Kelly Carmody

Central Park Boathouse

2019

Plein-air landscape painting of Faistenau, in Austria. A snow covered foreground meets a structure filled horizon, a church tower reaches upward, dissecting the blue sky. Frame opt...

Dalessio faithfully depicts a Long Island town, picturesque with a large white church in the background. Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earlie...

An oil painting of a grassy lot where boats rest in the off-season. Painted en plein air; a grassy sun-filled lot. Clouds patch together in a rich blue sky, similar to the patches of...

"Oak in Spring" is a 1930 American Impressionist oil painting of an oak tree landscape. Painted en plein-air, in an almost pointillist style, H.C. White depicts a classic Connecticut landscape. A Tall wiry tree stands as the focal point, having just bloomed its first leaves; foliage still thin enough to outline every single branch. Reds and browns scattered throughout the foreground connote autumn leaves that had yet to be cleared. Henry Cooke White (b. 1861) in Hartford Connecticut. His career in art was founded at the age of 14, when he met the famous American Tonalist painter, Dwight William Tyron. The two became lifelong friends, and White even wrote Tyron’s major biography, The Life and Art of Dwight William Tyron (pub. 1930). In the late 1880’s, Tyron pushed White to move to New York City to further his artistic training at the Art Students League. During this time, White studied under many talented artist’s; Kenyon Cox, John H. Twatchman, and William Merritt Chase. From 1896-1897, White spent time travelling in Europe. Upon his return to the states, he began to spend most of his time in Connecticut, following his favorite painting seasons. Spring in Hartford was followed a week later by spring in Old Lyme, and then finally at Waterford. He’d experience his favorite seasons three times over each year. Once immersed into Connecticut’s community, White was encouraged to paint habitually in Old Lyme; where an art colony was developing, beginning in the spring of 1903. Inspired by European artists, including Claude Monet, and Pierre Auguste-Renoir, the Old Lyme Art Colony defined American Impressionism by memorializing the serene qualities of rural New England life through use of vibrant palettes and broken strokes on wood and canvas. The Colony comprised upwards of 200 artists during its three decades of creating nature-based scenes in oils and pastels; Frederick Childe Hassam...

Circle Cycle is a realist painting of the cycle of waves crashing onto the shore, returning to the expansive ocean, and crash again. Minoff translates the constant motion of the oce...

Painted en plein-air in Italy, Nelson depicts a beach, sanding in the foreground, and then diagonally runs a shoreline, The horizon is met by a dark, mountainous, landform, and sits ...

Domenico Bresolin (Padua 1813 - Venice 1890), Riva d'Arno in Florence Oil on canvas applied to cardboard 26 x 40 cm. INFO: to get more information Publications D. Ritter, Venedig...

Giovanni Calamia Lombardo (Palermo 1849 - 1894) The plain of Palermo as seen from Mt. Pellegrino. Oil painting on panel 26 x 44 cm signed lower left.

Alfredo Tominz (Trieste 1854 – 1936), Passeggiata a cavallo a Trieste Dipinto ad olio su tela di cm 69 x 110 firmato e datato 1890 in basso a destra. Provenienza: Asta Stadion Trie...

August Wilhelm LEU (Munster, 1819 – Seelisberg, 1897) View of Capri Oil on canvas Signed and dated lower right 49 x 70 cm 1882 Born March 24, 1819 in Munster, Germany, Auguste Leu...

Exhibited: Salon, Société des Artistes Français, Paris, 1879 (no. 647)

Eugène VERBOECKHOVEN Warneton, 1798 – Schaerbeek, 1881 Oil on wood panel 42 x 33.5 cm (58 x 50 cm with the frame) Signed, dated and located lower right “EJ Verboeckhoven / 1826 / à G...