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Nelson H. White
Dering Harbor

2016

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  • "Oak in Spring" 1930 American Impressionist oil painting, oak tree landscape
    By Henry Cooke White
    Located in Sag Harbor, NY
    "Oak in Spring" is a 1930 American Impressionist oil painting of an oak tree landscape. Painted en plein-air, in an almost pointillist style, H.C. White depicts a classic Connecticut landscape. A Tall wiry tree stands as the focal point, having just bloomed its first leaves; foliage still thin enough to outline every single branch. Reds and browns scattered throughout the foreground connote autumn leaves that had yet to be cleared. Henry Cooke White (b. 1861) in Hartford Connecticut. His career in art was founded at the age of 14, when he met the famous American Tonalist painter, Dwight William Tyron. The two became lifelong friends, and White even wrote Tyron’s major biography, The Life and Art of Dwight William Tyron (pub. 1930). In the late 1880’s, Tyron pushed White to move to New York City to further his artistic training at the Art Students League. During this time, White studied under many talented artist’s; Kenyon Cox, John H. Twatchman, and William Merritt Chase. From 1896-1897, White spent time travelling in Europe. Upon his return to the states, he began to spend most of his time in Connecticut, following his favorite painting seasons. Spring in Hartford was followed a week later by spring in Old Lyme, and then finally at Waterford. He’d experience his favorite seasons three times over each year. Once immersed into Connecticut’s community, White was encouraged to paint habitually in Old Lyme; where an art colony was developing, beginning in the spring of 1903. Inspired by European artists, including Claude Monet, and Pierre Auguste-Renoir, the Old Lyme Art Colony defined American Impressionism by memorializing the serene qualities of rural New England life through use of vibrant palettes and broken strokes on wood and canvas. The Colony comprised upwards of 200 artists during its three decades of creating nature-based scenes in oils and pastels; Frederick Childe Hassam...
    Category

    Mid-20th Century American Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • "Fishing Hut" contemporary impressionist oil painting boat house, green and blue
    By Ben Fenske
    Located in Sag Harbor, NY
    "Fishing Hut" contemporary impressionist oil painting boat house in green and blue hues. An oil painting of a small shack in a marina in rich impre...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Oil, Linen

  • "The Royal Palms" - contemporary american impressionist painting, small scale
    By Nelson H. White
    Located in Sag Harbor, NY
    A small scale, horizontally oriented oil painting on panel by American Impressionist Nelson Holbrook White. Every winter, White travels to The Bahamas to paint the bright warm scener...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Panel, Oil

  • "Rick's Dock" - contemporary landscape painting at Hamptons House, Sag Harbor NY
    By Marc Dalessio
    Located in Sag Harbor, NY
    Painted en plein air, outside the home of a friend of the Grenning Gallery's. This home, located in Bay Point, looks towards Sag Harbor across Sag Harbor Cove. A Dock creates great l...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Oil, Panel

  • "Smith Cove, Shelter Island" small scale plein air oil painting - The Hamptons
    By Melissa Franklin Sanchez
    Located in Sag Harbor, NY
    This miniature oil-on-panel painting was painted en plein-air, on an Island between the North and South Forks of Long Island. She captures the scene of a calm cove, Brown sand outlin...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Panel, Oil

  • "Sunset, Waterford" oil painting by american impressionist, colorful abstraction
    By Nelson H. White
    Located in Sag Harbor, NY
    An abstract depiction of a seascape during sunset. Painted from life in Waterford, Connecticut. Framed in a traditional black frame with gold inner trim (See pictures). Nelson H. Wh...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Panel, Oil

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    By Theodore Robinson
    Located in New York, NY
    As one of the first, and most important, American Impressionists, Theodore Robinson helped to introduce the French style to American artists and audiences.
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    19th Century American Impressionist Landscape Paintings

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  • At the Clothesline
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  • Miner Hillard Milling Company
    By George William Sotter
    Located in New York, NY
    Signed lower right: G.W. Sotter; on verso: MINER HILLARD / MILLING Co.
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  • "Alley Fiends"
    By John R. Grabach
    Located in Lambertville, NJ
    Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...
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    1930s American Impressionist Landscape Paintings

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  • "Forest Strongholds"
    By John F. Carlson
    Located in Lambertville, NJ
    Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928
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  • "Solebury Valley"
    By William Langson Lathrop
    Located in Lambertville, NJ
    Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...
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