Melora Griffis

rettungsboot /1

2017

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...

Like Light Upon the Field by Alyson Kinkade 12"x12" acrylic and graphite on canvas Abstract Expressionist Landscape 14x14" framed in natural wood as pictured ABOUT THE ARTIST: "Over...

Nina Tichava's paintings are about relationships; she is interested in the interactions between materials and methods as well as the color and spatial relationships that naturally develop in process. Using painting...

“Resonant Lines” is part of my Landscapes of the inner eye series of paintings which explore the memory of places that we carry in our imagination rather than the reality of those we...

Jane Booth "Flea Market" Spray Paint, Watercolor Crayons, Powdered Graphite, Acrylic Paint on Raw Canvas 61.25 x 54 in. "There are two polarities that I gravitate towards in my work...

Jane Booth "Fleeting Dream" Spray Paint, Watercolor Crayons, Powdered Graphite, Acrylic Paint on Raw Canvas 61.25 x 54 in. "There are two polarities that I gravitate towards in my w...