Lesley Powell

San Giorgio, Venice by Lesley Powell, Framed Oil Italian Architecture Scene

2024

Unframed this piece measures 11"H x 14"W Lesley Powell paints in oils with a classical approach to composition and color, but she has a point of view that is fresh and contemporary....

Unframed this piece measures 12"H x 16"W Lesley Powell paints in oils with a classical approach to composition and color, but she has a point of view that is fresh and contemporary....

Lesley Powell paints in oils with a classical approach to composition and color, but she has a point of view that is fresh and contemporary. Whenever possible, she prefers to paint f...

Lesley Powell paints in oils with a classical approach to composition and color, but she has a point of view that is fresh and contemporary. Whenever possible, she prefers to paint f...

Created a decade before Nepo's passing, is signed lower left. A fourth-generation French artist, Christian Nepo had art in his blood. His great grandfather was Ivan Chichkine, a no...

Sherrie Russ Levine is an artist noted for her paintings that capture the play of light and color as it appears in nature, and provide a welcome respite from the hectic environment o...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...

Gaston Sebire (1920-2001) Vue de Rouen Oil on canvas Size : 65 x 81 cm Signed lower right Provenance : Private Collection, France Very good condition. Original canvas. Frame included...

Georges YOLDJOGLOU ( né en 1933) Paris, vue sur les jardins de la Tour Eiffel Oil on canvas Size : 60 x 73cm Signed lower right Titled on the back...

Jacques BOUYSSOU (1926-1997) Le port de Dieppe, 1969 Oil on original canvas, in perfect condition, original canvas. Large size : 90 x 118 cm Signed lower left Vintage frame Provena...

Oil on canvas by Jallais, France, 1960s. Boats in port. In its pretty dark brown wooden frame. With frame: 68x58 cm - 26.8x22.8 inches, without frame: 61x50 cm - 24x19.7 inches. 12F ...