Salvador Palou

Cadaqués nocturnal Oil on burlap painting Spain seascape spanish

c.1990

Ignasi Mundó Marcet (1918-2012) - Plaza Nueva Barcelona Spain - Oil on canvas Canvas measures 73x60 cm. Frameless. MUNDO Ignasi Ignasi Mundó trained at t...

Jordi Curós Ventura (1930-2007) - Cadaques - Oil on canvas. Work measurements 61x50 cm. Frame size 66x55 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. ...

Illegible signature lower right. Oil measures 38x46 cm. Frameless. Dated 1976.

José Luis Florit Rodero (1909-2000) - Barcelona - Oil on canvas Oil measures 65x81 cm. Frameless. José Luis Florit Rodero (Madrid, 1909-Paris,...

Jordi Curós Ventura (1930-2007) - Delft Netherlands - Oil on canvas Oil measures 60x73 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Catalan painter. He tra...

Unframed Manuel Capdevila i Massana (Barcelona, ​​December 28, 1910 - April 18, 2006) was a Catalan painter and goldsmith, son of the goldsmith Joaquín Capdevila y Meya and father of the also goldsmith, Joaquim Capdevila y Gaya. In 1950 he was invited to The 1950 Pittsburgh International contest at the Carnegie Institute, Pennsylvania, where he presented the painting The Priest, which is currently part of the MNAC collection. A year later the Museum of Modern Art in Panama acquired the work Crisantemos. He was part of the Morera Prize Jury in 1953. Two years later he signed the manifesto that Alexandre Cirici drafted, creating the Institute of Industrial Design, as a member of the IDIB Management Board of Directors. At the request of Lluís Maria Güell, director of the Massana School, he assumed the creation of the Open Jewelery Classroom in 1959, from where he made students think and reflect on the new possibilities of contemporary jewelry. He establishes contacts with the Kunst Werkschule in Pforzheim, a pioneering school...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary Oil on canvas Hand signed lower right Artist Signed, Abstract Oil on Canvas. Figure in the distance. Approx: 30" x 27 1/2" framed, 26 1/2" x 23 1/2" canvas. TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. He was included in the show Abstraction: 1950-1970 at Taylor Graham, Greenwich CT. A survey of post-war abstract art movements including Abstract Expressionism, Color Field, Hard Edge, Minimalism and Op-Art. Adolph Gottlieb, André Cottavoz, Carl Robert Holty, Cleve Gray, Friedel Dzubas, Ilya Bolotowsky, James Hiroshi Suzuki, Norman Bluhm, Ralph Della-Volpe, Theodore Appleby...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary The Valley Oil on canvas Hand signed lower left and again to stretcher and verso 16 x 20 inches. frame dimensions: 22 1/4 x 26 inches, wood frame Provenance: The Estate of the artist Ralph Della Volpe TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. SOLO SHOWS: Hotchkiss Library, Sharon, Conn Millbrook Library, Millbrook,NY Gregory James Gallery...

Paloma Ripollés Sunset Contemporary Landscape Painting Oil Paint on Canvas Canvas Size: H 89cm x W 116cm Sold Unframed Please note that insitu images are purely an indication of how ...

Madeleine BERLY VLAMINCK (1896-1953) Femmes dans le jardin Oil on canvas Size: 65 x 81 cm Signed lower right Provenance: Private collection in Normandy. Oil on canvas in good co...

Signed oil on canvas circa 1950 by French painter Jules Cavailles who was part of a group of artists called "La Realite Poetique". This charming piece ...

Mieczyslaw Lurczynski (1908-1992). Pont Neuf/ Landscape. Double-sided canvas measures 10.5 x 13.75 inches. Canvas is a gessoed panel, unstretched. Signed lower right.