A Lauff

"At the Madeleine, Paris" by A. Lauff, France, impressionist, mid-century, oil

Alice Maud Fanner was born in Surrey in 1865 and for many years lived in the Chiswick area of London. She studied at the Richmond School of Art and also taught there. She attended Slade School of Art in London. She was a pupil of Albert Julius Olsson. Like Olsson, Fanner often painted the sea and the coast, as well as yachts and sailing scenes. One of her paintings, "Riverside Landscape," was included in the book "Women Painters...

Originally from Chattanooga, Tennessee, Oehmig now resides in Brunswick, Maine. He holds a B.A. in Studio Art and Art History from Principia College, Elsah, Illinois, as well as an M...

Although born in Liberty, Indiana, Jay Hall Connaway (1893-1970) was fascinated by coastal life and marine scenery, an attraction that had profound effects on his life and artwork. A...

Juliet M. White was born in Philadelphia in 1880. She studied at the Philadelphia School of Design for Women, which became the largest art school for women in the United States. Its ...

"Summer Garden" is attributed to Edward Francis Rook, Jr., who was born in New York City in 1870. He was a student of Benjamin Constant and Jean-Paul Laurens at the Académie Julian. He exhibited at the Cincinnati Art Museum and at the Pennsylvania Academy of the Fine Arts where he was presented with the Temple Gold Medal for Deserted Street, Moonlight, the first of many awards. Rook visited Old Lyme in October of 1903 when Childe Hassam was also there, and two years later moved to Old Lyme. He was one of the relatively young painters to come to Old Lyme, along with Gifford Beal, William Chadwick...

Charles Merrill Mount was born Sherman Merrill Suchow in Brooklyn, New York in 1928. Mount attended Columbia University, leaving to study at the Ar...

Tonalist landscape oil painting by Robert Cairns Dobson, American oil painting on academy board. In a well matched original frame. Signed and monogrammed lower left, early 20th centu...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...

This work by Nell Blaine was exhibited at the Poindexter Gallery, as well as the Tibor de Nagy Gallery, both in New York City. It is signed lower left, and signed, titled, and dated ...