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Matthew Mullins
Diamond Net West

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  • Yellowstone River at Big Timber
    By Theodore Waddell
    Located in Denver, CO
    Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...
    Category

    Early 2000s Contemporary Landscape Paintings

    Materials

    Canvas, Encaustic, Oil

  • Monida
    By Theodore Waddell
    Located in Denver, CO
    Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...
    Category

    1990s Contemporary Landscape Paintings

    Materials

    Canvas, Encaustic, Oil

  • Steinbecks Sheep
    By Theodore Waddell
    Located in Denver, CO
    Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...
    Category

    1990s Contemporary Landscape Paintings

    Materials

    Canvas, Encaustic, Oil

  • Telescope 6
    By Jennifer Nehrbass
    Located in Denver, CO
    Nerhbass’ paintings focus on style as a sublime element of tension within beauty. Thematically they evoke modern dilemmas of what it means to see and be seen in a manner that is simu...
    Category

    2010s Contemporary Landscape Paintings

    Materials

    Cotton Canvas, Oil

  • Sangre de Cristo 2
    By Beau Carey
    Located in Denver, CO
    By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern landscapes came to be spatially constructed. Through a combination of on-site field studies and larger studio pieces I make bodies of work that reflect the individual characteristics of a specific place while retaining a critical awareness of the landscape genre. This practice, while fully absorbed into the cliché of modern landscape painting, is not innocuous. It is rooted in a history of globalism and environmental dominance. Through my work I explore this spatial language at times allowing individual works to teeter into abstraction. The works in Rise look specifically at how we will navigate and view a rapidly changing physical world. - Beau Carey
    Category

    2010s Contemporary Abstract Paintings

    Materials

    Canvas, Oil

  • Logos
    By Beau Carey
    Located in Denver, CO
    By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern landscapes came to be spatially constructed. Through a combination of on-site field studies and larger studio pieces I make bodies of work that reflect the individual characteristics of a specific place while retaining a critical awareness of the landscape genre. This practice, while fully absorbed into the cliché of modern landscape painting, is not innocuous. It is rooted in a history of globalism and environmental dominance. Through my work I explore this spatial language at times allowing individual works to teeter into abstraction. The works in Rise look specifically at how we will navigate and view a rapidly changing physical world. - Beau Carey
    Category

    2010s Contemporary Abstract Paintings

    Materials

    Canvas, Oil

    Logos
    Price Upon Request
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