"Cape Neddick Light (York, Maine)"
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Peter Sculthorpe"Cape Neddick Light (York, Maine)"
About the Item
- Creator:Peter Sculthorpe (1948, American)
- Dimensions:Height: 21 in (53.34 cm)Width: 27 in (68.58 cm)Depth: 2 in (5.08 cm)
- More Editions & Sizes:Framed Size 20" x 26"Price: $16,875
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Lambertville, NJ
- Reference Number:Seller: PB01441stDibs: LU3745683851
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1997
1stDibs seller since 2014
36 sales on 1stDibs
Typical response time: 6 hours
More From This SellerView All
- "Pennsylvania Dutch Village"By Walter Emerson BaumLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Walter Emerson Baum (1884 - 1956) Born in Sellersville, Pennsylvania, Walter Baum was one of the only members of the New Ho...Category
1930s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "The Canal"By Edward Willis RedfieldLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...Category
Early 1900s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Winter Sunlight"By Walter Emerson BaumLocated in Lambertville, NJJim’s of Lambertville Fine Art Gallery is proud to present this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only membe...Category
1930s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Fields in Jersey"By Daniel GarberLocated in Lambertville, NJJim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...Category
Early 1900s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Christmas Time, Sellersville"By Walter Emerson BaumLocated in Lambertville, NJJim’s of Lambertville Fine Art Gallery is proud to present this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only membe...Category
1930s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "End of the Day, Gloucester Harbor"By John Fulton FolinsbeeLocated in Lambertville, NJJim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...Category
1910s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
You May Also Like
- Armenian Contemporary Art by Kamsar Ohanyan - Armenian LandscapeBy Kamsar OhanyanLocated in Paris, IDFOil on canvasCategory
2010s Realist Landscape Paintings
MaterialsCanvas, Oil
- Armenian Contemporary Art by Kamsar Ohanyan - WinterBy Kamsar OhanyanLocated in Paris, IDFOil on canvasCategory
2010s Realist Landscape Paintings
MaterialsCanvas, Oil
- Norwegian landscape Windmill and shepherd boy Collaboration two famous artistsLocated in Stockholm, SEСollaboration work by two Norwegian artists: Morten Müller (1828-1911) and Olaf Christopher Dahl (1842-1895). Painted approximately in late 19th century (ca. 1870 - 1880). And this rare and awesome work of art should be considered for museum collection as well. Both painters presented in National Museum Oslo, Norway. Contrast picture of light and shadow, calm pastoral below and sky drama above. Oil painting on canvas, framed. Size app.: 46 x 69 cm (roughly 18.1 x 27.2 in), with frame 60 x 84 cm cm (roughly 23.6 x 33.1 in). Good condition with wear, tiny losses to paint in minor areas and craquelure. So it needs minor care and conservation. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.4 kg is going to measure some 6 kg volume weight packed for shipment. Morten Müller - was born by the Christianiafjord at Holmestrand, in Vestfold County, Norway. Morten Müller began his art studies with Adolph Tidemand and Hans Gude in Düsseldorf, Germany, from 1847 to 1848. From 1850 he was again a student at the Kunstakademie Düsseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850 to 1851, Müller painted with the Swedish landscape painter Marcus...Category
Late 19th Century Realist Landscape Paintings
MaterialsCanvas, Wood, Oil
- Roztocze - Contemporary Landscape Oil Painting, Realism, Polish artBy Janusz SzpytLocated in Warsaw, PLJanusz Szpyt was born in 1960, he is a Polish painter. He graduated from the Graphic design faculty and painting from the Academy of Fine Arts in Krakow...Category
2010s Realist Landscape Paintings
MaterialsOil, Canvas
- St. Barth, Beach Seascape with BouldersBy Fabio AguzziLocated in Surfside, FLGenre: Realism Subject: Landscape Medium: Oil Surface: Canvas Country: Italy Dimensions: 47" x 31.5" Dimensions w/Frame: 48.25" x 32.5" As part of his St. Barth series, Aguzzi deliv...Category
Early 2000s Realist Landscape Paintings
MaterialsCanvas, Oil
- Landscape with RiverBy Alfred VickersLocated in Austin, TXTitle: "Landscape with River" Artist: Alfred Vickers Medium: Oil on Canvas Size: 24 x 18.5 in. Frame size: 30 x 26 in. A serene landscape depicting a French village situated on the...Category
19th Century Realist Landscape Paintings
MaterialsCanvas, Oil