Items Similar to Les Cypres, French Post-Impressionist Landscape Painting, Signed
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Robert DeborneLes Cypres, French Post-Impressionist Landscape Painting, Signed
About the Item
Oil on canvas, signed bottom right
Image size: 29 x 40 inches (74 x 101 cm)
Contemporary style handmade frame
Provenance
Artist's Estate
Robert Deborne
Robert Deborne was born in 1870 in Viviers, a small cathedral town in the South of France.
Little is known of the finer details of Deborne’s life and he remains rather an enigma. He was the son of a rich farmer, which gave him the opportunity to concentrate on his painting without financial pressures. Indeed, he was so dedicated that he abandoned his family just before the First World War, enabling him to focus completely on his work. Despite his prolificacy, he decided never to hold a solo exhibition nor had any connection with an art dealer to sell his works, although he exhibited often at the Salon d’Automne in Paris (becoming a member in 1923) and the Salon du Sud-Est.
A noted talent in his day, Deborne exhibited with major artists at the Salon du Sud-Est. This salon exhibition was on during the winter, which was perfect for Deborne as he was able to paint all summer, his preferred season. The Salon was a forum for unknown, innovative, emerging artists. His paintings were hung alongside works by Paul Cézanne, Henri Matisse, Paul Gaugin, Georges Rouault, André Derain, Albert Marquet, Felix Vallotton and Edouard Vullard, to name but a few.
Deborne was exhibiting at the Salon du Sud-Est in 1905, the year when the press coined the then rather disparaging term of ‘Fauves’ (French for ‘wild beasts’) to describe artists using strong, separate, unnatural colours in a representational manner, moving away from the realism of impressionism. The phrase stuck and the new movement of Fauvism was recognised, of which Deborne was certainly a part and influenced by.
Deborne had a close friendship with Paul Signac with whom he exhibited on several occasions at the Salon de Sud-Est. Signac spent some time in Viviers with Deborne, and the two are known to have been together on the banks of the Rhône, sketching and painting.
He mostly painted scenes of Viviers, his home town on the Rhône and its environs. He also featured Nebbio in Corsica in many of his paintings. His works are very much centered on these places that he loved, and his depictions of the Rhône, its banks and the hills beside it are poetically marked by variations in time, weather and season. He was particularly fond of painting at dawn and dusk.
Robert Deborne returned to the same landscapes again and again, portraying them from different perspectives and in changing light. This was a deliberate choice – he wanted to share the beauty of these inspiring places that were immediately before him. Vivarais to Deborne was what the Montagne Sainte-Victoire was for Cézanne or the banks of the Creuse were for Guillaumin. These landscapes were his life, and every brushstroke illuminates the beauty of these places for others to experience.
- Creator:Robert Deborne (1870 - 1944, French)
- Dimensions:Height: 40 in (101.6 cm)Width: 27 in (68.58 cm)
- More Editions & Sizes:1 of 1Price: $38,982
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU52414058002
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2007
1stDibs seller since 2014
63 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Paysage du Viviers, French Post-Impressionist Oil PaintingLocated in London, GBRobert Deborne French 1870 - 1944 Viviers Oil on canvas, signed lower right Image size: 25 3/4 x 20 1/2 inches Gilt frame Robert Deborne (1870-1944) ...Category
Late 19th Century Post-Impressionist Landscape Paintings
MaterialsOil, Canvas
- Paysage du Vivarais avec une Ferme, French Post-Impressionist, Signed PaintingLocated in London, GBOil on canvas, signed bottom right Image size: 26 1/4 x 19 3/4 inches (41.5 x 50 cm) Hand made gilt frame Provenance Artist's Estate This work is sold with a certificate of authe...Category
Early 20th Century Post-Impressionist Landscape Paintings
MaterialsOil, Canvas
