Items Similar to Kate, Cityscape Oil Painting by John James
Want more images or videos?
Request additional images or videos from the seller
1 of 6
John JamesKate, Cityscape Oil Painting by John James1999
1999
About the Item
Artist: John James, British (1947 - )
Title: Kate
Year: 1999
Medium: Oil on Canvas, signed and dated verso
Size: 18 x 24 in. (45.72 x 60.96 cm)
Frame Size: 19 x 25 inches
- Creator:John James (1947)
- Creation Year:1999
- Dimensions:Height: 18 in (45.72 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Long Island City, NY
- Reference Number:1stDibs: LU4664164861
About the Seller
4.8
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1979
1stDibs seller since 2014
2,697 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Long Island City, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Teacher's Strike, Oil Painting by William WaitheBy William WaitheLocated in Long Island City, NYThis painting by William Waithe depicts a teachers strike, possibly the infamous teachers' strike in 1970 by Newark teachers which at the time was the longest teachers' strike in the...Category
1970s American Realist Landscape Paintings
MaterialsOil
- Grace Building on West 42nd St., Oil Painting on Canvas by Ronald MalloryBy Ronald MalloryLocated in Long Island City, NYArtist: Ronald Mallory, American (1939 - ) Title: Grace Building on West 42nd St. Year: 1981 Medium: Oil on Canvas, signed l.r. and verso Size: 48 in. x...Category
1980s American Realist Landscape Paintings
MaterialsOil
- Cowboy in Snowy Landscape, Oil Painting by Jorge Braun TaralloBy Jorge Braun TaralloLocated in Long Island City, NYArtist: Jorge Braun Tarallo, Uruguayan (1951 - ) Title: Cowboy in Snowy Landscape Year: circa 1979 Medium: Oil on Canvas, signed l.l. Size: 30 in. x 4...Category
1970s American Realist Landscape Paintings
MaterialsOil
- Woman on a Park Bench, Oil Painting by Sandu LibermanBy Sandu LibermanLocated in Long Island City, NYArtist: Sandu Liberman, Romanian/Israeli (1923 - 1977) Title: Woman on a Park Bench Year: Circa 1970 Medium: Oil on Canvas, unsigned Size: 24 x 24 in. (60...Category
1970s American Realist Figurative Paintings
MaterialsOil
- Barberry Bush, Oil Painting by Harry LaneBy Harry LaneLocated in Long Island City, NYArtist: Harry Lane, American (1891 - 1973) Title: Barberry Bush Year: circa 1960 Medium: Oil on Board, signed Size: 24 in. x 30.5 in. (60.96 cm x 77.47 cm) Frame Size: 33 x 40 inchesCategory
1960s American Realist Landscape Paintings
MaterialsOil
- Stockbridge Bowl, Massachusetts , Oil Painting by Harry LaneBy Harry LaneLocated in Long Island City, NYArtist: Harry Lane, American (1891 - 1973) Title: Stockbridge Bowl Medium: Oil on Board, signed Size: 22 in. x 32 in. (55.88 cm x 81.28 cm) Frame Size: 28 x 38 inchesCategory
1960s American Realist Landscape Paintings
MaterialsOil
You May Also Like
- "Snow Squals, Parmelee Farm"By Peter PoskasLocated in Lambertville, NJSigned Lower Left Poskas was born in Waterbury, Connecticut, a small industrial city set on the banks of the Naugatuck River. He was interested in art as a child, but on entering ...Category
20th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
- Strawberries Strewn on a Forest FloorBy William Mason BrownLocated in New York, NYWilliam Mason Brown was born in Troy, New York, where he studied for several years with local artists, including the leading portraitist there, Abel Buel Moore. In 1850, he moved to ...Category
19th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
- Figure in a LandscapeBy David JohnsonLocated in New York, NYSigned (at lower right): DJ [monogram]; (on back): David Johnson 1865Category
Mid-19th Century American Realist Landscape Paintings
MaterialsOil, Board
- Copley Square, BostonBy Thomas FransioliLocated in New York, NYThomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, trees are sharp, and saturated color permeates the scene. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for the rare appearance of figure and the occasional black cat scurrying across pavement. Instead, humanity is implied. Magic Realism neatly characterizes Fransioli’s viewpoint. First applied to American art in the 1943 MoMA exhibition “American Realists and Magic Realists...Category
