a memory of a landscape. She aims to create an emotionally charged atmosphere with colour and texture and line, working with paint for paint’s sake. Rebecca Tucker...

More moor – A contemporary abstract landscape by Gina Parr . Oil and acrylic on hardwood panel framed in an integral black wooden tray frame with bla...