Laura Federici

Sea 01

2020

About the painting: A glimpse of a botanical garden, lined with trees, plants, the green of the earth. About the artist: Laura Federici is an artist and architect based in Rome, Italy. She has a number of solo: Galleria Andrè (Roma 2011; 2012; 2016; 2019; 2020; 2023); Gallerie Brieve (Parigi, 2014); Galleria l’Affiche (Milano 2008; 2011); Galleria Il Segno (Roma, 2007); Galleria Beit Ahmad (Aleppo, Siria, 2003; 2005). He has exhibited in many group exhibitions in Italy and abroad, including Fotografia Festival Internazionale di Roma – XV edizione, Roma, il mondo (MACRO Museo d’Arte Contemporanea Roma 2016), Ambasciata Italiana in Vietnam (Casa Italia Hanoi e Fine Arts Museum HCMC, 2018), Istituto Italiano di Cultura di Varsavia (2019), Istituto Italiano di Cultura di Cracovia (2020), ARTFEM Women Artists 2 “International Biennial of Macau - “Natura”, Macau (2021). In 1999 she created 12 animated sequences for the film “Un Amore” by Gianluca Tavarelli, which won the Nice- New York-San Francisco Film Festival...

About the painting: "Garden 03" is a captivating oil painting that beautifully captures the essence of the Rome Botanic Garden landscape. With meticulous brushstrokes and a masterful play of colors, the artist has crafted a picturesque scene that evokes a sense of tranquility and harmony. At the forefront of the painting, there are several palms, the giants of our earth. The artist's skillful rendering of the trees creates a lifelike effect, as the sky hugs them in a sense of loving nature. The different colour of clouds allows the viewer to focus on the beauty of the landscape and palms, accentuating the vividness of the colors present. The white sky acts as a canvas itself, highlighting the vibrant blue colour of the forest. “Garden 03”serves as a visual celebration of nature's bounty, capturing the Rome Botanic Garden beauty and inviting the viewer to immerse themselves in its serene and enchanting ambiance. It is a testament to the artist's skill and their ability to transport us to a world where tranquility and natural splendor coexist harmoniously. About the artist: Laura Federici is an artist and architect based in Rome, Italy. She has a number of solo: Galleria Andrè (Roma 2011; 2012; 2016; 2019; 2020; 2023); Gallerie Brieve (Parigi, 2014); Galleria l’Affiche (Milano 2008; 2011); Galleria Il Segno (Roma, 2007); Galleria Beit Ahmad (Aleppo, Siria, 2003; 2005). He has exhibited in many group exhibitions in Italy and abroad, including Fotografia Festival Internazionale di Roma – XV edizione, Roma, il mondo (MACRO Museo d’Arte Contemporanea Roma 2016), Ambasciata Italiana in Vietnam (Casa Italia Hanoi e Fine Arts Museum HCMC, 2018), Istituto Italiano di Cultura di Varsavia (2019), Istituto Italiano di Cultura di Cracovia (2020), ARTFEM Women Artists 2 “International Biennial of Macau - “Natura”, Macau (2021). In 1999 she created 12 animated sequences for the film “Un Amore” by Gianluca Tavarelli, which won the Nice- New York-San Francisco Film Festival...

