Miguel Dominguez

Rural Relics

circa 1990

This evocative watercolor painting is a landscape, but also a still life in the sense that the viewer is gazing at a scene, but also at the objects within the scene. There is a medit...

This artwork titled "Winter Sunset" c.1990, is an oil painting (mixed media) on hardboard by German/American artist Frank Kecskes Jr. It is signed at the lower right corner by the ar...

Artist: Bill Shaddix – American (1931- ) Title: Deep Shadows Year: circa 1980 Medium: Oil on canvas Size: 15.5 x 19.5 inches. Framed size: 27 x 31 inches...

This artwork titled "Day's End" 1988 is an oil painting on canvas by American artist Donald A. Peters, 1921-2002. It is signed and dated at the lower right corner by the artist. The canvas size is 16 x 20 inches, framed size is 22 x 26 inches. Framed in original wooden grey/brown frame, with grey fabric liner. It is in excellent condition. About the artist: Since his birth in Indianapolis, Indiana on May 19, 1921, Don Peters has continually expressed his multifaceted talents. While serving in the US Marine Corps. at the age of 19, Don received his first international recognition from combat sketches made between 1942 and 1945. Exhibited in the National Galleries of London and throughout the US. These sketches earned Don a scholarship from the National Newspaperman's Association, metaphysics, spiritual space, romantic realism and miniaturism. His preference for the rapidly drying medium of acrylic allows Don to achieve drama in his color placement. He began his career in Hollywood in 1953, where he worked with Walt Disney, M.G.M., Paramount, Twentieth Century Fox, Warner Brow., Columbia and Filmation. In 1964, Don won the Venice Film Festival award for his screenplay, "The Soldier." Also, in 1966, Don received the Academy Award Nomination for the original screenplay and story "Naked Prey". 1971 Don was a background Artists on the film Journey Back to OZ aka Return to OZ. Animated Musical Fantasy. Don Peters' Mean Machine design Peters later helped design the 1968-69 Hanna-Barbera cartoon series Wacky Races for Iwao Takamoto and Jerry Eisenberg, as Eisenberg recalled: "Iwao designed Penelope Pitstop and her car... And then there was some guy named Don Peters, who Iwao knew from his days at Disney, he was a designer. And he got Don to do some freelance help, and he designed that car that Dick Dastardly had, it looked like a Captain Nemo-type car, you know, like a submarine. Peters then worked on animated series Hot...

This artwork titled "Tamaracks in Winter" c.1992, is an oil painting (mixed media) on hardboard by German/American artist Frank Kecskes Jr. It is signed at the lower right corner by ...

This artwork "Seascape" c. 1990 is an oil painting on canvas by noted artist June Nelson, 20th Century. It is signed at the lower right corner by the artis...

A rare mid 19th Century watercolor depicting Native Americans approaching a fort. The subjects appear to be from a Northern Plains Tribes, and arre approaching a palisades style f...

A cowboy and two grazing horses stand in a grassy field near a flowing river. In the background mountains tower over the scene with tall evergreen trees. 8" x 12" Watercolor on Pape...

Thelma Corbin Moody AbEx Mountain Side c. 1960's Watercolor on Arches Paper 29.5" x 22", Unframed Thelma Corbin Moody (1908-1986) of Modesto, CA....

Ann Wyeth McCoy (1915 - 2005) Afternoon Sun Watercolor on paper Sheet 24 x 18 inches Signed lower left Provenance: Somerville Manning Gallery Private ...

Lionel S. Reiss (1894 - 1988) Lobstermen in Gloucester, Massachusetts, circa 1943 Watercolor on paper Sight 17 1/2 x 23 inches Signed lower left Provenance: Private Collection, Las Vegas, Nevada In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish under desolate circumstances. The seemingly bleak, the empty landscape, speaks...