Unknown

Landscape of San Rafael Looking Toward Mt. Tamalpais - DeTreville

1929

Big Sur Coast, Vintage 1970s Panoramic Pacific Seascape by John Zaccheo Gorgeous vintage oil painting of waves crashing along the rocks on the coast...

Mid Century California Mountaintops Forest Landscape by Joseph Frey Beautiful and serene mid-century landscape of snowy California mountaintops by listed California artist Joseph Fr...

Stunning multi-color landscape of a red barn nestled among vibrant snow capped mountaintops by unknown artist M. Ciraulo (American, 20th century), c.1970's. A vivid palette including...

Wonderful mid century autumnal landscape of a miner's shack on Tuolumne River in Yosemite by N.C McNickle (American, 20th Century), circa 1950. Impasto adds extra texture and depth S...

Beautiful Big Sur stream landscape by California Plein air artist Weaver (American, 20th Century). Signed "Weaver" lower right. Unframed. ...

Beautiful California coast line landscape of Northern Big Sur (Garrapta Beach) about ten miles south of Carmel-by-the-Sea, California, Circa 1980s. Unsigned. Unframed. Image size: 18...

Leigh Ann Van Fossan's "Sweet Dreams" is an original, handmade oil painting that depicts sailboats floating in the darkness as the glow of the blue sky casts reflections on the inky ...

Leigh Ann Van Fossan's "Nocturne" is an original, handmade oil painting that depicts sailboats floating in the darkness as their lights and the moon casts glimmering reflections on t...

Aldro T. Hibbard (American, 1886-1972) Winter Wonderland Signed Lower Right 26 x 36 inches 32 x 42 inches with frame Born in Falmouth, Massachusetts, Aldro Hibbard was an Impression...

Charles Chambers (American, 1880-1964) Young Lady Picking Wildflowers Signed Lower Right 10 x 13 inches 16.5 x 16.5 inches with frame C. Bosseron Chambers was known for figurative works in an illustrative manner, with many of them being either portraits or works with religious themes. An illustrator and teacher as well as painter, Chambers was born in St. Louis, Missouri on May 1882. His father, a young Irish captain in the British Army, was a convert to the Catholic Church, and his mother was the daughter of a French family long established in St. Louis. Charles, the youngest of several children, was sent to the Preparatory and Grammar Schools connected with St. Louis University in his earliest years, and his education in his chosen art was begun under Louis Schultz of the Berlin Royal Academy, with whom he spent six years. His next master was Aleis Hrdliczka of the Royal Academy of Vienna, and he later studied with Johannes Schumacher of Dresden for six years. After matriculating at St. Louis University, Chambers began his professional career at Palm Beach, Florida, a place chosen because of his mother's failing health. From this period in his artistic productions date the fantastic figure compositions exhibited at the St. Louis Exposition, together with portraits of Colonel Mitchell for the Missouri Historical Society; Joseph Jefferson, the great American actor; young Master Haven; Henry Phipps; Henry M. Flagler; Mrs. Voorhis and others. In 1916, he moved to New York City, and established himself in the Carnegie Studios, Carnegie Hall, where he occupied a splendid atelier. Here he produced the Light of the World, the most popular religious painting of the early 1900s in the USA. He was a member of the Society of Illustrators, established in 1901 in New York City, and the Salmagundi Club, an early important art club in New York City. He illustrated Sir Walter Scott's, Quentin Durward, in the Scribner Classics for Young People. His work was exhibited at the well-known John Levy Galleries in New York City in the 1930s, and his work is now in several public collections in St. Louis and Chicago, including Chicago's St. Ignatius's Church, Missouri Historical Society in St. Louis, and the Osceola Club in St. Augustine, Florida. Chambers is listed on p. 145 of Currier's Price Guide to American Artists at Auction, 6th ed. 1994, written & compiled by William T. Currier, Currier Publication, Stoneham, MA. Reviews of his artwork have appeared in various publications, including the following: "Chambers' Seven Dolors criticized by Emily Genauer" Art Digest v. 13 March 15, 1939, p. 58. "From Angels to men: Recent portraits, John Levy Galleries" Art Digest v. 10 Nov. 15, 1935, p. 12. "Exhibition, John Levy Galleries" Art News...

This painting depicts an impressionistic scene at the beach with beautiful brushwork and whimsical colors. This piece is filled with capturing colors and thick use of paint, we can f...

A stunning depiction of a lone figure walking down a path. Nemethy uses a bold impressionistic technique with thick use of paint and wonderful impressions. With joyful colors, this p...