About the painting: Small glimpse of an abstract post-impressionist style landscape of EUR '42, a district built in Rome in 1940, with large white marble facades struck by the light and shadows of the foliage of the city's pines. The artist's focus is on architecture and its shadows, the contrast between solids and voids, between darkness and light. A wonderful contrast that takes the person back to Italy, to one of the most beautiful neighborhoods of the capital. Created in 2012, the painting aims to revive the tranquility of Italian landscapes, all on a 50 x 150 canvas. About the artist: Laura Federici is an artist and architect based in Rome, Italy. She has a number of solo: Galleria Andrè (Roma 2011; 2012; 2016; 2019; 2020; 2023); Gallerie Brieve (Parigi, 2014); Galleria l’Affiche (Milano 2008; 2011); Galleria Il Segno (Roma, 2007); Galleria Beit Ahmad (Aleppo, Siria, 2003; 2005). He has exhibited in many group exhibitions in Italy and abroad, including Fotografia Festival Internazionale di Roma – XV edizione, Roma, il mondo (MACRO Museo d’Arte Contemporanea Roma 2016), Ambasciata Italiana in Vietnam (Casa Italia Hanoi e Fine Arts Museum HCMC, 2018), Istituto Italiano di Cultura di Varsavia (2019), Istituto Italiano di Cultura di Cracovia (2020), ARTFEM Women Artists 2 “International Biennial of Macau - “Natura”, Macau (2021). In 1999 she created 12 animated sequences for the film “Un Amore” by Gianluca Tavarelli, which won the Nice- New York-San Francisco Film Festival...

About the painting: An image of the Imperial Forums of Rome, the ancient city near the Colosseum, Piazza Venezia, Trajan's Markets. The yellow sky slides over everything, the light transforms matter. P.S. it is a work divided into two canvases mounted on a frame, each measuring 100x100. About the artist: Laura Federici is an artist and architect based in Rome, Italy. She has a number of solo: Galleria Andrè (Roma 2011; 2012; 2016; 2019; 2020; 2023); Gallerie Brieve (Parigi, 2014); Galleria l’Affiche (Milano 2008; 2011); Galleria Il Segno (Roma, 2007); Galleria Beit Ahmad (Aleppo, Siria, 2003; 2005). He has exhibited in many group exhibitions in Italy and abroad, including Fotografia Festival Internazionale di Roma – XV edizione, Roma, il mondo (MACRO Museo d’Arte Contemporanea Roma 2016), Ambasciata Italiana in Vietnam (Casa Italia Hanoi e Fine Arts Museum HCMC, 2018), Istituto Italiano di Cultura di Varsavia (2019), Istituto Italiano di Cultura di Cracovia (2020), ARTFEM Women Artists 2 “International Biennial of Macau - “Natura”, Macau (2021). In 1999 she created 12 animated sequences for the film “Un Amore” by Gianluca Tavarelli, which won the Nice- New York-San Francisco Film Festival...

Laura Federici lives and works in Rome. However, she traveled often to Syria, where she participated in exhibitions and workshops held in Damascus and Aleppo. She has exhibited widel...

About the painting: palm trees and shadow on yellow lawn. I often look at a place several times, I paint it starting from short videos that I take with me, after I have spent a few hours, a few days there. Here I am at the Botanical Garden of Rome, thinking of a place I saw in Vietnam, on a trip a few years ago. P.S. it is a work divided into two canvases mounted on a frame, each measuring 130x65. About the artist: Laura Federici is an artist and architect based in Rome, Italy. She has a number of solo: Galleria Andrè (Roma 2011; 2012; 2016; 2019; 2020; 2023); Gallerie Brieve (Parigi, 2014); Galleria l’Affiche (Milano 2008; 2011); Galleria Il Segno (Roma, 2007); Galleria Beit Ahmad (Aleppo, Siria, 2003; 2005). He has exhibited in many group exhibitions in Italy and abroad, including Fotografia Festival Internazionale di Roma – XV edizione, Roma, il mondo (MACRO Museo d’Arte Contemporanea Roma 2016), Ambasciata Italiana in Vietnam (Casa Italia Hanoi e Fine Arts Museum HCMC, 2018), Istituto Italiano di Cultura di Varsavia (2019), Istituto Italiano di Cultura di Cracovia (2020), ARTFEM Women Artists 2 “International Biennial of Macau - “Natura”, Macau (2021). In 1999 she created 12 animated sequences for the film “Un Amore” by Gianluca Tavarelli, which won the Nice- New York-San Francisco Film Festival...

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A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...