Lucien Delarue

Jardin de Montmartre - French Post Impressionist Landscape Old Montmartre Paris

circa 1960

‘Morning in North Wales’ by Edwin Henry Boddington (1836-1905). This large fine 19th century oil painting is signed by the artist and dated 1867, in which year it was exhibited at th...

‘The River Thames by Moonlight’ by Henry Pether (1800-1880). The painting which depicts an extensive nocturnal view of London from the Temple to St Paul’s Cathedral and Blackfriars B...

‘The Pass of Aberglaslyn, Beddgelert, North Wales’ by Edward Henry Holder (1847-1922). The painting is signed by the artist and dated 1888. Exhibited at the Royal Society of British ...

‘Before Glyder Fawr’ by John Syer RBA RI (1815-1885). The painting – which depicts the famous Welsh mountain in Snowdonia – is signed by the artist and dated 1876. Academy Fine Paintings...

‘Llyn Idwal, North Wales’ by Sidney Richard Percy (1822-1886). The painting – which depicts cattle watering at the edge of the famous lake in Snowdonia – is signed by the artist and ...

‘Sheep in a Lane’ by John Linnell (1792-1882). The painting is signed by the artist and dated 1863. It is listed in the definitive catalogue of Linnell’s known works compiled by the artist’s biographer Alfred Story in 1892. John Linnell exhibited at the Royal Academy from the age of 15 and despite success as a portraitist, it was as a painter of poetical landscapes that gained him greatest acclaim. Unfortunately, his enormous popularity also earned him considerable jealousy, not least from John Constable who was always keen to spread malicious and unfounded gossip about his rival. In addition, Linnell’s entirely reasonable sense of self-worth and unwillingness to fawn over wealthy patrons (and to ensure they paid promptly for the paintings they had commissioned) was seen as impudence by the gentry and delayed his election as a Royal Academician. By the time the Academy was shamed into finally recognising him, Linnell, by then Britain’s most popular painter, turned down the belated invitation to apply for membership with typical poise. As a landscape artist Linnell was considered second only to JMW Turner. Upon his death in 1882, The Times obituary lamented that 'a glory seems to have faded from the domain of British Art. England mourns John Linnell, the most powerful of landscape painters since Turner died'. Between 1807 and 1881 John Linnell exhibited 177 paintings at the Royal Academy, and 92 at the British Institution. During his long career John Linnell was a patron and financial supporter of both William Blake and...

McCarthy’s plein-air vision of the bush and still life paintings are energised with colour. Born in 1966 in Sydney. Paul has been painting for 25 years. His landscapes and Still lif...

Tinyan Chan captures the chill beauty of a forest with colorful fall foliage, blanketed with fresh white snow. The center of the composition features a da...

A luminous composition depicting the Russian countryside in summertime. A rustic wood cabin sits on a riverbank in the foreground surrounded by colorful wildflowers. The midground ...

Konstantinov delivers a calming scene of horses and their reflections on wet sand. Painted in a "pointalist," like style which we call "dashalism," here at the gallery because of hi...

A painting of a deer in an open field with trees and bushes. A wonderful display of restraint and control with the color green.

A plein-air painting that later turned into the inspiration for large studio work. As a landscape painter the artist's interaction with nature is essential. Some times the work don...