Philip Little

"Gulls and Weir, " Philip Little, Coastal Landscape, New England Impressionism

Anthony Thieme (1888 - 1954) Other Side of Town (Leading to Pigeon Cove) Oil on canvas 30 x 36 inches Signed lower left Provenance: David H. Hall Fine Art, Dover, Massachusetts Vose Galleries, Boston, Massachusetts Private Collection, New Jersey Anthony Thieme was born in the Dutch port city of Rotterdam in 1888. He studied at the Academy of Fine Arts in Rotterdam, at the Royal Academy at the Hague, as an apprentice to George Hoecker, a well known stage designer in Düsseldorf, Germany, and to Antonio Mancini, an Italian Impressionist. After completing his studies, Thieme journeyed throughout Europe and South America, working in stage design to support his travels. Thieme first came to the United States in 1917 and initially worked as a set designer and book illustrator first in New York and later in Boston. By the late 1920s, Thieme had married and moved from Boston to Cape Ann in Rockport, Massachusetts, an emerging art colony. Like the other Rockport artists...

Harold C. Dunbar (1882 - 1953) Meadow Landscape in Summer, 1929 Oil on canvas 17 1/2 x 21 inches Signed and dated lower left Harold C. Dunbar — painter, teacher, writer, and illustrator — was born in Brockton, MA on December 8, 1882. He resided in Chatham, MA and died in 1953. His work includes portraits, landscapes, street scenes, still lifes, harbors and coastal scenes. Dunbar studied with Ernest Lee Major (1864-1950) and Joseph De Camp...

Frank Vincent DuMond (1865 - 1951) Train Trestle Oil on canvas 24 x 30 inches Signed lower left; estate stamped on the reverse Provenance: Estate of the...

Gustav (Gustave) Wolff (1863 - 1935) View of New York Harbor from the Staten Island Ferry Oil on canvas 16 x 12 inches Signed lower right In the Autumn of 1913, the German Associati...

Alexander Bower (1875 - 1952) Reflections, Motif No. 1, Rockport, Massachusetts Oil on canvas 22 x 18 inches Signed lower right; titled on the stretcher An American Impressionist, Alexande Bower was born in New York, studied at The Pennsylvania Academy of Fine Art, and was living with his wife in Cliff Island, Maine by 1914. Despite his urban upbringing, the coast and the sea fascinated Bower. A large portion of his paintings are seascapes, particularly scenes depicting the coast of Cape Elizabeth...

Gifford Beal (1879 - 1956) Beach, Haiti, 1954 Oil on canvas 28 x 36 inches Signed lower right Provenance: Estate of the artist Kraushaar Gallery, New York Exhibited: Youngstown, OH, Butler Institute of American Art, 1955 Lincoln, MA, DeCordova and Dana Museum, 1955 New York, American Academy of Arts and Letters, 1956 and 1960 Fitchburg, MA, Fitchburg Art Museum, 1960 New York, Art Dealers Association of America, 1963 New York, Art Students League, 1975, New York, Kraushaar Galleries, Gifford Beal (1879-1956): Retrospective Exhibition of Paintings, Apr. 29 - May 29, 1975, no. 36 New York, Kraushaar Galleries, Gifford Beal (1879-1956): A Centennial Exhibition, Nov. 6 - Dec. 1, 1979, no. 26 Gifford Beal, painter, etcher, muralist, and teacher, was born in New York City in 1879. The son of landscape painter William Reynolds Beal, Gifford Beal began studying at William Merritt Chase's Shinnecock School of Art (the first established school of plein air painting in America) at the age of thirteen, when he accompanied his older brother, Reynolds, to summer classes. He remained a pupil of Chase's for ten years also studying with him in New York City at the artist's private studio in the Tenth Street Studio Building. Later at his father's behest, he attended Princeton University from 1896 to 1900 while still continuing his lessons with Chase. Upon graduation from Princeton he took classes at the Art Students' League, studying with impressionist landscape painter Henry Ward Ranger and Boston academic painter Frank Vincent DuMond. He ended up as President of the Art Students League for fourteen years, "a distinction unsurpassed by any other artist." His student days were spent entirely in this country. "Given the opportunity to visit Paris en route to England in 1908, he chose to avoid it" he stated, "I didn't trust myself with the delightful life in ParisIt all sounded so fascinating and easy and loose." His subjects were predominately American, and it has been said stylistically "his art is completely American." Gifford achieved early recognition in the New York Art World. He became an associate member of the National Academy of Design in 1908 and was elected to full status of academician in 1914. He was known for garden parties, circuses, landscapes, streets, coasts, flowers and marines. This diversity in subject matter created "no typical or characteristic style to his work." Beal's style was highly influenced by Chase and Childe Hassam, a long time friend of the Beal family who used to travel "about the countryside with Beal in a car sketching...

One of Johann Berthelsen's iconic nocturne views of New York City across the Hudson River. Bridge Nocturne (c.1945) Oil on canvas, 22" x 28" 29 ½" x 36" x 2" framed Signed "Johann ...

I Came to Where the Lone Pilgrim Lay by Michael Ome Untiedt Oil on Canvas, 36" x 48", 43" x 55" (framed), hanging hardware included. From the artist: "In Memory of Tom Horn: This is another of my feeble attempts to break down, to rage against the tyranny of time. I have fought this battle for a half century, yet my limbs grow slower, my hair more moon-bleached. I ponder as I apply brush strokes to the canvas, what thoughts pass through the viewer of this work a hundred years hence, two hundred years later? Will they know what I carry in my heart today? Am I on a great mandala of life, and will I return one day to this same experience, or am I adrift on a great "river" flowing endlessly through the Cosmos, heeding shoal water and seeking shoreline that is forever changing? A dear friend passed this week from the plague scourging our fair land. When and where will I hear his sweet self deprecating laughter again?" Born and raised in rural southeastern Colorado, Michael Ome Untiedt maintains a studio in Denver. Traveling extensively, he is known as a painter of the world who sees with a westerner’s eye. Through the color, brush strokes, and symbolic subject matter of his paintings, he attempts to examine the human predicament and its connections to the landscape and history of the American West. He is driven to portray twenty-first-century psychology on a nineteenth-century saddle! Untiedt has participated in numerous shows including the Western Masters Art Show and Sale, Settler’s West Miniatures Show and Art of the American West...

Sunlit Winter Shores by David Mayer Oil on Canvas, 20" x 30", 22" x 32" (framed in a dark floater frame) The fine art of David W. Mayer captures the beauty...

Central Park by Kamil Kubik, Czech/American (1930–2011) Oil on canvas, signed l.r. Size: 35.5 x 30 in Kamil Kubik, defecting from his home country of Czechoslovakia in 1948 when the Communists seized power, he would become known as "Master of Cityscapes", known internationally for his street scenes, cityscapes and magnificent florals, memorializing royal weddings and inaugurations on his canvas pieces. His cityscape paintings for sale are highly coveted pieces thanks to his popularization through magazines, books, and even White House Christmas cards. Private collectors of his work have included U.S. presidents and English royalty...

Edwin Wappler (American, 1887 - 1973) Signed: Edwin Wappler (Lower, Left) " Along the Creek ", c. 1920s-1930s (Possibly Tennessee) Oil on Canvas, Laid on Masonite 20" x 24" Hou...

Signed lower left: Guy Wiggins / Guy Wiggins; on verso (photo available): CENTRAL PARK. WINTER. / GUY WIGGINS N.A. / 1936.