- The Heat of SummerLocated in London, GBOil on board, signed on verso Image size: 31 1/2 x 25 inches (80 x 64 cm) Framed This is a wonderful work of Pointillism, a technique of painting where small, distinct dots of colour are applied in patterns to form an image. This techniques relies on the ability of the eye and mind of the viewer to blend the colour spots into a fuller range of tones. The practice of Pointillism lies in sharp contrast to the traditional methods of blending pigments on a palette. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term 'Pointillism' was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotations. The Artist Kenneth Walch Born Wimbledon 1927. After school he moved to Australia in the early 1950’s and won a place at the National Gallery Art School in Melbourne where he studied under Murray Griffin until 1953 when he returned to England. He then enrolled at St Martins School of Art where his principal tutor was the Colourist, Fredrick Gore. Gore introduced him to English post...Category
Mid-20th Century Pointillist Landscape Paintings
MaterialsOil, Board
- Arbre en Fleurs, Oil Landscape, French Post-ImpressionistLocated in London, GBOil on board, mounted on panel, signed lower right Image size: 19 x 23 (48 x 58 cm) Contemporary style handmade frame £10,000 Provenance Artists Estate The Artist Robert Deborne...Category
Early 20th Century Post-Impressionist Landscape Paintings
MaterialsOil, Board
- Back Gardens Original Oil Painting 20th Century Urban Landscape British ArtBy Alice Headley NeaveLocated in London, GBAlice Headley Neave 1903 - 1977 Back Gardens Oil on canvas, signed lower left Image size: 19 x 15 inches Contemporary style frame The daughter of Dr Arthur Henry Headley Huckle, Alice was...Category
20th Century Landscape Paintings
MaterialsCanvas, Oil
- Morning Drive in Hyde Park, 20th Century English Oil PaintingBy Doris ZinkeisenLocated in London, GBOil on canvas, signed lower right Image size: 28 3/4 x 28 3/4 inches (73 x 73 cm) Contemporary frame Doris Zinkeisen was a British painter, stage-set and costume designer, writer a...Category
Mid-20th Century English School Landscape Paintings
MaterialsCanvas, Oil
You May Also Like
- PrintempsBy Charles LevierLocated in Costa Mesa, CAA beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...Category
Mid-20th Century Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Mount Whitney California Original Ken Harrison Contemporary Oil LandscapeLocated in Whitefish, MT"Mount Whitney, California" by Kenneth Harrison. Oil on Canvas, 36" x 36", 40" x 40" framed in a modern black floater. “My goal is to capture a peaceful relaxing moment on canvas” ...Category
21st Century and Contemporary Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Haystack with Resting FiguresBy John Maclauchlan MilneLocated in Hillsborough, NCScottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...Category
1920s Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Sunday Morning, 1950s by Joshua Tolford, First Baptist Church, Rockport, MABy Joshua TolfordLocated in Grand Rapids, MIJoshua Tolford (American, 1910-1985) Signed: Joshua Tolford (Lower, Right) " Sunday Morning ", circa 1950s First Baptist Church, Rockport, Massachusetts Oil on Canvas 16" x 20" Housed in a 3" Frame (Newcomb Macklin Molding) Overall Size: 21 1/4" x 25 1/4" Appears to be in very good condition. Ready to hang. Included with the item is an original photo postcard...Category
Mid-20th Century Post-Impressionist Landscape Paintings
MaterialsOil, Canvas
- Le port de DieppeBy Jacques BouyssouLocated in LE HAVRE, FRJacques BOUYSSOU (1926-1997) Le port de Dieppe, 1969 Oil on original canvas, in perfect condition, original canvas. Large size : 90 x 118 cm Signed lower left Vintage frame Provena...Category
1960s Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Paris, vue sur les jardins de la Tour EiffelLocated in LE HAVRE, FRGeorges YOLDJOGLOU ( né en 1933) Paris, vue sur les jardins de la Tour Eiffel Oil on canvas Size : 60 x 73cm Signed lower right Titled on the back...Category
21st Century and Contemporary Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil