New in Linen Landscape Paintings

'Gardens at Roussillon' is a captivating fusion of memories and artistic influences. This draws inspiration from enchanting trips to Provence, France, channeling the spirit of iconic...

Large, highly detailed charcoal and acrylic landscape featuring a lush country forest against a sunlit sky "Some Twilight Land" by Sue Bryan charcoal, acrylic, and pastel on canvas, ...

Romantic cityscape oil painting on linen, looking upwards at the New York City skyline with the Empire State Building glowing at night "Empire" by Hudson, NY based artist, Ricardo Mulero Painted in 2019 Oil on linen, dark grey wood fram with aluminum stretcher bars 42 x 56 x 2 inches Signed, bottom right Excellent condition, ready to hang as is Ricardo Mulero is fascinated with capturing the brilliance of light and the contrast of natural beauty with utilitarian landscapes. Here, he focuses on the romantic glowing light of New York City's iconic Empire State Building in the nighttime sky. The viewer's eye is drawn up towards the beacon of soft yellow light that radiates through a misty grey-blue night sky. Dark rust colored skyscrapers elegantly frame the focal point is the distance while silhouettes of water towers make reference to old New York and windows aglow with electric light play on it's reputation of being the city that never sleeps. Mulero's brush work is subtle and captures the soft brilliance of electric light with a Romantic sensibility. The painting is currently unframed with aluminum stretcher bars. It's in excellent condition and ready to hang as is. About the Artist: Growing up in Puerto Rico, I observed how people and nature could co-exist in harmony. Today, that principle guides my design and artistic work. My paintings are expressions that draw upon my life experiences, traditions, and surroundings. These unique environments inspire my oil paintings: Puerto Rico, where I grew up, New York City, Fire Island Pines...

Large, charcoal and acrylic landscape painting on canvas featuring a detailed countryside wooded field and light blue sky "Dreamland" by Sue Bryan acrylic and charcoal on canvas 34 x...

Lush Green River Landscape with Blue Sky in County Antrim, Northern Ireland, by Contemporary Irish Artist Art measures 20 x 16 inches Unframed Robert W Young...

"It's not a likeness of the garden but a picture trying to capture how I felt and enjoyed its profusion, light and 'hot' colour as I was sitting in it." P Alder Oil on linen. Framed

"1940 - New Mexico Farmers" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherwor...

The view across St Ives harbour.
 Colin Taylor’s expressive paintings are created with oil, acrylic, pastel and charcoal on linen. Wooden Tray Frame Oil Acrylic Paint,Linen, pastel...

Anthemusa, 2020, watercolor, oil pastel, green, landscape, ink, fantasy.

A male figure wearing a white t-shirt and baseball cap stands knee-deep in inviting pink water holding a fishing pole, the curving fishing line traced in 22-carat gold leaf. Green fo...

Landscape mineral oxide on Paper (Canson Papers 300gr) 50x70 cm Original ART Marilina Marchica painting tells of the relationship between man, nature and time, the landscape, the ...

This study presents a typical Roman countryside landscape: an ancient mausoleum in front of which a cart is passing by followed by two peasants. If the technique (a pen drawing on graphite lines, completed with a wash of brown and grey inks) and the signature inevitably evoke the art of Lorrain, we find on the verso of this drawing additional evidences that lead us to consider this unpublished drawing as a work by the master. The motif of the mausoleum has been taken up in pen on the verso in a technique that can be found in several other drawings by Lorrain. There is also a study of three characters, which can be considered as preparatory to Lorrain’s painting entitled The Port of Ostia with the Embarkation of Saint Paula, leading us to claim this attribution with a dating of around 1629. 1. Claude Lorrain or the perfection of classical landscape in Rome in the 17th century Claude Gellée was born in 1600 in Chamagne in Lorraine. Orphaned at the age of twelve, he spent a year with his brother in Freiburg, where the latter was a woodcarver. Claude Gellée then probably arrived in Rome in 1613, where he joined the workshop of Agostino Tassi (1580 - 1644) in 1617. Between 1619 and 1620 he studied for two years in Naples in the workshop of Goffredi Wals (who was himself a former pupil of Tassi). In 1625 he returned to Lorraine for two years where he worked alongside Claude Deruet. He then returned to Rome, a city he never left for the rest of his life (except for short trips to the surrounding countryside). From 1627 to 1650 he lived in Via Margutta. From 1635 onwards he became a renowned painter and commissions started to pour in. Considered during his lifetime as the most accomplished of the classical landscape painters, his reputation never faded. Between 1629 and 1635 Le Lorrain often went to the Roman countryside to draw with his friend Joachim von Sandrart (1606 - 1686). He became a member of the Academy of Saint Luke in 1633, while being closely acquainted with the Bentvueghels, this guild which brought together the young Nordic painters active in Rome. In 1643 he joined the Congregation of the Virtuosi. In 1650 he moved to Via Paolina where he lived until his death. Little is known of his intimate life. He seems to have had a daughter, Agnes, from an ancillary love affair. In 1657/ 1658 she moved in with him. Stricken with gout in 1663, he died in 1682. 2. Description of the drawing; the technique of nature studies Two peasants are walking behind a horse-drawn cart on a road that winds through ancient tombs. While a rectangular tomb with a columned facade can be seen in the distance, the cart passes an important ancient building. It has a circular shape and its partially ruined façade is decorated with columns. The start of a second floor can...