Unknown

Landscape with Bulding and Figures, Oil on Board, Flemish School 1700

1700s

Olio su tela. Firmato in basso a sinistra. L'artista di origine romana Cesare Maggi si affermò come paesaggista di stampo divisionista, ritraendo paesag...

Oil painting on canvas. Signed lower left. The landscape view shows in the foreground a mountain path that leads to a bread oven, where a woman prepares the bundles of wood for the f...

Oil on Canvas. The landscape proposes a very green countryside, crossed centrally by a watercourse on the bank of which, in the foreground, a herd of cattle is watering; in the cent...

Oil painting on canvas. North European school of the 19th century. The romantic taste pervades this nocturnal landscape, illuminated by the light of the full moon, barely veiled by s...

Oil on canvas. The two paintings, certainly similar in terms of subject type and pictorial methods, offer two landscape glimpses typical of the 17th and 18th Nordic production. They ...

Oil painting on canvas. French school of the seventeenth-eighteenth century. The external scene is divided into two strongly contrasting parts: on the left, on the dark and gloomy ba...

A fine impressionist sporting painting with salmon fisherman in a canoe by American artist John Whorf (1903-1959). Whorf was born in Winthrop, Massachusetts and by the age of sixteen...

I wish I could figure out who this super-talented artist of the 1800's "Mort R.", was. He painted this gorgeous swamp scene in 1872, but his signature did not include his last name and so we don't know who he was! At any rate, if you have ever visited Louisiana, or the Carolina coast, or even parts of Texas, you will understand how beautifully the artist has captured the special light coming up over a swamp early in the morning. A pirogue has been pulled up at the edge of a small island. The sun is just peeking over the horizon, gently shedding its subtle light. Comes in an exquisite gilt and plaster 19th...

Framed oil on linen, ''Lower Rhine,'' by Carl Barth (German, 1896-1976), signed ''Barth'' lower left, bears Hearst Art Gallery, Moraga, California label verso, overall: 26''h x 30''w. Provenance: Deaccession of Hearst Art Gallery, St. Mary's College, Moraga, California Carl Barth was a German visual artist who was born in 1896. Carl Barth has had several gallery and museum exhibitions, including at the Galerie Remmert und Barth. Many works by the artist have been sold at auction, including 'Mythos' sold at Ketterer Kunst Munich 'Old Masters & Modern Art/ Marine Art ' in 2003. There have been many articles about Carl Barth, including 'Getty Brings Together Over 40 Drawings Selected Solo Exhibitions 2017 Carl Barth: Works 1920 - 1970, Galerie Remmert und Barth, Germany, Düsseldorf Selected Group Exhibitions 2016 Overview 2016, Galerie Remmert und Barth, Germany, Düsseldorf 2014 Überblick 2014, Galerie Remmert und Barth, Germany, Düsseldorf Watercolors: Emil Nolde to Otto Dix and Beyond, Galerie Remmert und Barth, Germany, Düsseldorf 2011 Spirit of an Age: Drawings from the Germanic World, 1770–1900, J. Paul Getty Museum at the Getty Center, USA, Los Angeles Overview 2011, Galerie Remmert und Barth, Germany, Düsseldorf which included artists August Macke,Carl Barth, Conrad Felixmuller, George Grosz,Hannah Hoch, Oskar kokoschka and others CARL BARTH 1896 to 1976 The Rhine painter CARL BARTH has created a work rich in developmental stages that stretches from the 20s to the 70s of the last century. After late-Expressionist beginnings in the 20s, he created in the early 30s, probably the most-respected part of his work, those strictly built, color-sparing tempera images that are the New Objectivity and the Magic Realism assigned, Barth's paintings of the early 1930s seem to express the loneliness of man in the face of a colder and more threatening social situation. The constructivist rigor of these works is transformed in the American paintings of 1936 into a more painterly style with a richer modeling of the subject matter, without abandoning the theme: the images reflect the loneliness and emptiness of the not only American "way of life" - they became repeatedly compared to works by Edward Hopper. Select Exhibitions: 1925 First exhibition of watercolors and printmaking in Munich. Return to the Rhineland. Initially own studio in his parents' house in Haan. In the fall admission to study at the Kunstakademie Düsseldorf. 1926 Exhibition with the group "The New West". 1927 First study trip to southern France (via Paris and Chartres). Master student with Heinrich Nauen. 1928 First exhibition with the artist group "Das junge Rheinland" 1933 Solo exhibition in the Kunsthalle Düsseldorf. 1936 Travel to the USA at the invitation of his uncle Ferdinand Kortlücke. Origin of the series of "American" images based on motifs in New York and Long Island. 1940 Solo exhibition of the "Roman pictures" at Galerie Alex Vömel in Düsseldorf. 1948 The monograph "The Painter Carl Barth" by Hans Peters appears. Exhibition at the Kölnischer Kunstverein together with Gerhard Marcks and Peter Herkenrath. 1951 Solo exhibitions in Wuppertal, Marl and Duisburg. The Museum Münster shows the exhibition "Carl Barth - Otto Pankok...

Lundbohm grew up in Fritsla, Sweden where his father was a fisherman. Sixten Lundbohm graduated in Gothenburg in 1913, and studied art history at the University of Gothenburg and at the same time studied at Valand's evening school. In the spring of 1914 he also attended Valand's painting school with Axel Erdmann as a teacher and started the autumn of the same year at Wilhelmson's paint school in Stockholm. Throughout his career, Lundbohm made a large number of painting trips in Europe, primarily to France and Spain, but also Norway and Denmark . His southern landscape and architecture motifs have a strict and monumental structure, akin to Ivan Aguéli...

Every now and then, even we dealers get fooled. This painting was sold to me as by George Gardner Symons. It bears his signature. At some point, the FBI (yes!) showed up at my door t...

Pink Place peach pink blue yellow I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to ...