Peter B

'L'Eglise San Michel de Batignolles', Paris, Parisian Street Scene, Church

Circa 1965

Signed lower right, 'Delia' for Delia Bradford (American, 20th century) and painted circa 2005; additionally signed, verso, on stretcher bar, 'Delia Bradford'. A fresh and breezy vi...

Signed, verso, 'A Heinsbergen' for Antoon Heinsbergen (Dutch-American, 1894-1989), inscribed 'Painted in Paris from the top floor of the Grand Hotel Paris' and dated 1941. A panoramic view of early twentieth-century Paris with early automobiles, charabancs and pedestrians filling the boulevards converging on the Paris Opera beneath sunny blue skies. Painter and theatrical designer, Antoon Heinsbergen immigrated to Los Angeles as a small boy and first studied at the Chouinard Art School and the Otis Art Institute. He subsequently became sought after as a decorator of theaters and, working with a crew of 185, designed and painted wall and ceiling decorations...

A substantial, early twentieth-century oil showing two children, wearing period summer dress and posed beside a well, with a view beyond across lush green lawns...

Signed lower right, 'Dedrick B Stuber' for Dedrick Brandes Stuber (American, 1878-1954) and painted circa 1925. A substantial, early twentieth-century California coastal landscape showing the Pacific Coast's Monterey Bay on a sunny day with lightly scudding clouds against an azure sky. A particularly fine work with jewel-like, spring flowers scattered along the grassy bluff and a panoramic view across the bay towards lavender coastal hills. This luminous California plein-air painting happily retains its original title-plate. Born in New York City, Dedrick Stuber first studied at the Art Students League and, later, with Julian Onderdonk and Clinton Peters. In 1920, he moved to Los Angeles where he became known primarily as a painter of California pastoral and marine scenes, preferring to paint his "plein air" works in the cool and shade of the early morning. Over the course of a long career, Stuber exhibited widely and with success and was the recipient of numerous medals and juried awards. He was a member of the Painters and Sculptors of Los Angeles and the Laguna Beach Art Association and his works are held in numerous private and public collections, including the permanent collection of The Smithsonian Museum and The Pasadena Art Museum. Reference: Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 2, page 1076; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, page 3211; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith...

Signed lower left, 'Edward Glafke' (American, 1925-1997); additionally signed, verso, titled, 'Point Lobos, China Cove', and dated 1993. Edward Glafke w...

Signed lower right, 'Kari McCarthy' (American, 20th century), signed, verso, dated 2005, and titled, 'The Beach at Honfleur'. Publisher and artist Kari ...

Joan Vives Maristany (XX) - Woman on the beach - Oil on canvas Oil measures 47x56 cm. Frameless. It presents restorations.

Framed dimensions 24 x 28 inches Hand-signed by artist, Signed in verso Donald Jurney was born in Rye, New York, in 1945, and was educated at Columbia University, the Pratt Institu...

'A Gallant Salute' is an extremely impressive work by Samual Edmond Waller, signed and dated 1894. Figurative 19th Century painting of three great noble royalty members dressed in period clothing riding out from their castle in the background. Flanked by hounds and various household members. The colours are vibrant and bold. Samuel Edmond Waller was born in Gloucester, UK in 1850 and was a painter of genre pictures. Waller was educated at Cheltenham College with a view to the army, but showing artistic inclinations he was sent to Gloucester School of Art and later went through a course of architectural studies following in his father’s footsteps. At eighteen he joined the Royal Academy schools and in 1871 he had his first exhibition at Burlington House...

Sunny , Dacia,Summer,Russian,Sun GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japan, United Sta...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 28, plate #031. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 45, plate #052. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...