Nadezda Stupina

In the rays of the sun

2016

In creating this piece, I endeavored to capture the serene union of nature and humanity. The textured oil strokes enliven the park scenery, reflecting an impressionistic love for the...

In this piece, I've woven emotion into every stroke, capturing a serene yet vibrant essence. The acrylic and ink meld together, creating a textured tapestry that exudes the tranquili...

This painting, crafted with rich oil paints, is a vivid portrayal of nature's serenity. Embracing the impressionistic style, I aimed to capture the tranquil essence of dappled light ...

In this oil on canvas, I captured a quiet village blanketed in snow, basking in the serene blue of winter's touch. The textured strokes and impressionistic style evoke the crisp air ...

In this oil painting, I explore the interplay of light and reflection, capturing the serene ambiance of a marina bathed in the warm glow of sunset. The textured strokes convey a sens...

I poured my soul into this creation, blending acrylics and inks to capture the serene embrace of winter. Every stroke combines impressionism's spirit with realism's eye, inviting you...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

"Mount Whitney, California" by Kenneth Harrison. Oil on Canvas, 36" x 36", 40" x 40" framed in a modern black floater. “My goal is to capture a peaceful relaxing moment on canvas” ...

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...

Joshua Tolford (American, 1910-1985) Signed: Joshua Tolford (Lower, Right) " Sunday Morning ", circa 1950s First Baptist Church, Rockport, Massachusetts Oil on Canvas 16" x 20" Housed in a 3" Frame (Newcomb Macklin Molding) Overall Size: 21 1/4" x 25 1/4" Appears to be in very good condition. Ready to hang. Included with the item is an original photo postcard...

Gaston Sebire (1920-2001) Vue de Rouen Oil on canvas Size : 65 x 81 cm Signed lower right Provenance : Private Collection, France Very good condition. Original canvas. Frame included...

Georges YOLDJOGLOU ( né en 1933) Paris, vue sur les jardins de la Tour Eiffel Oil on canvas Size : 60 x 73cm Signed lower right Titled on the back...