Linen Landscape Paintings

19th Century Original Oil English Landscape -- "The Kill above Harbrigg, Kentmere, Lake District" English Lake District landscape oil painting by acclaimed British painter Clarence ...

18th Century European School Figurative and Landscape Painting of Soldiers at Rest Evocative Dutch School painting of soldiers resting at end of day in old ruins, signed J. Kamp (D...

Late 19th Century German Impressionist River Landscape Wonderful and picturesque German Impressionist landscape by Hamburg artist Arthur Paetzold (German, 1870 - 1920), circa 1890. ...

Beautiful example of the Hudson River School romantic bucolic New York autumn landscape with cows foraging. Illegible artist signature on stretcher bar (See enhanced images). Conditi...

Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...

Three Sisters in the Cascade Range, Oregon Landscape scene depicting three snowcapped mountains, also known as "The Three Sisters," surrounded by evergreen trees by John Englehart...

A late 19th Century impressionist oil painting of the creek near Glen Annie Meadows, Santa Barbara by a student of and in the style of Henry Chapman Ford...

Gorgeous late 19th Century landscape of cows near watering hole with birch trees and puffy clouds in background by Wesley John Straight (American, 1855 - 1922). Signed lower left corner and on verso. Title "Autumn in New England" on verso lower stretcher bar. Condition: Good; professionally cleaned and restored; minor abrasions repaired and in-painted (see images). Unframed. Image size: 40"H x 32"W. Born in Wisconsin on May 20, 1855. Straight appears to have migrated to northern California in the late 1870s. While a resident of San Jose and Grass Valley, he painted scenes of the northern coast and other scenic spots. After moving to southern California in 1912, he lived at the Southern Hotel in San Bernardino until his demise on April 5, 1922. Exhibitions: Delavan Wisconsin County Fair 1874 (painting of the Wisconsin State School for the deaf and countryside), Calif. State Fair, 1880-90, Placer California 1880...

Luminous Hudson River School landscape of sunset over water with red buoy in foreground and sailing ships in background in the style of Alfred Thompson Briche...

Large Scale 19th Century American Impressionism Garden and Lighthouse Landscape Wonderfully large American Impressionist landscape of garden overl...

An impressive 19th-century copy of "The Little Fruit-Seller", after Bartolome Esteban Murillo (Spanish, 1617 - 1682), by an unknown artist (1...

Dramatic stormy landscape by Charles Henry Harmon (American, 1859-1936). Looking out over a lake from the shoreline, dark grey storm clouds can be seen rolling over the mountaintops ...

"Straw Barge" on the Thames (after) Edward Duncan Oil on Linen 1898 Well executed study of E. Duncan's Straw Barge circa 1881, painted by Richard Hayley Lever...

Gorgeous tonalist oil painting woman walking in field by pond with home in background by Willis Seaver Adams (American, 1844-1921), circa 1880. Trees and an amazing sky in the background add depth and interest to this beautiful piece. Signed "W. S. Adams" lower right corner. Condition: Previous restoration includes relining of canvas. Frame is vintage gilt molded and wood frame and shows previous repair of molding losses. Image size: 20"H x 24"W. Willis Seaver Adams was known for his landscapes of the Connecticut River Valley. A relative recluse for much of his artistic life, his loneliness can be seen in much of his works. Oil miniatures were the focus for almost all of his later works. He is credited with over 425 oils, watercolors, and drawings. Willis Seaver was born in 1844 on a farm in Suffield, near the Connecticut River. He intermittently attended the Suffield Academy, and always wanted to be a painter. A wealthy doctor became his patron, and financed his studies in 1868 at the Royal Academy in Antwerp. When the doctor passed away, Adams returned home and struggled to make a living painting. After working for a photographer for three years, he opened his own studio. Adams helped organize Clevelands first watercolor exhibit in 1876. Soon thereafter, he completed a portrait of Rutherford B. Hayes, then governor of Ohio, prior to his becoming President of the United States. This portrait enhanced Adams notoriety. In 1878, Adams traveled to Italy where he opened a studio in Venice, and became friendly with neighbor James Whistler. Prior to returning to Springfield, Adams lived in Florence, Italy for three years. He returned to became an instructor for the Springfield Art Association, and began to exhibit his works at the galleries of James D. Gill. His first one-man exhibit was held there in 1894. Other successful exhibitions took place in Chicago, New York, and Boston. Although his works garnered respectable prices and reflected his success, Adams felt he was due more recognition. In 1906, he moved to Greenfield, Massachusetts and converted a barn into a studio. There, he fell into relative obscurity, accompanied mainly by his dog, Collie. In 1921, Adams passed away. Examples of Willis Adams works can be seen at the Kent Memorial Library, the Wadsworth Atheneum, and the Suffield Academy. Several Suffield residents are thought to own Adams paintings.

Autumnal San Francisco Cove and Surf with Whalers Shack circa 1900 Early California Tonalist painting of the San Francisco Coast and a Whalers Cabin. Possibly by D.A. Fisher (American, 1867-1940). Nocturnal paintings in the late 19th century were very popular in the United States. Condition is stellar and excellent with a period frame having a bit of age yellowing to the finish and the gold leaf filets are beaming. Image, 16"H x 22"D Frame, 22"H x 28"W x 2.5"D Fisher appears to have spent most of his career in Portland, Maine. He was an itinerant artist who painted in the San Francisco Bay area in 1891 and at Mount Shasta...

This 19th c. classically realistic oil on canvas painting depicts the majesty of a large sailing vessel on the sea against a light blue sky filled with white cumulus clouds. A gentle...

Stunning naturalist landscape by Karl Bock (German, 1873-1940) in the style of and "after" (Paul Franz Flickel German, 1852-1903) . Signed ("K. Bock n. P. F...

Gold Country, a rustic figurative landscape of early California pioneers by an unknown artist (American, 20th Century). Excellent workmanship and ...

Gorgeous late 19th Century Russian landscape with stream in the shade by Nikolai Aleksandrovich Sergeev (Nikolai Alexandrovich Sergeyev ...

Moody late 19th century Yosemite, California landscape of an old mill with the El Capitan Heights and the Three Brothers receding into the mist by R.B. Proll (American, 19th Century)...