Sidney Yates Johnson

Sidney Yates Johnson - Signed English Late 19th Century Oil, River Landscape

A sunny depiction of snowy mountain peaks, viewed from the foothills. A small house can be seen in the foreground among pine trees and rocks. The artist has signed indistinctly to t...

A charming river scene with trees by R. Hulk. Signed to the lower right-hand corner. Well-presented in a white and gold painted mount and in an ornate gilt effect frame, as shown. On...

A very fine landscape study by the British artist Percy Hipkiss, depicting a winter landscape with two figures. The expert brushwork and control of light is typical of Hipkiss' style...

A wonderful mid 20th century study by the British artist Derek Arthur Ede (1923-1983). The artist has captured a group of children playing at the water's edge with houses surrounding...

With impasto detail. Signed to the lower right. On canvas on stretchers.

A quaint oil showing a woman with a basket standing outside a woodland cottage next to a pond. The artist has applied the paint thickly in areas to create an impasto texture. The art...

Alfred East The Wood Cutter Oil on board Signed lower right and titled on back Image size: 10 1/4 x 15 inches (26 x 37.5 cm) Carved gilt frame This romantic landscape by East, certainly shows the influence that the Barbizon school had on his work. The Barbizon school were drawn together by their passion and desire to elevate landscape painting as a response to the Academic elevation of historical and mythological themes. Here, East truly revels in the beauty of the English landscape but also captures the mood of the time in which there was a growing concern at the rapidity of social change and its impact upon the countryside. East regularly painted the Cotswolds from the early 1890s until the end of his life - it is probable that this scenes depicts that part of the country. He focused principally on the area around Upper Swell, which he referred to as 'Over Swell', hoping to avoid the village becoming a focus for visitors seeking out the views that he portrayed. East adopted a well established three-stage-technique that made great use of the under-painting, a second layer concerned with the correction of values, and a final stage for the addition of details; all painted with lean oil paint. As can be seen in the work, during this process East practically repainted the entire canvas after the first layer and then proceeded to pick out isolated sections that required further reworking and detail. Provenance Pelter Sands Gallery Bristol, 1975 Exhibition of Twentieth Century British Painting. This work was part of Andrew Vicari...

British School 19th Century TempestOil on board Image size: 9 1/2 x 12 1/2 inches (24 x 32 cm)

Tom Ivester Lloyd 1871-1942 was a fine artist who worked mainly in water colour but was also very accomplished in oils. He served in the first war and produced pictorial records which are now in the army museum. He was a keen hunting man and was Master of the Sherrington Foot Beagles. He was a great hound man and wrote and illustrated a book on hounds. Acquiring an early 20th-century English fox hunting...

James Edward Butteerworth Owning a painting by James Edward Buttersworth depicting the heroic rescue of passengers from the ship 'Winchester' by the inscribed steamship 'Washington...

Antique Victorian, Impressionist 19th century English oil, Fishings boat at Sea. Adolphus Knell was a superb painter of marine subjects during the middle of the 19th century. His wor...

Antique Victorian, Impressionist 19th century English oil, Fishings boat at Sea. Adolphus Knell was a superb painter of marine subjects during the middle of the 19th century. His w...