20th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
- New York from HobokenBy William Rickarby MillerLocated in New York, NYSigned (at lower left): W.R. Miller/ 1851Category
Mid-19th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
- Saint-Malo, BrittanyBy William Stanley HaseltineLocated in New York, NYThe career of William Stanley Haseltine spans the entire second half of the nineteenth century. During these years he witnessed the growth and decline of American landscape painting, the new concept of plein-air painting practiced by the Barbizon artists, and the revolutionary techniques of the French Impressionists, all of which had profound effects on the development of painting in the western world. Haseltine remained open to these new developments, selecting aspects of each and assimilating them into his work. What remained constant was his love of nature and his skill at rendering exactly what he saw. His views, at once precise and poetic, are, in effect, portraits of the many places he visited and the landscapes he loved. Haseltine was born in Philadelphia, the son of a prosperous businessman. In 1850, at the age of fifteen, he began his art studies with Paul Weber, a German artist who had settled in Philadelphia two years earlier. From Weber, Haseltine learned about Romanticism and the meticulous draftsmanship that characterized the German School. At the same time, Haseltine enrolled at the University of Pennsylvania, and took sketching trips around the Pennsylvania countryside, exploring areas along the Delaware and Susquehanna rivers. Following his sophomore year, Haseltine transferred to Harvard University. After graduating from Harvard in 1854, Haseltine returned to Philadelphia and resumed his studies with Weber. Although Weber encouraged Haseltine to continue his training in Europe, the elder Haseltine was reluctant to encourage his son to pursue a career as an artist. During the next year, Haseltine took various sketching trips along the Hudson River and produced a number of pictures, some of which were exhibited at the Pennsylvania Academy of the Fine Arts in the spring of 1855. Ultimately, having convinced his father that he should be allowed to study in Europe, Haseltine accompanied Weber to Düsseldorf. The Düsseldorf Academy was, during the 1850s, at the peak of its popularity among American artists. The Academy’s strict course of study emphasized the importance of accurate draftsmanship and a strong sense of professionalism. Landscape painting was the dominant department at the Düsseldorf Academy during this period, and the most famous landscape painter there was Andreas Achenbach, under whom Haseltine studied. Achenbach’s realistic style stressed close observation of form and detail, and reinforced much of what Haseltine had already learned. His Düsseldorf training remained an important influence on him for the rest of his life. At Düsseldorf, Haseltine became friendly with other American artists studying there, especially Emanuel Leutze, Worthington Whittredge, and Albert Bierstadt. They were constant companions, and in the spring and summer months took sketching trips together. In the summer of 1856 the group took a tour of the Rhine, Ahr, and Nahe valleys, continuing through the Swiss alps and over the Saint Gotthard Pass into northern Italy. The following summer Haseltine, Whittredge, and the painter John Irving returned to Switzerland and Italy, and this time continued on to Rome. Rome was a fertile ground for artists at mid-century. When Haseltine arrived in the fall of 1857, the American sculptors Harriet Hosmer, Chauncey B. Ives, Joseph Mozier, William Henry Rinehart...Category
19th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
1990 James
Retro Cityscape Painting
1960 Church
Wales Landscape Oil
Cubism Paintings Landscape
Green Provence
18 Century French Oil On Canvas
Irish Painters
Paris 1900s Art
The Crow
Oil Paintings Trees With Mountains
Field Club
Large Impressionist Artwork
Hot Summer
Monet Style
London Cityscape
Sculptural Gold Leaf
Suffolk Painting