Richard H. Hilder

Beautiful 19th century Oil on Panel Landscape by Richard Hilder

John Wilson Ewbank (1799 - 1847) Shipping in the Harbour, South Shields Oil on canvas 39.5 x 58 inches unframed 47.75 x 66.5 inches framed Provenance: Christie's October 2002; Lot 11. Fine Art Society; Private Collection This marvellous up to scale Ewbank is full of light and warmth and almost certainly his greatest work of the sort rarely - if ever - seen on the market. John W. Ewbank (4 May 1799–28 November 1847), was an English-born landscape and marine painter largely operational from Scotland. The Humber river is a large tidal estuary on the east coast of Northern England. Life Ewbank was born at Darlington on 4 May 1799, the son of Michael Ewbank, an innkeeper. He was adopted as a child by a wealthy uncle who lived at Wycliffe, on the banks of the River Tees, in the North Riding of Yorkshire. Intended for the Roman Catholic priesthood, he was sent to Ushaw College, from which he absconded. In 1813 Ewbank was apprenticed to Thomas Coulson, an ornamental painter in Newcastle. In around 1816 he moved with Coulson to Edinburgh, where he had some lessons with Alexander Nasmyth. He found work both as a painter and a teacher. He was nominated in 1830 one of the foundation members of the Royal Scottish Academy. In 1833 he is listed as living at 7 Union Street on the eastern fringe of the New Town in Edinburgh. Works His sketches from nature were especially admired, and a series of 51 drawings of Edinburgh by him were engraved by W. H. Lizars for James Browne's Picturesque Views of Edinburgh (1825). He also made a reputation with cabinet pictures of banks of rivers, coast scenes, and marine subjects. As an illustrator he illustrated some early editions of Scott's Waverley Novels and one edition of Gilbert White...

Charles Augustus Henry LUTYENS (1829 – 1915, British) On the Scent c.1880 Unframed 50 x 84 inches Framed 64 x 98 inches Oil on Canvas Signed Provenance: Possibly commissioned by George William Coventry, 9th Earl of Coventry (1838-1930); thence by family descent; Croome Court House Sale, Worcestershire 1948 Lord Coventry was a keen huntsman having founded the North Cotswold Hunt in 1867 and in 1882 The Croome. Besides founding two Hunts, he also held the unique distinction of owning racehorses that won two Grand Nationals in consecutive years. Daphne Moore, the hunting correspondent writing about the Croome Hounds c.1950, emphasised the influence of Rambler as a perfect type of hound. ‘Who could have dreamed that in 1949 well-bred hounds in almost every kennel in England would have at least a trace of Rambler’s blood in their veins?’ … to the hound man The Croome and the name Coventry immediately recalls Rambler. Anyone who has seen his portrait by Lutyens, will remember him as being the perfect type of hound for any country…’ Charles Lutyens the artist spent his early adult life in the Army, joining the 20th foot and siled with them in 1850 to serve in Canada. In 1857 he left the army to take up life as a professional artist. He based himself at Onslow Square...

James Thornhill (1674-1735) Oil on canvas 12 x 14 inches; 16 ½ x 18 ½ in. Inc. frame The subject matter and inclusion of herms on both sides shows the influence of Louis...

Richard Hilder (1813-1852) Pastoral Landscape Oil on Panel 10 X 16 inches, Framed Provenance: Important Private Collection Richard H. Hilder was a landscape painter and occasional ...

VIVIANO CODAZZI (c. 1603-1672) A Pair of Architectural Cappriccios Oil on Canvas 24 x 28 7/8 inches (60.8 x 73.2 cms) Provenance: Collection Pérez d...

Andre Prevot-Valeri Sheep Grazing in a Landscape oil on canvas signed 24 1/4 x 21 1/4 inches, inc. frame André Prévot-Valéri, born in Paris in 1890, died in Granville in 1959, is a ...

Francois Grison Bordeaux 1845 – 1914 Genève French Painter Le Renseignement Signature: Signed bottom right and dated on the back 1895 Medium: Oil on panel Dimensions: Image size 24 ...

Roman master (c. 1650) - The Fall of Phaeton. 40.5 x 52.5 cm without frame, 56.5 x 59.5 cm with frame. Oil on copper, in carved and gilded wooden fra...

"Still Life" by Geneviève Zondervan (French 1922-2013) stamped verso oil painting on board board: 10.5 x 13.75 inches Mid 20th century oil painting on board by the French artist, ...

This charming landscape scene depicts an aerial view of farmland. A square pond is depicted to the lower right with swans swimming in the water. The artist has used gestural brushwor...

60"x144" large scale painting, oil on canvas, created on two joined canvases. The deep blue palette gives a sense of underwater space in this grand depiction of coral reefs. Artist, Karen Marston presents this endangered species in a grand scale to show its beauty and importance to our environment. Karen Marston is a painter living and working in Brooklyn, NY. Her work has been seen in a number of solo exhibitions in New York City. In addition to her 2018 show Harbingers, at the Owen James Gallery in Soho, other recent solos include: 2017’s To Embrace the Whole Sky with the Mind, at Station Independent Projects on the Lower East Side, Demeter’s Wrath in 2016 at the Owen James Gallery and Storm Watch...

From the Roma Series. Photo-realistically painted folds and creases based upon unravelling discarded paper that contained the artists initial thoughts.